Null Germaine INGHELBECHT née PERRIN (1892- ?) third wife of the conductor D.-E …
Description

Germaine INGHELBECHT née PERRIN (1892- ?) third wife of the conductor D.-E Inghelbrecht. About 120 L.A.S. "P." or "Pilon", [1922-1932], to Colette Steinlen; about 250 pages various sizes, some envelopes (some letters incomplete). Abundant correspondence with Inghelbrecht's first wife. [Germaine Perrin, nicknamed Pilon, was very close to Marguerite Steinlen, nicknamed "Biche", and to Colette Steinlen, daughter of the painter, and cousin of Marguerite. She was also the third wife of Désiré-Émile Inghelbrecht (they married in 1941, a year before the remarriage of Colette Steinlen, Inghel's first wife, to Roger Désormière)]. Long correspondence between two great friends, mainly about their daily life, their friendships, their loves, Inghelbrecht, Désormière, the painter Théophile-Alexandre Steinlen, Marguerite Steinlen, etc. "Dear Madam, I am taking advantage of my passage in front of a post office to write you a love letter... you are the most adorable friend in the world, all that I possess of more precious, of inestimable. Good night, see you tomorrow." (May 18, 1924). "Inghel is at the beach. We have had two very bad days. He reproached me for having 'changed', and for considering a future without him. He wanted, demanded, that I tell him the bottom of my thoughts. To which I answered that I indeed wished to have a free man in my life - and that I had never thought that we could remain linked eternally - hence the inner cataclysm in him - and all that follows - I am really starting, finally - to be fed up with his narrow-minded nature. It's unfortunate but true. I have a strange feeling inside me, as if I were going towards something else, towards more space - it's curious - In any case, my torture with Inghel is over" (8 August 1932). His tender relationship with Marguerite Steinlen: "In Lonay: transparent, cold, slightly agitated water [...] found the poor little heart of my lamentable doe. Alas, alas... how I pity her. I feel deep down, as strong as ever, this imperious need to have me to her. The solitude, the rest nothing is good for her, all is despair for her. What to do? If I see her too much, and with too much kindness, I hurt her. If I don't see her I hurt her too. [...]. Your father doesn't seem bad to me. (Friday, July 20). Attached is the crossed correspondence between Germaine Perrin and her father R. Perrin in Lausanne, 1927-1928.

76 

Germaine INGHELBECHT née PERRIN (1892- ?) third wife of the conductor D.-E Inghelbrecht. About 120 L.A.S. "P." or "Pilon", [1922-1932], to Colette Steinlen; about 250 pages various sizes, some envelopes (some letters incomplete). Abundant correspondence with Inghelbrecht's first wife. [Germaine Perrin, nicknamed Pilon, was very close to Marguerite Steinlen, nicknamed "Biche", and to Colette Steinlen, daughter of the painter, and cousin of Marguerite. She was also the third wife of Désiré-Émile Inghelbrecht (they married in 1941, a year before the remarriage of Colette Steinlen, Inghel's first wife, to Roger Désormière)]. Long correspondence between two great friends, mainly about their daily life, their friendships, their loves, Inghelbrecht, Désormière, the painter Théophile-Alexandre Steinlen, Marguerite Steinlen, etc. "Dear Madam, I am taking advantage of my passage in front of a post office to write you a love letter... you are the most adorable friend in the world, all that I possess of more precious, of inestimable. Good night, see you tomorrow." (May 18, 1924). "Inghel is at the beach. We have had two very bad days. He reproached me for having 'changed', and for considering a future without him. He wanted, demanded, that I tell him the bottom of my thoughts. To which I answered that I indeed wished to have a free man in my life - and that I had never thought that we could remain linked eternally - hence the inner cataclysm in him - and all that follows - I am really starting, finally - to be fed up with his narrow-minded nature. It's unfortunate but true. I have a strange feeling inside me, as if I were going towards something else, towards more space - it's curious - In any case, my torture with Inghel is over" (8 August 1932). His tender relationship with Marguerite Steinlen: "In Lonay: transparent, cold, slightly agitated water [...] found the poor little heart of my lamentable doe. Alas, alas... how I pity her. I feel deep down, as strong as ever, this imperious need to have me to her. The solitude, the rest nothing is good for her, all is despair for her. What to do? If I see her too much, and with too much kindness, I hurt her. If I don't see her I hurt her too. [...]. Your father doesn't seem bad to me. (Friday, July 20). Attached is the crossed correspondence between Germaine Perrin and her father R. Perrin in Lausanne, 1927-1928.

