LEBES GAMIKOS APULIAN RED-FIGURE LEBES

DATE: 330-310 BC.

MATERIAL AND TECHNIQU…
Description

LEBES GAMIKOS APULIAN RED-FIGURE LEBES DATE: 330-310 BC. MATERIAL AND TECHNIQUE: pinkish figulina clay; shiny black paint, white overpainting, modelled by fast lathe. Lid: slightly oblique rim, horizontal shoulder, elongated fusiform socket ending in a conical appendage. Vase: with high vertical stick-like handles set on the horizontal shoulder, ovoid body; molded foot. ADDITIONAL DECORATION: handles and lid fully painted, on the edge of the lid kyma ionic chain of palmettes and kyma ionic on the shoulder, under the handles double palmette open fan-shaped and superimposed between volutes and spirals, connection with the foot spared. DECORATION: side A: young woman seated right on a chair, with a garland in her hair and a flabello in her right hand; the woman is wearing a pleated chiton, partly covered by an embroidered cloak with a wave meander edge; in front of her an erote facing left, with wings folded on his back, with a short chiton and a bow in his right hand. Side B: young woman seated on the right on a chair with saber legs and backward; the young woman has long loose wavy hair that falls on the shoulders in ringlets, keeps the left arm resting on the back of the chair and wears a chiton covered with an embroidered cloak and is in the act of conversing with a naked ephebe standing to the right behind her, with the cloak stopped around his neck and a spear in his left hand PRODUCTION: Apulian pottery with red figures, circle of the Berlin Painter. STATE OF CONSERVATION: intact, encrusted DIMENSIONS: h. cm 31 ORIGIN: private collection, Bari The lot, according to Italian law, is not exportable / This lot, according to Italian law, can not be exported

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LEBES GAMIKOS APULIAN RED-FIGURE LEBES DATE: 330-310 BC. MATERIAL AND TECHNIQUE: pinkish figulina clay; shiny black paint, white overpainting, modelled by fast lathe. Lid: slightly oblique rim, horizontal shoulder, elongated fusiform socket ending in a conical appendage. Vase: with high vertical stick-like handles set on the horizontal shoulder, ovoid body; molded foot. ADDITIONAL DECORATION: handles and lid fully painted, on the edge of the lid kyma ionic chain of palmettes and kyma ionic on the shoulder, under the handles double palmette open fan-shaped and superimposed between volutes and spirals, connection with the foot spared. DECORATION: side A: young woman seated right on a chair, with a garland in her hair and a flabello in her right hand; the woman is wearing a pleated chiton, partly covered by an embroidered cloak with a wave meander edge; in front of her an erote facing left, with wings folded on his back, with a short chiton and a bow in his right hand. Side B: young woman seated on the right on a chair with saber legs and backward; the young woman has long loose wavy hair that falls on the shoulders in ringlets, keeps the left arm resting on the back of the chair and wears a chiton covered with an embroidered cloak and is in the act of conversing with a naked ephebe standing to the right behind her, with the cloak stopped around his neck and a spear in his left hand PRODUCTION: Apulian pottery with red figures, circle of the Berlin Painter. STATE OF CONSERVATION: intact, encrusted DIMENSIONS: h. cm 31 ORIGIN: private collection, Bari The lot, according to Italian law, is not exportable / This lot, according to Italian law, can not be exported

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Apulian Red-Figure Askos with Panthers. 4th century B.C. With an arching strap handle and a wide spout; either side of the body painted with a crouching panther, one playing with a ball and the other depicted facing; repaired. Cf. Tugusheva, O., Corpus Vasorum Antiquorum Russia, Pushkin State Museum of Fine Arts, Moscow: Attic Red-Figured Vases, Fascicule 6, Roma, 2003, pl.57, nos.4-5 and 6-7, a similar askos with two panthers, one facing, the other in profile; see also a similar Apulian red-figure askos depicting a dog and a hare, of the end of 4th century B.C. in Antikensammlung Kiel, Inventory B 730; similar askoi but of Attic production in painting style in HeiBmeyer H.H., Vasen und Figurliche Gefasse aus der Griechischen Antike – Katalog einer suddeuutschen Sammlung, Dettelbach, 2008, figs.24-25-26; Papuci-W?adka, E., Corpus Vasorum Antiquorum, Poland, Cracow, Fascicule I, Cracow, 2012, pl.80; Trinkl, E., Corpus Vasorum Antiquorum Österreich Beiheft 1, Interdisziplinäre Dokumentations – und visualisierungsmethoden, Wien, 2013, fig.39, p.67, for a restored specimen of the same typology. 149 grams, 12 cm (4 3/4 in.). Painted askoi in different forms were produced and been in use in Athens since the middle and second quarter of the 5th century B.C., but they were also made in southern Italy. The askoi painted with a pair of animal figures were realised in Magna Graecia after the Attic continental production of similar models, with the representation of griffins, sphinxes and laconic hounds. The function of the askos as a vessel was clearly linked to wine, and therefore it is not anomalous to see it decorated with panther motifs, an animal connected with Dionysus, the god of wine and drinking. Acquired from Gallery Gryphos, Munich, 1992. European private collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12001-211879. (For this specific lot, 5% import VAT is applicable on the hammer price.) [A video of this lot is available to view on Timeline Auctions Website]