Kang, Ik-Joong
(1960 Cheong Ju, South Korea - lives and works in New York). "Bla…

Description

Kang, Ik-Joong (1960 Cheong Ju, South Korea - lives and works in New York). "Black Halo." Mixed media u.a. colored woodcut on laid paper. 1998. sheet size ca. 66 x 91 cm. Signed & dated lower right, titled & numbered lower left. Copy 9 of 10. framed under glass (not unframed). Known for his objects, in which he forms a complete work from many 3 x 3 inch (approx. 7,6 x 7,6 cm) canvases or panels, the internationally renowned artist deals with the fusion of language, religion and worldview. This technique continues in his few prints. Present here is a composition of 2 squares, each divided into 25 smaller 3 x 3 inch units. - Mixed media (mainly woodcut) on paper. 1998, ed. 9/10. framed. The artist is internationally recognized for creating public art works using multiple 3 x 3 inch canvases. This technique is also continued in his prints. The here presented work is a composition of 2 squares, each divided into 25 smaller 3 x 3 inch units. D

3928

Kang, Ik-Joong (1960 Cheong Ju, South Korea - lives and works in New York). "Black Halo." Mixed media u.a. colored woodcut on laid paper. 1998. sheet size ca. 66 x 91 cm. Signed & dated lower right, titled & numbered lower left. Copy 9 of 10. framed under glass (not unframed). Known for his objects, in which he forms a complete work from many 3 x 3 inch (approx. 7,6 x 7,6 cm) canvases or panels, the internationally renowned artist deals with the fusion of language, religion and worldview. This technique continues in his few prints. Present here is a composition of 2 squares, each divided into 25 smaller 3 x 3 inch units. - Mixed media (mainly woodcut) on paper. 1998, ed. 9/10. framed. The artist is internationally recognized for creating public art works using multiple 3 x 3 inch canvases. This technique is also continued in his prints. The here presented work is a composition of 2 squares, each divided into 25 smaller 3 x 3 inch units. D

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Estim. 9 000 - 13 500 EUR

Mary Bauermeister, "getting organised" dated 1971-72, handwritten signature Mary Bauermeister on the reverse, numbered 196-Z, unique composition of river pebbles and sand on a chipboard, unique filigree arrangement of river pebbles sorted by size and colour, geometrically sorted and rising in the centre with interesting angles, rising from one corner as a three-dimensional mountain range, wall mount on the back, a few pebbles missing, dimensions W 50 x D 50 x H 12 cm. Enclosed: 2010 hand-signed and dedicated book on the exhibition: Mary Bauermeister, Welten in der Schachtel - Mary Bauermeister und die experimentelle Kunst der 1960er Jahre, Wilhelm Hack Museum, Ludwigshafen am Rhein 2010, Kerber Art Verlag. dated 1971-72, handwritten signature Mary Bauermeister on the reverse, numbered 196-Z, unique composition of river pebbles and sand on a chipboard, unique filigree arrangement of river pebbles sorted by size and colour, geometrically sorted and rising in the centre with interesting angles, rising from one corner as a three-dimensional mountain range, wall mount on the back, a few pebbles missing, dimensions W 50 x D 50 x H 12 cm. Enclosed: 2010 hand-signed and dedicated book on the exhibition: Mary Bauermeister, Welten in der Schachtel - Mary Bauermeister und die experimentelle Kunst der 1960er Jahre, Wilhelm Hack Museum, Ludwigshafen am Rhein 2010, Kerber Art Verlag. Artist info: German artist and garden designer (1934 Frankfurt a.M. until 2023 Bergisch Gladbach), was already supported at grammar school by drawing teacher Günther Ott, studied at the Hochschule für Gestaltung in Ulm, but left after one semester to study at the Staatliche Schule für Kunst und Handwerk in Saarbrücken under Otto Steinert, from 1956 as a freelance artist in Cologne, 1960 opened a studio in Cologne, which became very well known for musicians and artists and influenced the work of numerous artists through its intermedial ideas, She exhibited at numerous solo and group exhibitions, including international ones, lived and worked in New York for a time, but in the 1970s she moved the centre of her life back to Rösrath near Cologne, where she created a Gesamtkunstwerk in her house and garden, although she continued to spend time in New York on a regular basis. In the 1980s she created further gardens with her artworks as an overall composition and was a member of the Fluxus movement. Source: Exhibition catalogue Mary Bauermeister - Welten in der Schachtel, for the exhibition Mary Bauermeister und die experimentelle Kunst der 1960er Jahre, Wilhelm-Hack-Museum Ludwigshafen am Rhein, Kerber Art Verlag 2010, p. 151 ff.

