COCTEAU, Jean.
For the Eagle with Two Heads. Autograph manuscript signed, 10 pag…
Description

COCTEAU, Jean. For the Eagle with Two Heads. Autograph manuscript signed, 10 pages in-8, with drawings, on lined paper with flower and feather framing signed PR: unbound, in modern brown morocco spine folder and slipcase. AUTOGRAPH MANUSCRIPT SIGNED OF THE PREFACE OF L'AIGLE À DEUX TÊTES. Cocteau's play in three acts was first performed in Brussels in October 1946, and then premiered in Paris in December of the same year at the Théâtre Hébertot, in a production by the author. Cocteau has recopied his text here, as it was printed, without erasures, omitting a few passages. He gives the origin of his play as well as his point of view on theater: "One knows the astonishing death of Louis II of Bavaria, the enigma that it poses and the innumerable texts that seek to solve it. I thought, while rereading some of these texts, that it would be interesting and conducive to the great game of theater, to invent a historical fact of this order and to write to reveal its secret." The manuscript is illustrated with six original drawings by Jean Cocteau. The first two show a two-headed eagle framing the text. The other four represent faces, three in profile and one in front, embracing the text. These leaves have been removed from a notebook; they have tears and some missing parts on the back.

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COCTEAU, Jean.

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Jean COCTEAU. 3 handwritten autographs, one signed. [1941-1946] 4 pages 4to. 270x210 mm. Handwriting in easy-to-read cursive, brown ink. Two short texts, on three pages.On the first page he presents his work as costume and set designer for Georges Feydeau's "La Main Passe," performed at the Theatre des Mathurins in February 1941. The first page is signed at the end.On the other two pages he discusses the actress Eileen Herlie who was to play The Two-Headed Eagle in London in 1948, and the ballet The Young Man and Death: "Desiring for The Young Man and Death great background music and refusing the sacrilege of translating Bach into choreography, I had my artists rehearse on modern rhythms. It is on these rhythms whose music I have suppressed (and which the audience must not know), that Bach's sublime music unfolds... "The last autograph, which begins with "Mesdames Messieurs," contains a eulogy by Colette, a great friend of Cocteau. It is the first version of the speech when he became a member of the "Societe des Gens de Lettres, on the recommendation of Anatole France and Jules Lemaitre, who are specifically mentioned as "mes premiers parrains" [my first godfathers]. Three handwritten autographs, one of which is signed.[1941-1946]. 4 pages in 4to. 270x210mm. Handwriting in easy-to-read cursive, brown ink. Two short texts, in three pagesOn the first page, he presents his work as costume and set designer for Georges Feydeau's "La Main Passe," performed at the Theater des Mathurins in February 1941. The first page is signed at the end.On the other two pages he speaks of the actress Eileen Herlie who was to play The Two-Headed Eagle in London in 1948, and of the ballet The Young Man and Death: "Wanting great background music for The Young Man and Death and refusing the sacrilege of translating Bach into choreography, I had my artists rehearse on modern rhythms. It is on these rhythms whose music I have suppressed (and which the public must not know), that Bach's sublime music unfolds... "The last autograph, which begins with "Mesdames Messieurs" contains a praise of Colette, a great friend of Cocteau. This is the first version of the speech when he became a member of the "Societe des Gens de Lettres, on the recommendation of Anatole France and Jules Lemaitre, expressly referred to as " mes premiers parrains " [my first godfathers].