Null Teddy bear, Steiff company, replica ''British Collector's 1911 Replica Tedd…

Description

Teddy bear, Steiff company, replica ''British Collector's 1911 Replica Teddy Bear'' from 1992, light mohair, unplayed, still mounted in original box, with certificate, h. 40 cm

4004

Teddy bear, Steiff company, replica ''British Collector's 1911 Replica Teddy Bear'' from 1992, light mohair, unplayed, still mounted in original box, with certificate, h. 40 cm

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Estim. 180 - 270 EUR

Henry Enfield, Fjord Landscape Steep cliffs rising from the sea, partly covered by snow, and in the foreground fishermen pulling their boat ashore and unloading their catch, slightly impasto landscape painting, oil on canvas, around 1900, signed lower left "H. Enfield", label with biographical data on the artist on the reverse, slight traces of age, small tear to the lower edge almost concealed by the fold, in a stuccoed and gold-bronzed frame (slightly bumped) approx. 9.5 cm wide, folded dimensions approx. 53 x 88 cm. Artist information: English landscape and marine painter (1849 London until after 1914 Berlin?), lived in Nottingham, initially self-taught in painting, studied 1873-75 under Émile Auguste Carolus-Duran in Paris, 1884-96 active in Düsseldorf, ran a company for glass painting together with Ludwig Schmidt, 1880 and 1893 stay in London, 1883 in Antwerp and 1894 in Nottingham, 1897 until ca. 1912 in Berlin and finally in Berlin. 1912 in Berlin and finally in Neuwarp in Pomerania, 1872-93 exhibited at the Royal Academie London and the Royal Society of British Artists, 1895-1914 at the Great Art Exhibitions in Berlin, Düsseldorf and the Glaspalast Munich, as well as 1880-1911 exhibitions of the Nottingham Society of Artists and exhibitions in Birmingham and Liverpool, 1888-1900 member of the Düsseldorf artists' association "Malkasten", member of the Allgemeine Deutsche Kunstgenossenschaft, from 1897 member of the Verein Berliner Künstler, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Bruckmann "Lexikon der Düsseldorfer Malerschule", "The Dictionary of British Artists 1880-1940", Müller-Singer, Dressler, Bénézit and Wikipedia.

Estim. 180 - 270 EUR

Charles Jones, Glen Etive in the Scottish Highlands The motif is typical for Jones, a qualitatively appealing nuanced study of the rough, rocky landscape of the Highlands, here the painter gives an impression of the valley Glen Etive, from which James Bond looked at the place "Skyfall" in the film of the same name, partly glazed oil painting on canvas with dominant earth and green tones, 2nd half 19th century, with the typical ligatured artist's monogram "CJ" lower right and indistinctly dated, signed again in lead on the reverse and also inscribed "Glen Etive" in a barely legible manner by the artist, label with annotations on the artist and work as well as label of the company for painting and drawing utensils "Charles Robertson London", small loss of colour in the upper left area of the painting, in a contemporary magnificent frame with bumping, folded dimensions approx. 29.5 x 38.5 cm. Artist information: also known as "Sheep Jones", English animal and landscape painter of Welsh origin (1836 Cardiff to 1892 ?) active in Barnham (Sussex) and London, frequently exhibited at the Royal Academy in London in 1861-91, among others, won a gold medal at an annual exhibition at the Crystal Palace Gallery in 1890, member of the Royal Cambrian Academy and the Society of British Artists, among others, source: Thieme-Becker.

Estim. 100 - 200 EUR

IMAO KEINEN: THE FOUR SEASONS BIRD AND FLOWER ALBUMS, VOL. 2 (SUMMER) IMAO KEINEN: THE FOUR SEASONS BIRD AND FLOWER ALBUMS, VOL. 2 (SUMMER) By Imao Keinen (1845-1924) Japan, Meiji period edition, around 1900 Color woodblock print album. Ink and color on paper. The ehon (picture book) sewn together and containing 32 illustrations of summer flowers and birds, numbered to the top. Titled Keinen kacho gafu (The Four Seasons Bird and Flower Albums), Volume 2. Dimensions: 37 x 25.5 cm Condition: Good condition with minor wear and slight browning of paper. Minor stains and some folds to the edges. Provenance: Estate of Wolfgang Zacke (1942-2022), co-founder of Galerie Zacke, thence by descent. Keinen’s most famous work, Keinen Kacho Gafu, is a stunning four-part work of woodblock prints of birds and flowers in the four seasons. Published in 1891, these woodblocks are full oban vertical subjects in a natural soft color palette. Featuring stunning large birds and beautiful small songbirds against scenery like blossoming cherry branches or snow-covered trees, these are exceptional nature prints from the late 19th century. The birds are naturalistically presented in their native habitat, featuring beautiful Japanese plants and flowers. Imao Keinen (1845-1924) was born to a family in the textile business (Iseya for Inosuke Imao) and trained from age 11 as a picture master to provide imagery for yuzen textiles. He first studied ukiyo-e style with Umegawa Tokyo, then turned to Suzuki Hyakunen, who favored the Nanga school. He named himself for his father's most beloved artist, Matsumura Keibun. He was hired at age 30 by the Nishmura Sozaemon company (now Chiso) to design embroidered pictures. He also worked for Iida Shinshichi (Takashimaya) and would win prizes at the 1893 World's Fair in Chicago, followed by a silver medal for the 1900 Paris Exposition Universelle, and a gold medal at the Saint Louis World Exposition. Beginning in 1888, he taught at Kyoto Prefectural School of Painting, and would become an Imperial Artist in 1904, following his gold medal in Saint Louis. He was elected as a member of the Imperial Art Academy in 1919. He specialized in bird and flower paintings and prints. Museum comparison: A closely related woodblock print album is in the collection of the British Museum, museum number HG,0.253.2.

Estim. 800 - 1 600 EUR

A SET OF EIGHT GILT COPPER REPOUSSÉ BELT PLAQUES, YUAN STYLE, QING DYNASTY OR EARLIER A SET OF EIGHT GILT COPPER REPOUSSÉ BELT PLAQUES, YUAN STYLE, QING DYNASTY OR EARLIER China, 1644-1911 or earlier. Consisting of two larger rectangular plaques with a rounded end and six square plaques, each decorated within a raised rim on a ring punched ground. Depicting two or three circling dragons, each biting the tail of the dragon in front, surrounded by stylized lotus borne on leafy vines. Their verso with naturally grown cuprite and malachite encrustations. Provenance: French trade. Condition: Good condition with minor wear, rubbing to the gilt, small nicks, and minuscule dents. The plaques display a rich, naturally grown patina with malachite and cuprite encrustations. Weight: 186 g (total), 29 cm (rectangular plaques), and 21 g (square plaques) Dimensions: Length 8.2 cm (rectangular plaques) and 5.4 cm (square plaques) Literature comparison: Compare a related repoussé belt plaque decorated with fruiting vines, 11.6 cm long, dated to the Yuan dynasty in the British Museum, accession number 1938,0524.328. Compare a related set of seven belt plaques decorated with animal designs, dated to the Tang dynasty, in the Asian Art Museum, accession number B68B10.c.

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