BRETIN (Filbert). Ɵ Love poems reduced to the form of a Discourse of the nature …
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BRETIN (Filbert).

Ɵ Love poems reduced to the form of a Discourse of the nature of Love. Plus les meslanges. Lyon, Benoît Rigaud, 1576. In-8, turquoise blue morocco, double gilt fillet, ornate spine, inner lace, gilt edges on marble (M. Lortic). First and only edition, extremely rare, of the Poésies amoureuses of this Burgundian doctor-poet. Absent from the great poetic libraries of De Backer, Herpin, Nodier and Viollet-le-Duc, only 3 copies are reported in the CCFr (one in Grenoble, and two in the BnF, Réserve and Arsenal). Born in Auxonne around 1550, Filbert (or Philibert) Bretin was admitted to the college of physicians in Dijon, where he died in 1596. In addition to a translation of Lucian and of the Aphorisms of Hippocrates, we owe him this collection of poems in which he discusses the nature of love and its effects, evoking in detail the desires aroused by amorous passion, the troubles it raises in the mind, the sensations it provokes in the body, the true or imaginary sorrows and satisfactions that accompany it, etc. Among the significant pieces of the volume, let us quote a Chanson de l'espérance & consolation imitated from an Ode of Ronsard (f. 12), an acrostic poem in the form of an inverted pyramid revealing the name of the Lady to whom our poet addresses himself, i.e. Marguerite Chappelain (f. 27), and this interesting ode to Thevet (f. 55 v°), author of the famous Cosmographie universelle (1575) which Bretin says to have been partly written & drawn up in the house of the aforementioned Tevet, on his memoirs. The poem Origin & source of the perfection of the man deserves the attention. Bretin, who endeavors to demonstrate the poverty of human nature, because man, he says, has found himself obliged to imitate animals, concludes that the animal is superior to man: One sees by this that man, although he denies it, / Is the poorest of all that has life: / And has nothing more than the aumosne that he takes / From the animal, who teaches him all art. Achille Chereau, Parnasse médical de la France, pp. 93-94. - Baudrier, t. III, p. 332. - Diane Barbier-Mueller, Inventaire..., n°102.

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BRETIN (Filbert).

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Pontus de THYARD. Philosophical Discourses. In-4, brown morocco, decorated in the Du Seuil style with a fine toothed roulette decorating the central frame, 5-rib spine nicely decorated with gilt fleurons and foliage, interior lace, gilt edges ( Capé). Brunet, V-853 // De Backer, 514 // Tchemerzine-Scheler, V-896. (2 f. out of 4, including a portrait and a probably blank missing here)-368 f.-(12 f.) / ã4, a-z4, A-Z4, Aa-Zz4, Aaa-Zzz4, Aaaa-Cccc4 / 163 x 239 mm. Collective edition of Pontus de Thyard's six philosophical discourses. Pontus de Thyard (Thiard or Tiard), Seigneur de Bissy (1521-1605), received a solid classical education and took up poetry at an early age. His first collection of poems, Erreurs amoureuses, published in 1549 in Lyon, had a strong influence on the poets of his time, particularly Ronsard, whose first poems were printed later, in 1551, and Du Bellay, who only entered the poetic career at the end of 1550 with the publication of l' Olive. Thyard's contemporaries praised him praised him for having pulled poetry out of the quagmire of ignorance and for having served as a guide, through the publication of this book, to a host of fine minds. At the same time, Pontus de Thyard had taken his degrees in theology, entered holy orders and devoted himself more particularly to philosophical studies. In 1571, he was promoted to bishop of Chalon-sur-Saône, and produced works full of erudition, doctrine and philosophy. The collective edition brings together Solitaire premier, Solitaire Solitaire second, the Mantice, the First Curious, the Second curieux and the Scève ou Discours du temps de l'an et de ses parties. The first three were published between 1552 and 1558 by Jean de Tournes, and the other three in 1578 by Mamert Patisson. The Solitaire second, devoted to music, is illustrated with a large fold-out plate depicting the monochord and 23 diagrams in the text (including one in the errata). This edition is also illustrated with an engraved portrait by Thomas de Leu, which is missing here but has been replaced by the same portrait, flying, whose margins have been cut (140 x 175 mm). The collation of our copy conforms to that given by Tchemerzine and De Backer. The Lyon library has a copy containing an additional state of folio ã3. A fine copy, despite minor rubbing to the spines. Provenance: Rothon Soc. Jes. (? handwritten bookplate on title), Albert Pascal (bookplate) and Marquis de l'Aigle (bookplate from Château de Franc-Port).

François BÉROALDE de VERVILLE. Les Apprehensions spirituelles, Poemes & autres Oeuvres Philosophiques avec les Recherches de la pierre philosophale.- Les Cognoissances necessaires, poeme contenant plusieurs belles resolutions philosophiques... - François BÉROALDE de VERVILLE. Les Souspirs amoureux. Avec un discours Satyrique de ceux qui escrivent d'Amour, by N. Le Digne. Paris, Timothee Iouan, 1584. 2 works in a small in-12 volume, red morocco, triple cold-stamped fillet, 5-rib spine decorated in the same style, interior lace, gilt edges ( Bauzonnet-Trautz). Brunet, I-804 // Cioranescu, 3662-3664 // Tchemerzine-Scheler, I-648-650. I. (8f.)-55f.-(2f.bl.)-(3f.)-135f.-(1f.) / a8, A-E12, A-F12, G4, H8, I-M12, N4 // II. 60f. / A-E12 // 75 x 130 mm. Second edition of these two works which first appeared in 1583. The only changes are to the title pages, which are dated 1584. Tchemerzine-Scheler cites another change: on the title page of the Appréhensions spirituelles, we see poeme with, in the second printing, the e in the o, a remark that does not appear in our copy. A collection in verse and prose for the first work, and entirely in verse for the second. A highly erudite philosopher and mathematician, canon of the cathedral of Saint-Gatien de Tours in 1593, François Brouart, known as Béroalde de Verville (1556-1626), remains best known for his indispensable Moyen de parvenir, a book of tales with a less-than-religious and sometimes slightly licentious spirit. This overlooks the fact that he was also the author of tales, poetry and works on coats of arms, mathematical and mechanical instruments, philosophy... His Appréhensions spirituelles and Soupirs amoureux are his first collections of poetry. very free pieces [and] obscenities worthy of inclusion in Moyen de parvenir (Brunet). A very fine copy in a sober Bauzonnet-Trautz binding. One leaf shorter in margin in the first volume (D6) and a hole in leaf B12 with loss of 2 letters.