Estim. 20 - 30 EUR

Otmar Alt, "Der Wettlauf zwischen Hase und Igel" large-format, colourful composition, created on the occasion of the 1972 Olympic Games in Munich, colour silkscreen on light cardboard, signed and dated "Otmar Alt (19)70" on the lower edge in the print, later overdrawn by the artist with Edding and signed and dated by hand "O. Alt (19)92", slightly rubbed and minor damage in the margins, dimensions approx. 87 x 64 cm. Artist information: German painter, graphic artist, illustrator, sculptor and porcelain painter (born 1940 in Wernigerode/Harz), moved to West Berlin in 1951, 1956-58 apprenticeship as window dresser and poster painter, studied 1959-60 at the Meisterschule für Kunsthandwerk Berlin, 1960-66 at the Hochschule der Bildenden Künste (HBK) Berlin under Karl Hartung, Bernhard Heiliger and Ulrich Knispel, 1964-66 master student of Prof. Hermann Bachmann, from 1966 onwards at the HBK Berlin under Karl Hartung, Bernhard Heiliger and Ulrich Knispel. Hermann Bachmann, freelance from 1966, worked as a stage design assistant in Frankfurt am Main and Trier, 1967 Franz Roh Prize, from 1969 member of the artists' association "Edition Außenkunst", undertook numerous study trips, including to the USA, Canada, Greenland, Finland, Iceland, Paris and the South Seas, 1974-77 stay in Italy, from around 1969 also sculptor, worked for the Rosenthal/Selb porcelain manufactory, among others, lives in Hamm/Norddinker, source: AKL and Internet.

Estim. 90 - 135 EUR

Otmar Alt, Paar Grafiken colourful compositions with figurative echoes, colour screenprints on light card, around 2000, each signed "O. Alt" in lead below the image on the right, minimal traces of storage, copies in fresh colours, image dimensions approx. 32 x 30 cm, sheet dimensions approx. 41 x 37 cm. Artist information: German painter, graphic artist, illustrator, sculptor and porcelain painter (born 1940 in Wernigerode/Harz), 1951 moved to West Berlin, 1956-58 apprenticeship as window dresser and poster painter, 1959-60 studied at the Meisterschule für Kunsthandwerk Berlin, 1960-66 at the Hochschule der Bildenden Künste (HBK) Berlin under Karl Hartung, Bernhard Heiliger and Ulrich Knispel, 1964-66 master student of Prof. Hermann Bachmann, from 1966 onwards at the Hochschule der Bildenden Künste (HBK) Berlin under Karl Hartung, Bernhard Heiliger and Ulrich Knispel. Hermann Bachmann, freelance from 1966, worked as a stage design assistant in Frankfurt am Main and Trier, 1967 Franz Roh Prize, from 1969 member of the artists' association "Edition Außenkunst", undertook numerous study trips, including to the USA, Canada, Greenland, Finland, Iceland, Paris and the South Seas, 1974-77 stay in Italy, from around 1969 also sculptor, worked for the Rosenthal/Selb porcelain manufactory, among others, lives in Hamm/Norddinker, source: AKL and Internet.

Estim. 400 - 800 EUR

‘PEONY’, FOLLOWER OF ZHANG DAQIAN (1899-1983) ‘PEONY’, FOLLOWER OF ZHANG DAQIAN (1899-1983) China, 20th century. Ink and watercolors on paper. Mounted and framed behind glass. Painted in the artist’s characteristic style with a pink peony blossom borne on a leafy stem. Inscriptions: To the top, inscribed with a poem about pausing to enjoy the view. Signed ‘Daqian’ with five seals. Condition: Very good condition with wear and minor browning of paper, some water stains. Provenance: English trade. Dimensions: Image size 31 x 43.5 cm, Size incl. frame 53.3 x 76 cm Zhang Daqian (1899-1983) was one of the best-known and most prodigious Chinese artists of the twentieth century. Originally known as a guohua (traditionalist) painter, by the 1960s he was also renowned as a modern impressionist and expressionist painter. In addition, he is regarded as one of the most gifted master forgers of the twentieth century. After the Communist Revolution in 1949, he left China and spent years living in South and North America, extensively touring Northern California. Chang’s first California solo exhibition in 1967 at Stanford University attracted an opening reception crowd of a thousand. Finally, he settled in Taipei, Taiwan in 1978. During his years of wandering, he had several wives simultaneously, curried favor with influential people, and maintained a large entourage of relatives and supporters. He also kept a pet gibbon. He affected the long robe and long beard of a traditional Chinese scholar.

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