After Johann Elias RIDINGER (1698-1767) Trotting on the rope and Pirouette on th…

Description

After Johann Elias RIDINGER (1698-1767) Trotting on the rope and Pirouette on the small circle on the right. Pair of etchings. View: 54 x 39 cm

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After Johann Elias RIDINGER (1698-1767) Trotting on the rope and Pirouette on the small circle on the right. Pair of etchings. View: 54 x 39 cm

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Estim. 180 - 270 EUR

Johann Elias Ridinger, Drei Tierdarstellungen Wild boar on the run, par force hunt and stag rearing up, each with a description of the subject below the depiction, copper engravings, each inscribed in the plate "J. E. Ridinger del. sculps. ed. excud." and two works dated "1742" and "1753", one sheet a later print, framed under glass, dimensions without writing approx. 25.5 x 27 cm. Artist's information: German painter, graphic artist and publisher (1698 Ulm - 1767 Augsburg), pupil of his father Johann Ridinger, from ca. 1711 pupil of the painter Christoph Resch in Ulm, from 1713-14 with Johann Falch in Augsburg, through the mediation of Gabriel Spitzel three years in the service of Count Metternich in Regensburg, from ca. 1718 pupil of Georg Philipp Rugendas the Elder at the Augsburg City Academy, appointed "Assessor of the Protestant Marriage Court" in 1757 and Director of the City Academy in 1759, became famous for his depictions of animals and hunting, which made up a large part of his work, source: Thieme-Becker, Wikipedia and Internet.

Estim. 80 - 120 EUR

Johann Elias Ridinger, "Brandfuchs..." Group of foxes and cubs in the forest, below the depiction description from the series "Betrachtung der wilden Thiere...", etching, c. 1740, inscribed below the depiction on the right "I. El. Ridinger inv pinx. sculps. etexud. Aug. Vind.", sheet browned and stained, larger retouching in the depiction, matted and framed behind glass, mat cut-out approx. 32.5 x 38.5 cm. Artist information: German painter, graphic artist and publisher (1698 Ulm - 1767 Augsburg), pupil of his father Johann Ridinger, from ca. 1711 pupil of the painter Christoph Resch in Ulm, from 1713-14 with Johann Falch in Augsburg, through the mediation of Gabriel Spitzel three years in the service of Count Metternich in Regensburg, from ca. 1718 pupil of Georg Philipp Rugendas the Elder at the Augsburg City Academy, appointed "Assessor of the Protestant Marriage Court" in 1757 and Director of the City Academy in 1759, became famous for his depictions of animals and hunting, which made up a large part of his work, source: Thieme-Becker, Wikipedia and Internet.

Estim. 50 - 100 EUR

Johannes Meyssens (1612-1670). After Raphael, etching, fillet margins, 21.5/33cm.

Starting price 80 EUR

J. HAID (1704) after SEUTTER (1677), Silver tree plant, around 1737, Copper engraving Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Bartholomäus Seutter (around 1677 Augsburg - around 1754 ): Scolymocephalus Africanus foliis longis cono variegato B, N 895, Silberbaumgewächs, c. 1737, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part inscribed in the printing plate: "Scolymocephalus Africanus foliis longis cono variegato. B.". Upper right numbered in the printing plate: "N. 895". Date: c. 1737 Description: Johann Wilhelm Weinmann (1683-1741): Editor, Bartholomäus Seuter (1678- 1754): Painter; Johann Jakob Haid (1704- 1767)Johann Elias Ridinger ( 1698-1767): Engraver, 1737/1745, hand-coloured copperplate engraving depicting a silver tree plant after a design by Seuter, printed between 1737-1745. publisher: H. Lentz and H.G. Neubauer, Regensburg. The editor of the "Phytanthoza Iconographia" Johann Wilhelm Weinmann was a pharmacist based in Regensburg and dealt with plants and their effects on a daily basis. His interest in research went so far that he ran his own botanical garden. This resulted in a comprehensive four-volume work that was published in Regensburg between 1737 and 1745. In this "Pictorial Description of Plants and Flowers", countless European and non-European plants are depicted in large format and in great detail. This sheet comes from a series of four sheets and shows silver tree plants and their seeds. In addition to the printing technique of copperplate engraving, a new (colour) printing process was used here for the first time in the context of botanical books. Seuter had further developed the "mezzotint", which goes back to the Dutchman Johan Tyler. This made it possible to colour the plates evenly. Source: Johann Wilhelm Weinmann (1683 -1741 ) Phytanthoza Iconographia, 1737-45, No. 895 | Book, Plants Keywords: Plants, Botany, Flower, Silver tree family, 18th century, Baroque, Botany, Germany, Size: Paper: 37,0 cm x 24,8 cm (14,6 x 9,8 in) Condition: Good condition. Brownish discolouration on the front side and heavy discolouration at the edges, traces of storage at the lower right, slight creases at the edges. Verso: slight brownish discolouration, abrasion at the edges.

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