A chest in natural wood ; the old front is decorated with three panels carved wi…

Description

a chest in natural wood ; the old front is decorated with three panels carved with flowers and foliage in rhombuses (lid redone) - 77 x 122 x 58 cm

173

a chest in natural wood ; the old front is decorated with th

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Estim. 40 - 60 EUR

Small chest in natural wood with molded panels and iron brackets. 19th century H. 45 cm - W. 150 cm - D. 38 cm Damage and missing parts

Estim. 800 - 1 000 EUR

Emile Gallé ( 1846-1904) Cubic-shaped chest with sloping opening in natural wood with various inlaid motifs on all sides, peasant scenes, hunting attributes and musicians, on a scalloped base. Minor chips and veneer accidents. Sign. H.67 cm W.60cm D.43cm Bibliography: Similar model listed on page 324 in Gallé furniture by A. Duncan and G. de Bartha, èd. Antique Collector's Club 2012. TR

Estim. 500 - 600 EUR

Wooden trunk in the manner of a scholar's stone; China, Qing Dynasty, 19th century. Wood. Measurements: 38 x 18 x 15 cm. Wooden log in the manner of a scholar's stone. Gongshi also known as scholar's rocks or vision stones, are natural or shaped rocks traditionally prized by Chinese scholars. Scholar's stones can be of any color, and contrasting colors are not uncommon. The size of the stone can also vary widely: scholar's rocks can weigh hundreds of kilograms or less than one kilogram. The term also identifies stones placed in traditional Chinese gardens. In the Tang dynasty, a set of four important qualities was recognized for rocks. They are: thinness, openness, punctures and wrinkles. Scholar stones are usually karst limestones. In the 17th century, the aesthetic ideals of painting and Scholar rocks were almost indistinguishable. Sets of fantastical rocks in a garden, often arranged in front of a white wall, as in The Astor Court, could be inspired by compositional formulas developed in painted landscapes; conversely, the texture and fantastical forms of painted landscapes often resembled those of scholar's rocks more closely than those of the actual landscape. The passion for fantastic rocks culminated at this time in numerous "portraits" of real and imaginary specimens.

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