Null COCTEAU (Jean) L.A.S. To Marie Bell of 1 page (13,5x21) of 10 lines. Framed…
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COCTEAU (Jean) L.A.S. to Marie Bell of 1 page (13,5x21) of 10 lines. Framed under glass. "Jan 26, 1960 Richelieu 55-72 36 rue de Montpensier Palais-Royal My dear Marie I made the text "Hi to Marie Bell It is one of my best "briefs". Send me your photographs quickly, so that I can study your face. Your Jean (with his star) "

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COCTEAU (Jean) L.A.S. to Marie Bell of 1 page (13,5x21) of 10 lines. Framed under glass. "Jan 26, 1960 Richelieu 55-72 36 rue de Montpensier Palais-Royal My dear Marie I made the text "Hi to Marie Bell It is one of my best "briefs". Send me your photographs quickly, so that I can study your face. Your Jean (with his star) "

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Hans BELLMER (1902-1975). L.A.S., Castres March 25, 1946, to a "very dear friend"; 2pages in-4. Interesting letter on Jean Cocteau and Sade. He fears he may have offended Cocteau a little, by asking him about the "conditions of the proposed collaboration (ballet: La Fille de l'air), while not hiding from him the esteem I hold for Péret and Breton". He asks his friend to write Cocteau "that I think of the ballet project with a very real enthusiasm", and that he has "an 'instructive' affection for him [...] that I am incapable, for example, of having for Michaux, for Char"... It should not be forgotten that "Cocteau represents a bit of the 'scum' of our time, both victim and profiteer. Knowing this, he remains charming". But Bellmer wonders about Cocteau's future notoriety, a hundred years from now: "Personally, I think Oscar Wilde [...] will always surpass Cocteau. Oscar Wilde is infinitely more like Sade than Cocteau (Cocteau denies the poetic weight of the Marquis de Sade, entirely)"... He then tells the astonishing story of the manuscript of Sade's 120 Journées de Sodome, which had been lent before the war by the Comte de Noailles to "a writer among Cocteau's friends" [Jean Desbordes], author of Le Vrai visage du marquis de Sade; Desbordes, arrested by the Gestapo, died under torture. The manuscript disappeared, and has yet to be found, despite the research carried out by the Comte de Noailles in the Gestapo archives... Then Bellmer returns to his "impossible" life: he waits for his wife to ask for a divorce herself, and "decamps"... He returns to the idea of a portrait that his friend might propose to the newspaper Le Matin, and gives him some ideas for an angle of attack: "If one were to suppose that I made two characters: 1) La mineure and 2) me"...