Null Didier BARBELIVIEN : Autograph musical manuscript for a song released in 19…

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Didier BARBELIVIEN : Autograph musical manuscript for a song released in 1977 sung by Eric Charden. Under frame. 20,5 x 16,5 cm (at sight).

317

Didier BARBELIVIEN : Autograph musical manuscript for a song released in 1977 sung by Eric Charden. Under frame. 20,5 x 16,5 cm (at sight).

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Estim. 250 - 300 EUR

[Cesi and Serao]. Two beautiful musical manuscripts, one by Beniamino Cesi titled 'Evviva' and dated 'June 74' and the other titled 'Thirst for Glory' by Carlo Serao setting to music the autograph words of Francesco Orioli given in 'Rome April 17, 1853.' (2)

Estim. 950 - 1 100 EUR

[Musical Manuscripts]. Musical Manuscripts Small but interesting group of musical manuscripts including an autographed song by Alessandro Busti dated 'Naples March 1853,' a 'Scherzo' by Francesco Florimo, an autographed signed 'Polka-Mazurka' by the famous Calabrian composer and pianist Paolo Serrao, and an andante for song and piano by the great Saverio Mercadante. Beautiful set. (Quantity) [Musical Manuscripts] Small but interesting group of musical manuscripts including an autographed song by Alessandro Busti dated 'Naples March 1853,' a 'Scherzo' by Francesco Florimo, an autographed signed 'Polka-Mazurka' by the famous Calabrian composer and pianist Paolo Serrao, and an andante for song and piano by the great Saverio Mercadante. Beautiful ensemble. (Quantity)

Estim. 600 - 800 EUR

DUTILLEUX (Henri). 2 autograph manuscripts (one with musical notations), and one printed volume with signed autograph dispatch. - Autograph manuscript entitled "Analyse de la Sonate pour piano" (9 pp. 2/3 large in-folio on ruled paper, with numerous musical quotations). Full, detailed commentary: "Ier mouv[emen]t : Allegro con moto. The 1st theme, very simple, fits into a sixth and uses the Dorian mode (transposed to F #) [musical notation] The harmonization features the particularity of the A #, rubbing with the A ♮ of the melodic line. 1st theme [musical notation]. It deliberately goes round in circles, particularly in its eighth-note extensions [musical notation]... Its melodic contour changes a little as it develops, so [musical notation] and the alternation of measures at 3/2 2/2 7/8 4/8 (the value of the [eighth note] always remaining the same) accents the freedom of the rhythm during these first pages. The theme becomes more and more distorted, as secondary elements are integrated into it [musical notation], and it sometimes reverts to its initial physiognomy. Then a second motif appears (not yet a 2d theme), quite similar to the initial theme in that it contains identical cells [musical notation]...". - Autograph manuscript entitled "Quelques notes (pour mieux situer à quel stade d'évolution cette sonate se place par rapport à mes travaux antérieurs et postérieurs)" (approx. 5 pp. 1/2 on 6 ff. in-4). Henri Dutilleux situates his Piano Sonata not only in his own work, but also in the French music of his time, affirming his taste for the piano and underlining his temptation to confront the difficulty of sonata form. He also evokes Bach, Beethoven, Frank and Dukas, as well as Webern and Schönberg, with comments on his own relationship to twelve-tone music, etc. - Piano Sonata. Paris, Durand Cie, October 1949. In-folio, (2 of which the second is blank)-55-(3 of which the first 2 are blank) pp. in leaves with printed jacket. First edition. Autograph letter signed: "To Bernard Gavoty, who was present at the very first steps of this sonata and knew how to get it off to a good start. In friendly homage... 9. 11. 49" Organist and musicologist, Bernard Gavoty (1908-1981) succeeded Reynaldo Hahn as music critic at Le Figaro, under the pseudonym "Clarendon".

Estim. 200 - 300 EUR

MASSENET (Jules). Autograph musical manuscript signed, entitled "Plus vite! 1886. 55 bars to 13 systems of 3 staves, occupying 3 pp. 1/2 in-folio on the recto of 4 Lard-Esnault ruled ff. mounted on tabs in an in-folio volume, midnight blue half-chagrin with corners, smooth spine with gilt title throughout, gilt fillet on leather edge on boards; binding rubbed (period binding). MELODIE POUR VOIE ET ACCOMPAGNEMENT DE PIANO SUR UN POEME D'HELENE VACARESCO, beginning in G major and ending in G minor. Manuscript dated Étretat, September 25, 1886, with two autograph notes, one stating, "... Je suis souffrant et triste" (on the first page), the other, "... moi, souffrant. 1st fire of autumn. Juliette [Massenet's daughter] in the salon" (on the last sheet). AUTOGRAPHIC SENTENCE SIGNED BY THE COMPOSER (on one endpaper): "À Madame Henri Heugel, j'offre respectueusement ces quelques mesures manuscrites... Paris 1892". Rose Maud Creed was the wife of music publisher Henri Heugel. ATTACHED: DESCHANEL (Paul). Autograph letter signed. S.l., "March 11". - HALEVY (Ludovic). Autograph letter signed to Edmond About. S.l., "Tuesday, February 12" [1884]. - POINCARE (Raymond). Autograph letter signed. [Paris], "Tuesday" [1895, according to postmark].

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