Null FRANCE (Anatole): The gods are thirsty. Paris, L. Carteret, 1924. In-4°. Re…
Description

FRANCE (Anatole): The gods are thirsty. Paris, L. Carteret, 1924. In-4°. Red morocco with gilt fillets and lictor's horn on the corners (E. Maylander). Illustrations by Camoreyt. Exempl. n° 34 on japon impérial.

16 

FRANCE (Anatole): The gods are thirsty. Paris, L. Carteret, 1924. In-4°. Red morocco with gilt fillets and lictor's horn on the corners (E. Maylander). Illustrations by Camoreyt. Exempl. n° 34 on japon impérial.

Auction is over for this lot. See the results

You may also like

Anatole FRANCE (1844-1924). L.A.S., Pau April 13, 1914, [to his friend Léopold Kahn]; 2 pages in-8 with letterhead and vignette from the Hôtel de France in Pau. He is rereading Apuleius's Golden Ass, and quotes in Latin the passage about the miller's wife, who had all the faults: cruel, immodest, drunkard, obstinate, cantankerous; and, sacrilegiously, she pretended to revere a God she said was unique; she deceived all men and her unfortunate husband... He comments: "If this miller, who feigns the false worship of a single god, were a Christian, the sect enjoyed little esteem at the end of the 1st century". He is expecting a visit from Gaston Calmann "who is coming to Pau by car"... Attached is an autograph page (numbered 54), with erasures and corrections, for Les Dieux ont soif on the print merchant Jean Blaise, which shows variations with the published text: "Like all counter-revolutionaries, he had regard for the powers of the republic, and since he had been denounced for fraud in army supplies, the revolutionary tribunal inspired in him a respectful fear. [...] Every year, on several occasions, he would take painters to the outskirts of Paris for two or three days, where they would draw landscapes and ruins in accordance with his instructions, which he published and from which he profited greatly in competition with the painters Robert, Demarne and Demachy. This time, he decided to take Citizen Gamelin along to make some fabrications, as the juror had grown up to be a painter".