Andalusian school; circa 1800. Andalusian school; circa 1800.

"Portrait of Don …
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Andalusian school; circa 1800.

Andalusian school; circa 1800. "Portrait of Don Francisco Javier Araoz y Aredondo", 1806. Oil on canvas. Relined in the 19th century. Measurements: 33 x 22 cm. Portrait of Don Francisco Javier Araoz y Aredondo, made at the age of 25 years old as it is well indicated in the upper part of the work. Inscribed in a border, we can also appreciate the positions of the portrayed person: Maestrante de la Real de Sevilla, and regidor de perminencias de obrero mayor en la ciudad de Baza. These positions indicate the nobility of the sitter, who is depicted bust-length and slightly turned three-quarters of the way round, and is shown to the viewer in his working costume. As in the rest of Europe, portraiture became the genre that gained most prominence due to the excellence of Spanish painting as a result of the new social structures that were established in the Western world during this century, embodying the ultimate expression of the transformation in the taste and mentality of the new clientele that emerged among the nobility and the wealthy gentry, who were to take the reins of history in this period. While official circles gave precedence to other artistic genres, such as history painting, and the incipient collectors encouraged the profusion of genre paintings, portraiture was in great demand for paintings intended for the more private sphere, as a reflection of the value of the individual in the new society. This genre embodies the permanent presence of the image of its protagonists, to be enjoyed in the privacy of a studio, in the everyday warmth of a family cabinet or presiding over the main rooms of the house.

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Andalusian school; circa 1800.

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After FRANCISCO JAVIER AMÉRIGO Y APARICI (Valencia, 1842 - Madrid, 1912). "Of the sack of Rome". Oil on paper. Measurements: 7.5 x 10 cm; 30.5 x 33 x 4.5 cm (frame). This small paper faithfully follows the great painting "Of the Sack of Rome" made by Francisco Javier Amérigo y Aparici in 1887, today preserved in the Prado Museum. Being his best known work, it was the first medal of the National Exhibition of Fine Arts of 1887, and "spectacular example of his capacity for agitated compositions, full of figures and with a grandiloquent tendency towards operatic lavishness", as defined by the Spanish art gallery. Francisco Javier Amérigo developed his training at the School of Fine Arts of San Carlos, in Valencia, where he was taught by Francisco Martínez Yago. Amérigo later moved to Madrid to further his studies at the San Fernando School, and in 1865 he left for Rome. From there he sent the painting "Un Viernes Santo en el Coliseo de Roma", with which he obtained the second medal in the National Exhibition of Madrid in 1876. In 1877 he returned to Spain, settling in Madrid, and that same year he obtained a first class medal at the National Exhibition. His successes continued, and he was again awarded the first medal in 1892. Apart from his great history canvases, Amérigo cultivated religious painting, and also created scenographies. Works by Francisco Javier Amérigo are currently kept in the Prado Museum (works on deposit at the Ministry of Culture, the Museum of Fine Arts of Valencia and the Cervantes School of Jerez de la Frontera), the Victor Balaguer Museum of Vilanova i la Geltrú and other public and private collections.