Null Official Martian meteorite, NWA 4880, showing a fresh and bright fusion cru…
Description

Official Martian meteorite, NWA 4880, showing a fresh and bright fusion crust, with orientation marks, signs of its entry into our atmosphere. It is following a very large impact on the planet Mars that a Martian rock was ejected to fall on our planet after a very log stay of several million years in Space. This Martian rock fell in the Sahara desert and was identified and analyzed, then officially declared as a Martian meteorite under the name of North West Africa 4880. Provenance, Bonhams sale, New York, April 30, 2008, lot n°9058. Current weight 27.44 g

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Official Martian meteorite, NWA 4880, showing a fresh and bright fusion crust, with orientation marks, signs of its entry into our atmosphere. It is following a very large impact on the planet Mars that a Martian rock was ejected to fall on our planet after a very log stay of several million years in Space. This Martian rock fell in the Sahara desert and was identified and analyzed, then officially declared as a Martian meteorite under the name of North West Africa 4880. Provenance, Bonhams sale, New York, April 30, 2008, lot n°9058. Current weight 27.44 g

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Vase; China, Qing Dynasty, Daoguang Period, 1821- 1850. Porcelain. Measurements: 58 x 26 cm. Porcelain vase of hexagonal structure that presents ornamentation in relief. This type of ornamentation is known as "Hundrez antieues", it is a miscellaneous or general collection of emblematic forms that includes the Eight Treasures, the Four Treasures, the symbols of the Four Fine Arts (music, chess, calligraphy and painting) along with numerous conventional representations of sacrificial vessels, flowers, animals. Some of the elements included in this ornamentation are; Books: symbols of learning and one of the Four Signs of the Scholar, Brush Holders, Brushes: one of the four signs of the scholar, coral carving, longevity, official promotion. Second grade officials wore a coral button on the hat, Flowers - beauty and harmony, Hand Drum or Daogu, Incense Burner, Lute or Qin - marital happiness, suppression of lust. One of the four signs of the scholar, Palm Leaf (Chiao Yeh) - self-education and peacock feathers: represent official rank among others. Emperor Daoguang, also known by his temple name Emperor Xuanzong of Qing, personal name Mianning, was the seventh emperor of the Qing dynasty, and the sixth Qing emperor to rule China proper, reigning from 1820 to 1850. His reign was marked by "external disasters and internal rebellions." These included the First Opium War and the start of the Taiping Rebellion, which nearly ended the dynasty. Historian Jonathan Spence characterizes Emperor Daoguang as a "well-meaning but ineffective man" who promoted officials who "presented a purist vision even though they had no say in the internal and external problems surrounding the dynasty."

Dogon cane summit Mali Wood Height: 24.1 cm Provenance: Sotheby's London Sotheby's London, July 8, 1969, lot 168 Christophe Tzara Collection, Paris Egon Guenther Collection, Johannesburg Sotheby's New-York, "African Art from the Egon Guenther Family Collection", November 18, 2000, lot 36 Private collection, acquired at this sale Forming the end of a cane, whose curved shape enabled it to be carried on the shoulder, this sculpture, articulated on a narrow vertical axis and whose composition bears witness to a fragile but masterful balance, presents a hermaphrodite figure. The figure in the round sits proudly on a stool. In addition to its seated position, which defies the laws of physics and attests to the importance of the figure depicted, the figure's impression of floating, as if in suspension, is conveyed by the openwork space formed between the legs and the stool, symbolizing the transcendence of the mythical being. Authority and dignity are expressed in the immobility of the pose, conferring power and prestige on this cane element. The features and contours, though softened by the passage of time and softened by the ancient crusty patina, shiny on the protruding parts, reflect a sculptural power characteristic of Dogon statuary, with angular, exacerbated volumes. Fertility and fecundity are expressed through the exaggerated chest, strongly projected into space, and the bubbled abdomen with its protruding navel. Displaying both feminine attributes - the chest - and masculine ones - the beard collar - the effigy's hermaphroditic nature would represent a mythical ancestor, reflecting the ambivalence and duality of gender in Dogon cosmology. It is believed that Amma, the creator god, and Nommo, the primordial ancestor, both possess feminine and masculine characteristics, hermaphroditism playing an important role in the representation of the principles of creation and the complementarity of forces in the universe. Red-brown paste inlaid with the word "EG", written in white pigment on the underside. Rare in the corpus, this cane top can be compared with the example from the Peter and Veena Schnell collection, carved with a hermaphrodite figure of similar workmanship. The photo shows the top of a Dogon cane from the Gunther collection. The photo will be offered to the buyer.