Auction is over for this lot. See the results

You may also like

Gabriel BELOT (1882-1962). 6 L.A.S., 4 illustrated, 1920 and n.d., to Marguerite Steinlen and Germaine Perrin; 8 1/2 pages in-fol. or in-4. Lovely gallant correspondence illustrated with pen-and-ink drawings, some enhanced in color. The painter-poet addresses his "dear little ones", Marguerite Steinlen (the painter's niece) and his companion Germaine Perrin (who became the 3rd wife of composer and conductor D.E. Inghelbrecht).Saturday. He thanks them for their letter, although Marguerite gives him the "mossieu", and Germaine shows a certain distance "that calms the beating of my heart, so that I find myself shivering. Forgive my frankness, it comes from someone who only wants to love. [...] to close yourself off is to nip in the bud gestures of brotherhood". - Tuesday. Long letter illustrated with a child's head and colored flowers in the margins: "It's no small thing that we've met! A man beaten to a pulp by fate meeting two charming, good and noble beings! A man who cries out to you in his love: believe in happiness, it exists if we want it". He addresses the two young girls, of whom he paints a touching portrait: "Little Germaine, expressive, laughing and generous, forced at an early age to live a solitary life, eerily alone and austere, with laughter deep in her soul. Little Marguerite, upright, frank and noble, obliged to hide the nobility of her self so as not to be called a "pimbêche" or any other adjective as harmonious as it is ridiculous". He plans to visit them and read Flaubert's La Légende de St Julien l'Hospitalier "in a loud and distinct voice. Laugh, laugh, my darlings. That's why you're young, and why a poor man asks you for the alms of a smile and permission to look into your eyes, which are full of the dew of tears given by the rhythm of three souls who have found each other... Phew! How hard it is to distract little girls when you've grieved for them"... - December 12, 1920, he draws doves and trees beaten by the rain: "Nature is neither good nor bad, just like the men she is a part of"... - Ile St Louis, with drawing of a flower: "to think that my engraving gives you a little of the breath that haunts me, I am happy even though my hand translates weakly what I feel"... - Friday morning 7am. He returned early in the morning: "Calm and the sweetness of life descended from the sky... In Ile St Louis? The trees caressed each other as they listened to the rhythm of the water [...] Thank you again, my dear and delicate friends: I am so unaccustomed to tender gestures that when I come across these rare flowers, I find myself drunk as a Cossack! He concludes his letter with a lovely drawing of maternity. - December 20, 1920, in the form of a prose poem entitled Un ami: "I think of a friend. His soul at once walks before me... His eyes stare into my eyes and his heart beats in my heart. [...] I think of a friend: The sky becomes brighter. - His word? I hear it in the murmur of foliage and in the harmonious sound of the wind"... About 120 L.A.S. from Germaine INGHELBRECHT née PERRIN (1892-?, third wife of conductor D.-E Inghelbrecht), [1922-1932], to Colette Steinlen; about 250pages in various formats. Abundant correspondence between the two great friends, mainly relating to their daily lives, friendships, loves, Inghelbrecht, Désormière, the painter Théophile-Alexandre Steinlen, his tender relationship with Marguerite Steinlen, etc. Plus the cross-correspondence between Germaine Perrin, and her father R. Perrin in Lausanne, 1927-1928.