AFTER PABLO PICASSO SÉRIE DE DIX POCHOIRS, VERS 1920 in colors on wove and laid paper published by Galerie Rosenberg Signed in pencil at the bottom and numbered on 100 A series of 10 stencils printed in colors on wove and laid paper published by Galerie Rosenberg; signed in pencil and numbered 33 X 22,5 CM (MAX) - 13 X 8 7/8 IN. 25 X 30,7 CM (MAX) - 9 X 12 1/8 IN. In November 1918, Pablo Picasso and his first wife, Olga Khokhlova, moved to Paris, rue La Boétie, where the Galerie Rosenberg was located. A year after their move, the gallery devoted an exhibition to the watercolours - and more generally to the drawings - made by Picasso for the scenography of the Russian ballets Le Tricorne and Parade by Serge de Diaghilev. It was probably as a result of this exhibition that Paul Rosenberg decided to publish a series of stencils showing the costumes and sets of the ballet Parade. This ballet, written by Jean Cocteau and set to music by Erik Satie, marks a milestone in the history of the avant-garde with its spectacular three-metre high cubist costumes and an imposing stage curtain painted by Picasso depicting acrobats. In November 1918, Pablo Picasso and his first wife, Olga Khokhlova, moved to Paris, rue La Boétie, where the Rosenberg Gallery was located. A year after they settled, the gallery unveiled an exhibition of watercolors - and more generally of drawings - made by Picasso for the scenography of the Russian ballets Le Tricorne and Parade by Sergei Diaghilev. It was probably after this exhibition that Paul Rosenberg decided to edit a series of stencils showing the costumes and sets of the ballet Parade. This ballet, written by Jean Cocteau and the music by Erik Satie, marks a date in the history of the avant-garde with its spectacular cubist costumes nearly three meters high and an imposing curtain of scene painted by Picasso representing acrobats.