Null Roland DORGELÈS. The Wooden Crosses. - The Mistletoe Ball. - Le Cabaret de …
Description

Roland DORGELÈS. The Wooden Crosses. - The Mistletoe Ball. - Le Cabaret de la belle femme. Paris, La Banderole, Emile-Paul Frères, 1921-1924. 3 volumes in-4, blood-red jansenist morocco, spine with 4 nerves, interior framing of the same morocco with multiple gilded fillets, lining and endpapers of blood-red moiré, double endpapers, gilded edges, cover and spine, cases (H. Blanchetière). Monod, I-3843-3844-3849 /// I. (2f.)-278-(2f.) / II. (2f.)-86-(2f.). / III. (3f.)-123-(3f.). ORIGINAL EDITION for La Boule de gui, unpublished chapter of Les Croix de bois. Illustrated respectively with 10, 8 and 5 original drypoints outside the text and numerous drawings in the text by André Dunoyer de Segonzac. Edition for the first two volumes at 600 copies, this one of 519 on Lafuma tinted paper (n° 103 and 93), and, for the third volume, edition at 640 copies, this one of 520 on vergé de Rives (n°429). A fine copy enriched in the first volume with a second state of the frontispiece. Volumes II and III are signed by Dunoyer de Segonzac.

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Roland DORGELÈS. The Wooden Crosses. - The Mistletoe Ball. - Le Cabaret de la belle femme. Paris, La Banderole, Emile-Paul Frères, 1921-1924. 3 volumes in-4, blood-red jansenist morocco, spine with 4 nerves, interior framing of the same morocco with multiple gilded fillets, lining and endpapers of blood-red moiré, double endpapers, gilded edges, cover and spine, cases (H. Blanchetière). Monod, I-3843-3844-3849 /// I. (2f.)-278-(2f.) / II. (2f.)-86-(2f.). / III. (3f.)-123-(3f.). ORIGINAL EDITION for La Boule de gui, unpublished chapter of Les Croix de bois. Illustrated respectively with 10, 8 and 5 original drypoints outside the text and numerous drawings in the text by André Dunoyer de Segonzac. Edition for the first two volumes at 600 copies, this one of 519 on Lafuma tinted paper (n° 103 and 93), and, for the third volume, edition at 640 copies, this one of 520 on vergé de Rives (n°429). A fine copy enriched in the first volume with a second state of the frontispiece. Volumes II and III are signed by Dunoyer de Segonzac.

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