Wassenberg,E,
The Renewed German Florus. With Animadversions, Additions, and Cor…

Description

Wassenberg,E, The Renewed German Florus. With Animadversions, Additions, and Corrections ... and continued till Anno 1647. Decorated with more copper pieces than in the Franckfurt one. Amsterdam, Elzevier 1647. 16°. With copper title and 63 full-page. portrait engravings in the text, 3 fol., 729 (2) pp. (One joint torn and the other partly torn). Faber du Faur 1190: "one of Grimmeishausen's important sources". - Seebaß 1, 1072 (incpl. ex.). - Ausst.-Kat. Grimmelshausen u. s. Zeit No. 4 (showed only the Frankfurt edition of the same year with the same contents): "Grimmelshausen's most important source and partly literally evaluated by him. Most reliable in the edition of 1647 with the corrections by Jod. Maximilian, Count of Gronsfeld". - Schiller also used this book for "Wallenstein". - One of the few German-language Elzevir editions, according to willems 1055 u. Berghman 1791 of greatest rarity: "L'édition est tres rare. Chr. Gryphe la regarde comme un trasor" (Willems). - The text copper belonging to p. 286 unprinted, the page left blank, only outlines of the border can be recognized quite schach (Willems counts also only 62 coppers). - Browned. - From the Bibl. v. Friedrich Gundolf.

196

Wassenberg,E, The Renewed German Florus. With Animadversions, Additions, and Corrections ... and continued till Anno 1647. Decorated with more copper pieces than in the Franckfurt one. Amsterdam, Elzevier 1647. 16°. With copper title and 63 full-page. portrait engravings in the text, 3 fol., 729 (2) pp. (One joint torn and the other partly torn). Faber du Faur 1190: "one of Grimmeishausen's important sources". - Seebaß 1, 1072 (incpl. ex.). - Ausst.-Kat. Grimmelshausen u. s. Zeit No. 4 (showed only the Frankfurt edition of the same year with the same contents): "Grimmelshausen's most important source and partly literally evaluated by him. Most reliable in the edition of 1647 with the corrections by Jod. Maximilian, Count of Gronsfeld". - Schiller also used this book for "Wallenstein". - One of the few German-language Elzevir editions, according to willems 1055 u. Berghman 1791 of greatest rarity: "L'édition est tres rare. Chr. Gryphe la regarde comme un trasor" (Willems). - The text copper belonging to p. 286 unprinted, the page left blank, only outlines of the border can be recognized quite schach (Willems counts also only 62 coppers). - Browned. - From the Bibl. v. Friedrich Gundolf.

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Emil Löwenthal, Little Cipollaro Roman boy in traditional costume, offering a bunch of onions for sale in his left hand; the onion is an ingredient in many traditional Roman dishes; between the Archbasilica of San Giovanni in Laterano and the Basilica of Santa Croce in Gerusalemme was the hill Monte Cipollaro, where onions and garlic were grown, the street vendor who sold them was called "Cipollaro", Löwenthal, who visited Rome to study, Löwenthal, who visited Rome for study visits, probably gives an impression of contemporary popular Roman market life and was inspired by this cheeky young Cipollaro, in part very fine painting, alternating between glazed and slightly impastoed application of colour, oil on canvas, later mounted on wooden panel, 2nd half 19th cent. Half 19th cent, signed and inscribed "E. Löwenthal" and "Roma" on the lower left, labelled "Eri[c]? Cipollar", label with information on the artist's biography from Thieme-Becker on the reverse, minor retouches and in need of cleaning, in a magnificent Art Nouveau frame, folded dimensions approx. 62 x 50 cm, artist's information: German-Jewish portrait, genre and genre painter Jewish portrait, genre a. history painter Jewish portrait, genre and history painter (1835 Jarotschin to 1896 Ems), pupil of Carl Steffeck in Berlin, study visits to Venice and Rome, 1860/84 at the Berlin academic exhibition and in the Posen Museum, in the Akademie di San Luca in Rome and in the Palazzo Pitti in Florence, prizewinner of the Michael Beer Foundation, also the target of anti-Semitic hostility during the phase of the anti-Semitic petition and the Bilder- und Kulturkampf, source: Thieme-Becker and Internet.

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Revue - [MARCHAIS (André)]. Revue républicaine. Journal of democratic doctrines and interests. Paris, Revue républicaine office, 1834-1835. 5 volumes in 4 volumes in-8, half red long-grain morocco, smooth spine decorated with gilt fillets, speckled tr. (Laurenchet). Some foxing, but a fine copy. Very rare complete collection of this veritable laboratory of republican thought, founded by the former carbonaro, then secretary of the "Aide-toi, le ciel t'aidera" societies, André Marchais, with articles by Louis Blanc, G. Cavaignac, J. Mazzini, E. Arago, etc. (Hatin, p. 392.) Copy of Ferdinand-Philippe, DUC D'ORLÉANS (1810-1842), with wet stamp on title of vol. III. The presence of this left-wing periodical should come as no surprise in the library of Louis-Philippe's eldest son, whose opinions leaned towards liberalism, at least during the first years of the July Monarchy.

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Four oban tate-e prints including : EIZAN (1787-1867) Three prints : . Two busty courtesans (very damaged) ; . Part of a polyptych, three courtesans and a loom. . Part of a triptych: Courtesans and children playing with kites (Furyu kodakara asobi) ; KUNISADA . Left leaf of a triptych from "Hstoire du mont Ôe dans un style moderne", (Imayô Ôeyama-iri). Nb. This print, signed Eizan, is found in a triptych at the MFA in Boston, where the three leaves are signed Kunisada. The signature has probably been erased and replaced on this one. Japan, 19th century (Insolate, soiled, trimmed)

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