Null O'NEILLE Y ROSINOL Joan, 1828-1907

Estier de Fernelas, Polenssa, Majorca,…

Description

O'NEILLE Y ROSINOL Joan, 1828-1907 Estier de Fernelas, Polenssa, Majorca, 1889 oil on canvas (cracks and restorations), signed and located lower left 30,5x44,5 cm

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O'NEILLE Y ROSINOL Joan, 1828-1907 Estier de Fernelas, Polenssa, Majorca, 1889 oil on canvas (cracks and restorations), signed and located lower left 30,5x44,5 cm

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Estim. 1 000 - 1 200 EUR

Dante Gabriel ROSSETTI (1828-1882) L.A.S., Chelsea September 20, 1864, to Miss Heaton; 3pages in-8, vignette with his monogram and motto Francas non flectas; in English (transcript enclosed). He hopes she doesn't see him as a fiend: he should certainly have sent her Sir Galahad sooner, but he also wanted to send her Joan of Arc at the same time, on which he is making progress and which he will send her soon: "I am making the Joan as full in color as you could wish"... He's also set aside a few autographs for her, which he'll send her when he's found more...

Estim. 4 000 - 4 500 EUR

JOAN CARDONA I LLADÓS (Barcelona, 1877-1957). "Couple in a Café", ca.1900. Pencil, charcoal and gouache on paper. Signed in the lower left corner. Small damage in the upper right margin. Size: 40 x 30 cm; 77 x 66 cm (frame). In this scene of interior of coffee, a gentleman tries to conquer with smiles and gallantries to a lady. Joan Cardona's sinuous, stylised line helped to define the Belle Èpoque aesthetic, with glamorous Parisian scenes such as this one. Trained at the Escola de Belles Arts de la Lonja and the Baixeras Academy in Barcelona, he furthered his studies in Paris, where he settled for several years. In the French capital he formed a group with the best illustrators of the time, such as Cappiello, Sem, Steinlen and Roubille. A painter and draughtsman, he developed an important activity in the field of illustration, collaborating with Spanish magazines such as "El Gato Negro" and "Hispania", and in the French magazines "Le Rire" and "Simplicissimus". His collaboration with "Jugend", the flagship magazine of Viennese modernism, the Jugendstil, stands out. During his Parisian period Cardona achieved international fame thanks to his pen drawings, characterised by the sharpness of the line and strong expressive values. On the contrary, in his painting he subordinates line to colour, with warm tones in his early years and cold ranges in his maturity. His paintings, of great expressive force and dense impasto, define the prominence of the woman, who is outlined against vibrant, almost abstract backgrounds, in a style that brings him close to Anglada Camarasa. In 1897 he was awarded a prize in the competition organised by the Mariana Academy of Lleida. He exhibited in Paris at the Salons d'Automne and the Salons de la Societé Nationale, obtaining the title of "societaire" at both. He took part in the International Fine Arts Exhibitions in Barcelona in 1907 and 1929. He is represented in the Musée du Luxembourg in Paris.

Estim. 200 - 300 EUR

Men of letters, scholars, journalists, librarians Gervais DELARUE (1751-1835) - Antoine DELANDINE (1756-1820) - J.B. DELISLE de SALES (1741-1816) - Nicolas Joseph SELIS (1737-1802) - Pierre, marquis de SÉGUR (1853-1916) - Antoine SERIEYS (1755-1819) - Charles Louis de SEVELINGES (1767-1832) -Mathieu SIEGENBECK (Leiden, 1809) - Charles Nicolas SONNINI (1751-1812) - Jean-Baptiste SUARD (1733-1817) - René François SULLY PRUDHOMME (1839-1907) - Alexandre de SOLEINNE (1784-1842) - Antoine J.B. SIMONNIN (1790-1856) - Benoit SINSART (1696-1776) - Samuel SORBIERE (1615-1670) - Fréderic SOULIÉ (1800-1847) - Alexandre SOUME (1788-1845) - Emile SOUVESTRE (1806-1854) - Pierre de SOLIGANC (1667-1773). - Emile DESCHAMPS de SAINT-AMAND (1791-1871) - Auguste, baron de STAËL (1790-1827) - Louis SILVY (1780-1847) - Hippolyte TAINE (1828-1892) - Isidore Séverin, baron TAYLOR (1789-1879) - J. P. TERCIER (1704-1757) - André THEURIET (1843-1907) - Pierre-François TISSOT (1768-1854) - Edouard TITON de TILLET (1677-1762) - Ludovic VITET (1802-1873) - Eugène VEUILLOT (1818-1905) - Albert VANDAL (1853-1910) - Abel François VILLEMAIN (1802-1873) - Eugène VEUILLOT (1818-1905) - Albert VANDAL (1853-1910) - Albert VANDAL (1853-1910) - Eugène VEUILLOT (1818-1905) Abel François VILLEMAIN (1790-1870) -Joseph VASSELIER (1735-1798) -François VARNER (1789-1854) - Jean-Baptiste Charles VIAL (1171-1837) -Jean Baptiste LEFEBVRE de VILLEBRUNE (1734-1809) - Joseph Etienne Adrien VIGNIER (b. Béziers, 1804) - Jean VIENNET (1777-1868) - Joseph Alexis, vicomte WALSH (1782-1860) - Alexandre WEILL (1811-1899) -Pierre Alexandre, prince WASSILCHIKOF (1818-1881) - Charles Henri WATELET (1717-1786)- Augustin, marquis de XIMENËS (1728-1817) - Jean Augustin YVART (1763-1831) Fréderic ZURCHER (1816-1890). Expert: Mario MORDENTE

Estim. 1 500 - 2 500 EUR

ITALIAN SCHOOL, PROBABLY EMILIA (17TH CENTURY)

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