Null 1) Three 18th century burins. Jean-Jacques LE VEAU (1729-1786) after Joseph…
Description

1) Three 18th century burins. Jean-Jacques LE VEAU (1729-1786) after Joseph VERNET. The young Neapolitan woman. (Paris, at Aliamet, 35 x 45 cm). Jean-Baptiste Claude CHATELAIN (1710-1771) after Hubert ROBERT. The Italian Devideuse (Paris, Lempereur, 34 x 44 cm). Jean-Jacques FLIPART (1719-1782) after Jean-Baptiste GREUZE. The village accordion, 1770 (Paris, by the artist). 55 x 65 cm. Giltwood frame of the period. 2) Etching late 18th century. Jean-Jacques de BOISSIEU (1736-1810). Saint Jerome, 1797. 49 x 34 cm. 3) A set of 18th century engravings including Jacques CALLOT in a frame measuring 50 x 62 cm

1) Three 18th century burins. Jean-Jacques LE VEAU (1729-1786) after Joseph VERNET. The young Neapolitan woman. (Paris, at Aliamet, 35 x 45 cm). Jean-Baptiste Claude CHATELAIN (1710-1771) after Hubert ROBERT. The Italian Devideuse (Paris, Lempereur, 34 x 44 cm). Jean-Jacques FLIPART (1719-1782) after Jean-Baptiste GREUZE. The village accordion, 1770 (Paris, by the artist). 55 x 65 cm. Giltwood frame of the period. 2) Etching late 18th century. Jean-Jacques de BOISSIEU (1736-1810). Saint Jerome, 1797. 49 x 34 cm. 3) A set of 18th century engravings including Jacques CALLOT in a frame measuring 50 x 62 cm

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