Null SALVADOR GISBERT JIMENO (Blesa, 1851-Teruel, 1912).
El cuerno de la abundan…
Description

SALVADOR GISBERT JIMENO (Blesa, 1851-Teruel, 1912). El cuerno de la abundancia" ("The Horn of Plenty"). 1885. Oil on canvas. Signed and dated in the lower right-hand margin. It bears a label of the Museo de Teruel on the back. The work was included in the artist's exhibition held at that museum in 1997. Missing. Restorations. Perforations. Measurements: 221 x 151 cm; 245 x 172 cm (frame). Salvador Gisbert was a painter, illustrator and draughtsman from Teruel. A multifaceted creator, he painted murals, religious, historical, "genre", landscape and portrait paintings. Thanks to a detailed study conducted by Professor Concha Lomba, new information on his biography has been unearthed. In the province of Teruel he carried out his first pictorial commissions with Santiago González for the church and convent of La Concepción in Calamocha. In 1876 he travelled to Madrid to complete his academic training, where he stayed for three years. In 1882 he was drawing and painting the Holy Week monument in Teruel cathedral. He was also a journalist: editor of the Heraldo de Teruel, of Alcañiz and at the beginning of the 20th century, in 1903, of the Diario de Teruel. He participated in Miscelánea Turolense. In 2013 part of his work was acquired by the Museo de Teruel.

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SALVADOR GISBERT JIMENO (Blesa, 1851-Teruel, 1912). El cuerno de la abundancia" ("The Horn of Plenty"). 1885. Oil on canvas. Signed and dated in the lower right-hand margin. It bears a label of the Museo de Teruel on the back. The work was included in the artist's exhibition held at that museum in 1997. Missing. Restorations. Perforations. Measurements: 221 x 151 cm; 245 x 172 cm (frame). Salvador Gisbert was a painter, illustrator and draughtsman from Teruel. A multifaceted creator, he painted murals, religious, historical, "genre", landscape and portrait paintings. Thanks to a detailed study conducted by Professor Concha Lomba, new information on his biography has been unearthed. In the province of Teruel he carried out his first pictorial commissions with Santiago González for the church and convent of La Concepción in Calamocha. In 1876 he travelled to Madrid to complete his academic training, where he stayed for three years. In 1882 he was drawing and painting the Holy Week monument in Teruel cathedral. He was also a journalist: editor of the Heraldo de Teruel, of Alcañiz and at the beginning of the 20th century, in 1903, of the Diario de Teruel. He participated in Miscelánea Turolense. In 2013 part of his work was acquired by the Museo de Teruel.

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