Description
Original work/Mpoo Lofénia Jean Claude. Oil on canvas illustrating a lively market scene in Kinshasa. Signed on the back. TBE+. 120 X 100 cm Trained at Chéri Chérin's workshop, experienced in all the techniques of advertising design, JC Lofénia (1984) is a virtuoso in this field. Faithful to the fundamentals that have made the glory of Chérin Chéri, Moke, Cheik Ledy, the immense Samba and Boschian Bodo, he poses since 2009 his gaze on the street Kinshasa. An inexhaustible reservoir of colors and ideas, of tintamarres and atomic posteriors. Apology of the extreme, tasty chronicle of the everyday. The vein holds at the same time of a hyper-realist limpidity and of a brilliant satyrdom. In the same rumba, the figures of politics, sports, showbiz, and for companions, controlled appellation, the females of Kinshasa, telephone in hand. They are there, no Chinese counterfeit, taut nipples, irreproachable tits, clever and half-open silks.
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Original work/Mpoo Lofénia Jean Claude. Oil on canvas illustrating a lively market scene in Kinshasa. Signed on the back. TBE+. 120 X 100 cm Trained at Chéri Chérin's workshop, experienced in all the techniques of advertising design, JC Lofénia (1984) is a virtuoso in this field. Faithful to the fundamentals that have made the glory of Chérin Chéri, Moke, Cheik Ledy, the immense Samba and Boschian Bodo, he poses since 2009 his gaze on the street Kinshasa. An inexhaustible reservoir of colors and ideas, of tintamarres and atomic posteriors. Apology of the extreme, tasty chronicle of the everyday. The vein holds at the same time of a hyper-realist limpidity and of a brilliant satyrdom. In the same rumba, the figures of politics, sports, showbiz, and for companions, controlled appellation, the females of Kinshasa, telephone in hand. They are there, no Chinese counterfeit, taut nipples, irreproachable tits, clever and half-open silks.
