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3013 

ALBERT ANKER (1831 Ins 1910) Kartoffelschälendes Mädchen (Girl peeling potatoes). 1886. Oil on canvas. Signed and dated lower left: Anker 1886. 70.5 × 52.5 cm. Provenance: - Collection of Georges Wenger, Lausanne, acquired directly from the artist in 1886. - Collection of H. Blattmann-Ziegler, Wädenswil 1931. - Private collection, Wädenswil, 1962. - Important Swiss private collection, acquired from the above. Exhibited: - Bern 1928, Albert Anker, Kunsthalle Bern, September–October 1928, no. 60 (label on verso). - Bern 1931, Albert Anker (1831–1910). Jahrhundertsausstellung, Berner Kunstmuseum, 20.6.–23.8.1931, no. 88 (label on verso). - Atlanta 1988, From Liotard to Le Corbusier. 200 Years of Swiss Painting, 1730–1930. High Museum of Art Atlanta, Georgia, 9.2.–10.4.1988, no. 40 (label on verso). - Pfäffikon 1991, Albert Anker 1831–1910, Seedamm-Kulturzentrum Pfäffikon SZ, 5.5.–11.8.1991, no. 66. Source: Albert Anker: Livre de Vente 16.8. 1886: 'de M. Wenger pour (…) une fille qui pèle des pommes de terre (Probst Anna) 400'. Literature: - Conrad von Mandach: 136 Gemälde und Zeichnungen von Albert Anker, Zurich 1941, 2nd edition, fig. 61. - Walter Hugelshofer: Albert Anker. Calendrier de 1956 avec 12 reproductions d'œvres d'Albert Anker, Winterthur 1956. - Hugo Wagner and Katalin von Walterskirchen: Albert Anker. Katalog der Gemälde und Ölstudien, Bern 1962, no. 236 (with ill). - Hans A. Lüthy: Die heile Welt Ankers, in: Schweizer Malerei. Vom Mittelalter bis 1900, ed. Florens Deuchler et al., Geneva 1975, p. 162 (with ill.). - Sandor Kuthy and Hans A. Lüthy: Albert Anker. Zwei Autoren über einen Maler, Zurich 1980, p. 109. - Jörg Huber: Albert Anker (1831–1910). 32 ausgewählte Bilder, 2nd series, Glattbrugg 1984, p. 25. - Sandor Kuthy and Therese Bhattacharya-Stettler: Albert Anker. Werkkatalog der Gemälde und Ölstudien, Basel 1995, p. 180, no. 363 (with ill.). - Exh. cat. Anker, Fondation Pierre Gianadda, ed. by Therese Bhattacharya-Stettler, Martigny 2003, p. 198 (with ill.). The painting is registered as no. 2277 in the Swiss Institute of Art Research.

zurich, Switzerland