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Vik Muniz (né en 1961) Eiffel Tower (Postcards from Nowhere), 2015 Digital C-Print. Numbered 1/6. Digital C-Print. Numbered 1/6. H_180,3 cm W_274 cm Provenance: - Galerie Xippas, Paris - Acquired from this gallery by the current owner - Private collection "The great challenge is how to make smart, intelligent art that can speak to everybody."

Vik Muniz (né en 1961) Eiffel Tower (Postcards from Nowhere), 2015 Digital C-Print. Numbered 1/6. Digital C-Print. Numbered 1/6. H_180,3 cm W_274 cm Provenance: - Galerie Xippas, Paris - Acquired from this gallery by the current owner - Private collection "The great challenge is how to make smart, intelligent art that can speak to everybody."

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[Japan] [Japan] Extensive documentation including - I. Jippensha, A pied sur le Tokaido, Picquier, 1992. - D. Ogrizek, "Le Japon, un portrait en couleur, Odé, 1960. - E. Guimet, Promenades japonaise, drawings after nature by Regamey, publisher's binding, Charpentier, 1878. - C. Shimizu, Women of Japan, Imprimerie nationale 1997. - Une histoire du Japon à travers son art, Robert Laffont, 1965. - G. Fahr Becker, L'estampe japonaise, Taschen, 2007. - C. Shimiza, Le Japon du XIXe siècle, la redécouverte, AGEP, 1990. - C. Shimizu, L. Frédéric, L'art des estampes japonaise, Editions de Crémille, 1990. - J. Hillier, Les maîtres de l'estampe japonaise, Phaidon, 1954. - Le Japonisme," éditions Réunion des musées nationaux, exhibition catalog 1988. - M. Novak and Z. Cerna, Japanese Tales, GrÜnd, Bratislava 1970. - Donald Richie, L'art des fleurs au Japon hier et aujourd'hui, Bibliothèque des arts, 1967. - J. A. Michener, Estampes japonaises, Office du livre de Fribourg, 1964. - Various works. - Edmond de Goncourt, Outamaro, le peintre des maisons vertes, Roissart, Grenoble, full leather binding, illustrations hors texte, quarto, 1978. - La collection Tokugawa, Le Japon des Shogun, Musées des beaux arts de Montréal, 1989. - Sotheby's catalog, Huguette Beres collection, November 27, 2002 - S. E Lee, Hiroshige, carnets d'esquisse, Phébus, 2001 - M. Grivel, Hiroshige, Les albums du cabinet d'estampes de la BN, Albin Michel, 1984. - W. Boller, Hokusai, Editions Clairefontaine, Lausanne, 1955. - M. Ouspenski, Hiroshige, Cent vues d'Edo, Parkstone, 1997. - M. Forrer, Hokusai, Bibliothèque de l'image, 1996. - Hiroshige, Tokaido, Editions du Chêne, 1960, in a Japanese-style canvas slipcase. - Le Japon éternel by Kawase Hasui, Langlaude, 2011. - E. H and P. Jude, Mathurin Méheut, voyage d'un peintre breton au Japon, Ouest France, 2004. - Hokusai, " Les cents vues du mont Fuji ", Hazan , three volumes in facsimile bound in Japanese style, 2008 presentation by N. Delay - Portier et Poncetton, La femme dans l'art japonais, Librairie des arts décoratifs, Calavas, 1934. - Lafacadio Herna, Le Japon Inconnu, études psychologiques, Paris, Albin Michel, no date. - Fumiko Takebayashi, Contes japonais, Paris, Fasquelle, 193 - K. Yamata, Vies de Geishas, Paris, Gallimard, 1934 - Franz Toussaint, Les pins chantent, ornements de Vergély, René Kieffer éditeur, 193 - Céda Akinari, Contes de pluie et de lune, Paris, Gallimard, circa 1940 - M-H Lelong, Spiritualité du Japon, Julliard, La Croix du Sud, 1961 - Judith Gauthier, Le paravent de soie et d'or, Paris, Charpentier et Fasquelle, 1904 - I. Morris, La vie de cour dans l'ancien Japon, Paris, Gallimard, 1964 - P. Loti, Japoneries d'automne, Paris, Levy 1890 - Okakura Kakuzo, Le livre du thé, Paris, Delpeuch, 1927 - M. Dubard, Le japon pittoresque, Paris, Plon et Cie, 1879 - Kikou Yamata, Masako, Stock, 1942. Numbered edition 102 - Soulié de Morant, Le trésor des loyaux samouraïs, Piazza, 1927 - Régamey, Le Japon Pratique, Hetzel, circa 1890 Le chrysanthème solidaire, edition of the Smith manuscript Lesouef japonais 96, Paris, 1984, BN département des manuscrit - G. Atken, M. Delafond, La collection d'estampes japonaises de Claude Monet, Maison de Monet Giverny, 1987 - Utamaro, L'almanach des maisons vertes, Picquier, 2008 and miscellaneous - Japanese prints and drawings from the Vever Collection, Sotheby Parle Bernet, 1976 (3 volumes in quarto in slipcase. - Highly important Japanese prints from the Henri Vever collection: final part, Sothebys, identically bound sale catalog, 30/10/1997. - G.A. Audsley and James L. Bowes, La céramique japonaise, édition française, publiée sous la direction de M. A. RAcinet. In two volumes, Paris, Firmin Didot, 1880. Modern buff binding with corners.

SHURAKU: A WOOD NETSUKE OF NITTA NO SHIRO RIDING A WILD BOAR SHURAKU: A WOOD NETSUKE OF NITTA NO SHIRO RIDING A WILD BOAR By Shuraku, signed Shuraku 秀楽 Japan, late 18th century to early 19th century The warrior is shown mounting the boar, holding its tail with one hand and discreetly raising his sword before he plunges it into the flesh of the wild beast. Asymmetrical himotoshi to the underside and signed SHURAKU within an oval reserve. LENGTH 4.7 cm Condition: Good condition with minor surface wear and miniscule losses. Repairs to the tip of the tail. Provenance: From the private collection of Armand Basi. A copy of the collector’s notes, no. 683, accompanies this lot. Armand Basi (1924-2009) was a Spanish businessman and fashion designer, co-founder of the fashion firm bearing his name. He was a Japanese art enthusiast and amassed a large collection of netsuke in his lifetime. In 1948, along with his brother Josep, Armand Basi founded a small knitting company inspired by their mother Mercé Sabi's knitted sweaters. By the end of the 1950s the business had expanded into a large textiles company, opening a factory on Balcells Street in Barcelona in 1958. In 1961–62, the Basis signed an exclusive contract with Lacoste to manufacture and distribute Lacoste products in Spain. In 1986, Basi launched his eponymous fashion brand, which produced accessories, perfume, jewelry and watches, as well as clothing in more than 400 stores across Spain, Europe, North America and Asia. Auction comparison: Compare a closely related wood netsuke of Tadatsune riding a boar, by Shuraku, at Sotheby’s New York, Fine Netsuke Inro and Lacquer from the estate of Madelyn Hickmott, 8 February 1989, New York, lot 88 (sold for USD 1,760). Minamoto no Yoritomo (1147-1199) was the founder and first shogun of the Kamakura shogunate in Japan. In May 1193 he hosted a boar hunting party near Mount Fuji, where a giant boar charged at him which Nitta no Shiro (also known as Tadatsune) bravely slayed, saving Yoritomo.