Null French school, ca.1935._x000D_

"Les Demi-vierges._x000D_

Lithograph poste…
Description

French school, ca.1935._x000D_ "Les Demi-vierges._x000D_ Lithograph poster._x000D_ Sizes: 159 x 233 cm; 162,5 x 236,5 cm (frame)._x000D_ Great lithographic poster destined to the promotion of the film "Les Demi-vierges", a clear reference of the French cinema of the 40's released for the first time in France in 1936, from the original novel by Marcel Prévost. It shows the stylistic and conceptual affiliation with Art Deco, in vogue in the avant-garde of the 1930s, although without reaching the schematic simplification of the exponents of this artistic movement. Highly decorative and original, this poster shows how the early cinematographic films, together with the French theatre and the Russian ballet, marked the development of the Art Deco style. The slender figures, graceful movement and dynamic composition of the leading ladies make this piece a clear example of this distinguished and popular style. Art Deco was an artistic style that emerged in 1920 and whose influence continued until the middle of the 20th century in some countries. It sought to renew all disciplines, defending the value of the technological progress of the time and the new sciences of the day. The film "Les Demi-vierges", for its part, narrates the damage that Paris and modern education, at the end of the 19th century, did to young French girls. The term demi vierge, which eventually found its way into common parlance, signified at the time the condition of a liberated but still virgin girl.

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French school, ca.1935._x000D_ "Les Demi-vierges._x000D_ Lithograph poster._x000D_ Sizes: 159 x 233 cm; 162,5 x 236,5 cm (frame)._x000D_ Great lithographic poster destined to the promotion of the film "Les Demi-vierges", a clear reference of the French cinema of the 40's released for the first time in France in 1936, from the original novel by Marcel Prévost. It shows the stylistic and conceptual affiliation with Art Deco, in vogue in the avant-garde of the 1930s, although without reaching the schematic simplification of the exponents of this artistic movement. Highly decorative and original, this poster shows how the early cinematographic films, together with the French theatre and the Russian ballet, marked the development of the Art Deco style. The slender figures, graceful movement and dynamic composition of the leading ladies make this piece a clear example of this distinguished and popular style. Art Deco was an artistic style that emerged in 1920 and whose influence continued until the middle of the 20th century in some countries. It sought to renew all disciplines, defending the value of the technological progress of the time and the new sciences of the day. The film "Les Demi-vierges", for its part, narrates the damage that Paris and modern education, at the end of the 19th century, did to young French girls. The term demi vierge, which eventually found its way into common parlance, signified at the time the condition of a liberated but still virgin girl.

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Collection of +/- 1400 porcelain cards on various subjects. Various sizes, the smallest 3 x 4.5 cm, the largest 30 x 40 cm. Good condition. Most in albums. Fine collection of mainly porcelain cards, mostly in French and Dutch, but also in English and German. Most from Belgium (Ghent, Brussels, Antwerp, Mons, Ostend, Bruges, etc.), but also partly from other European cities (London, Paris, etc.). Most printed by: F. & E. or J. Gyselynck, G. Jacqmain (& Vandesteene), Daveluy, Hemelsoet, also by Barbat, J. Bevernage fils, Blanchet, J.H. Briard, Carbote, P. Cremetti, L. Defferrez, De Lay-De Muyttere, F. Dullé-Plus, D. Van Ghendt, L. Guyard, J. Gyselynck, F.T. Hannotiau, J. Heger, N. Heynen, L. Hoffman, T. Impens, Ch. Kockenpoo, S. Mayer, G. Onkelinx, J. Petyt, J. Ratinckx, Schoesetters, J. Van Bree, Van Monckhoven, Vandennest, Vanderhaeghe, Vander Meulen, J.T. Wood, etc. In general for: casinos, wine merchants, distillers, restaurants, butchers and bakers, perfumeries and soap factories, boarding schools, music teachers and solfeggio and singing lessons, brass bands, tailors, canvas merchants and manufacturers, cotton spinners, canvas and calico dyers, paper mills, printers, bookbinders, painters, decorators and plaster molders, carpenters, gilders and framers, architects, florists, veterinarians, etc. Names include: Dowager Piers de Raveschoot, Hortense van Innis, Isidore Moreels, Madame N.J. Claus and her maid, Dael sisters, P.A. Ledoux, P. Steenbrugge, Frans de Cock, etc. Enriched with a dozen engravings and lithographs on paper.

PRIVAT LIVEMONT (HENRI PRIVAT ANTOINE THÉODORE LIVEMONT, KNOWN AS) (1861-1936) - BELGIAN SCHOOL Model (before the letter) for "Cacao Van Houten" 1897 Decorative panel; avant la lettre or unlettered poster. Chromolithography in 9 colors. Signed, dated and located PRIVAT-LIVEMONT 1897 Bruxelles, marked Chromolithographie L. van LEER & Cie Amsterdam in the plate lower left. Sheet size: 150.5 x 63.5 cm Slight rippling, small tears and missing parts in the upper left corner. Please note: The model exists with and without slogan, the latter being added later depending on the country, and therefore language, of destination. Public collections and related works : - Victoria & Albert Museum, London - A poster for Van Houten Cocoa is held in the collections of this institution under inventory number CIRC.603-1962. - Stedelijk Museum, Amsterdam - Two posters for Cacao Van Houten (one in French, the other in Dutch) are held in the collections of this institution under inventory numbers C_B-5 and C_N-8 respectively. Related exhibitions and works - Tentoonstelling der Werken van Privat Livemont - Museum van Kunstnijverheid, Haarlem, June 1 - July 15, 1904. An identical model was exhibited at this event. - Art nouveau, affiches belges 1892-1914 - Projects and drawings from the L. Wittamer-Decamps collection - Musée de l'affiche, Warsaw, June 1973. A poster for Van Houten Cocoa was exhibited at this event. Bibliography : - Art et Décoration - February 1900 issue. A poster for Cacao Van Houten reproduced on page 60. - Catalogus, Tentoonstelling der Werken van Privat Livemont - Catalogue of the exhibition held at the Museum van Kunstnijverheid, Haarlem (June 1 - July 15, 1904). An identical model is reproduced on page 29. - Y. Oostens-Wittamer - Art nouveau, affiches belges 1892-1914 - Projects and drawings from the L. Wittamer-Decamps collection - Catalogue of the exhibition held at the Poster Museum, Warsaw, June 1973. A poster for Cacao Van Houten referenced under catalog number 85 (unpaginated). - Benoît Schoonbroodt - Privat Livemont, Entre tradition et modernité au coeur de l'Art nouveau, 1861-1936 - Éditions Racine, Brussels, 2007. A poster for Cacao Van Houten reproduced on page 104 and referenced under number 18 in the Chronological Poster Catalogue.