Description

DANIELLE DARIEUX

Film " Ruy Blas " by Pierre Billon, 1948. Film photograph by Raymond Voinquel. Silver print on vintage cartoline paper, photographer's credit and other credits in the image, production stamp and annotation on the back. 27.5 x 21.8 cm

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DANIELLE DARIEUX

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Estim. 100 - 150 EUR

Albert Guillaume (1873-1942) - Gil Blas, transformation of Gil Blas. 1896. Printer Camis.137x87cm. Original poster, lithograph, canvas-backed. Condition B, printing defects, traces of marginal tears.

Estim. 6 000 - 8 000 EUR

DELPHINE BOËL; Delfina of Saxe-Coburg (Uccle, Belgium, 1968). "Bla Bla Bla", 2013. Neon light. Exemplary 1/7. Measurements: 18 x 60 x 14,4 cm. In Delhphine Böel's language, titles, texts and words are tremendously important and revealing. For the Belgian artist, born out of an extramarital affair of the emeritus King Albert II of Belgium, the onomatopoeia "bla-bla-bla-bla" alluded at first to the gossip and talk of the people. However, in 2020 it took on a new meaning: before suing his father, he painted a work with the words "Blah, blah, blah, blah, blah" entitled "My duty to remain silent". Since then, the conjunction "Blah, blah, blah, blah" has become a regular feature of her production. Delphine Boël is an officially recognized princess since 2020 and a Belgian sculptor. She is the extramarital daughter of King Albert II of Belgium with Baroness Sibylle de Selys Longchamps. She trained at the Chelsea School of Art, London (1991). He has participated in numerous international exhibitions and events. Selection of recent solo exhibitions: 2023 "Love Imperfection" Bicester Collection, Maasmechelen Village, Belgium 2022 "What Is to Come Is Better Than What Was" Linda and Guy Pieters Foundation, St. Tropez, France. 2021 "I Love You. No More Blabla." Guy Pieters Gallery, Knokke, Belgium 2020 "Attitude" Guy Pieters Gallery, Knokke, Belgium 2017 "NEVER GIVE UP" Museum of Ixelles, Brussels, Belgium "Obsessed with Love" WM Gallery, Antwerp, Belgium. Delphine has practiced a wide variety of techniques, and defines herself as a color artist. In painting, video, sculpture and neon, her works are vibrant, playful and extravagant. Group exhibitions and fairs: 2023 ORNAMENTUM - Artists' Jewellery Collection of Diane Venet, Boghossian Foundation, Brussels, 2022 "If Cloths Could Talk" Markiezenhof Museum, Bergen Op Zoom, The Netherlands. Special Guest Artist, Aardenburg Biennale, Aardenburg, The Netherlands. 2021 "Bijoux D'Artistes - De Picasso a Koons" Diane Venet Collection, Grimaldi Forum, Monaco "Come What May" Aeroplastics, Brussels. 2020 "Claire-Obscure" Galerie Paul Janssen, St. Tropez, France 2019 "Habiter L'intime" Fondation Thalie, Brussels, Belgium. ART PARIS, Grand Palais, represented by The Belgian Gallery.

Estim. 300 - 400 EUR

[SAINT-EXUPÉRY Antoine de [Lyon, 1900 - disappeared on a mission, 1944], French writer, inventor and aviator]. 2 Pieces signed. 1935-1936; 7 pages in-4° (1 page slightly missing). Saint-Exupéry and the cinema. -May 10, 1935. Contract signed by producer Émile Dereumaux for the film based on Saint-Exupéry's "original screenplay" "under the working title of Anne-Marie [...] The author's name must always be featured and must be projected or printed in characters at least as large as those of the film's director"... [The film was shot in 1935 by Raymond Bernard, with Annabella, Pierre Richard-Willm and Jean Murat]. -[1936]. Contract signed by Édouard Corniglion-Molinier (1898-1963, aviator, politician and producer), "manager of the Compagnie Continentale Cinématographique", for a film "based on a screenplay from the novel by Monsieur Antoine de Saint-Exupéry, entitled Courrier Sud". All publicity and credits must bear the words "scenario and dialogues by A. de Saint-Exupéry, based on the novel published by the N.R.F. The author's name must always be featured and must be projected or printed in characters at least as large as those of the film's director" [The film was shot in 1936 by Pierre Billon, with Pierre Richard-Willm and Jany Holt]. - Attached is a L.S. by Andrée Saxe of the Association des Auteurs de Films (April 28, 1936).

Estim. 100 - 200 EUR

[Manuscripts] ['s-Hertogenbosch] Manuscript documents concerning the family Ruijs 1632-1656. All bundled (most loosely) in (dam.) vellum. (1) Register of around a hundred sheets of which only 13 p. are written, incl. 3 pages containing the accounts of the management of the inheritance of the Ruys parents, 1639. (2) Copy of the notarial certification of the will of Gysbrecht Ruys, 1643. (3) Inventory of furniture and interior of house in 's-Hertogenbosch, likely of Gysbrecht Ruys, 1639. -and 12 other related documents, incl. furniture inventories and notarial acts. Some waterst. Insightful collection.

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