Mumpasi Za Mezo, (Bas-Congo, 1945 – DRC, 1991)
84,5X81 cm He won the Grand priz…

Description

Mumpasi Za Mezo, (Bas-Congo, 1945 – DRC, 1991)

84,5X81 cm He won the Grand prize of the 1968 National Competition and joined the Institute of National Museums in 1974. Mumpasi is a deep believer, which shows through in his religious compositions. Very close to Congolese daily life, he transposes with great finesse the traditional life and biblical scenes in his work.

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Mumpasi Za Mezo, (Bas-Congo, 1945 – DRC, 1991)

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Starting price 1000 EUR

Seoul 1988 Olympic Games, Series of 7 commemorative coins featuring various disciplines, comprising : - one 50,000-won coin in 925 gold, weight 33.6 g - one 25,000-won coin in 925 gold, weight 16.8 g - one 10,000-won coin in 925 silver, weight 33.6 g - two 5,000-won 925 silver coins, total weight 33.6 g. - one 2,000-won nickel coin - one 1,000-won cupronickel coin in a case

Estim. 3 500 - 4 500 EUR

Victor Rousseau (1865-1954) In front of life Signed: 'Victor Rousseau Bronze Resting on a fully cast naturalistic base Getekend: 'Victor Rousseau' Brons Rustend op een volledig gegoten basis in naturalistische stijl Signed: 'Victor Rousseau' Bronze Resting on a fully moulded base in the naturalist style 44,5 x 30 x 15 cm (11 1/2in wide, 5 1/2in deep, 17in high) Footnotes: Provenance Jacques Van Lennep Collection Private Collection, Belgium Victor Rousseau was one of the great Belgian sculptors of the 20th century. He began his apprenticeship at the age of 11 in Feluy, working in stone quarries with his uncles and maternal grandfather. He then worked on the Palais de Justice in Brussels, under the direction of Joseph Poelaert. He joined the studio of the sculptor Georges Houtstont and studied at the Royal Academy of Fine Arts in Brussels. In 1890, he entered his work Tourmente de la pensée in the Godecharle competition and won the prize, which enabled him to travel in England, France and Italy for several years. Returning to Belgium in 1894, he won numerous public and private commissions and worked with the famous Victor Horta Isabelle d'Amécourt Expert - SFEP member [email protected] This lot is subject to the following lot symbols: AR AR An additional percentage will be charged to buyers for lots preceded by the AR symbol corresponding to artists' resale rights under the 2006 Copyright Regulations. Please refer to the conditions of sale for further details. De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie. An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details. For further information on this lot please visit Bonhams.com

Estim. 4 000 - 6 000 EUR

Alfred Pierre Noël Cazaubon (1895-1979) Orpheus raising his lyre Circa 1940 Signed CAZAUBON on the terrace Large figure in painted plaster imitating bronze Getekend CAZAUBON op het terras Grote figuur in gips geschilderd in imitatie van brons Signed CAZAUBON on the terrace Large figure in plaster painted in imitation of bronze 287 x 75 x 58 cm (112.9 x 29.5 x 22.8 in) Footnotes: Provenance Acquired in Paris in the 1970s by the current owner We have little information on Pierre Cazaubon (1885-1979). He was born in Pau and trained in the studio of Joseph Alexandre and Ernest Gabard (1879-1957). He exhibited regularly at the Société des amis des Arts de Pau. He continued his training in Paris with Injalbert (1845-1933). Then, between 1927 and 1928, he spent some time in America, where he created the bas-reliefs for Saint John's Church in New York and the Palais des Congrès in Havana. On his return to Paris in 1929, he was made a member of the Salon d'Automne with the Bernheim de Villier prize, and exhibited there for the first time alongside artists such as Bugatti, Maillol, Pompom and Dejean. His sculpture 'Porteuse d'eau' (Water Bearer), placed at the entrance to Room IV, attracted considerable attention and was considered a revelation for its 'qualities of attentive simplicity and insinuating, gentle, but perfectly accurate modelling' (loc. cit., Le Temps, 5 November 1929). He then regularly exhibited sculptures in different materials, stone, bronze and plaster at the Salon d'Automne. He won awards at the 1930 and 1937 Universal Exhibitions, and in 1947 won a gold medal in the monumental art category at the Exposition internationale de l'habitation et de l'urbanisme at the Grand Palais. We are also aware of a monumental bronze sculpture representing Heraklès choking a snake that was sold at the Pau-Pyrénées auction house, Etude Gestas, on 17 June 2000. The French government commissioned several sculptures from him, so that he is relatively well represented in French public collections (Musée de Pau, Musée d'Art Moderne de Paris, Théâtre National de Chaillot, Centre National des Arts Plastiques, etc). Pierre Cazaubon's works are typical of the 1930s period and are strongly inspired by Maillol and Bourdelle. Like Bourdelle, he sought to give his sculptures a monumental dimension. The figure shown here is a fine example of this, and is almost certainly the plaster design for the sumptuous bronze of the same dimensions cast by Attilio Valsuani (active 1927-1960) now in the Nicolas Bourriaud gallery in Paris Comparative literatures F. Roches, 'Le salon d'automne 1941' , l'Architecture française: architecture, urbanisme, décoration 1940 - 1975, Paris Dossier d'artiste du musée des années Trente, Boulogne-Billancourt, Le Temps, Nov. 5, 1929 Dossier d'artiste des œuvres et documentation des musées de la ville de Pau Isabelle d'Amécourt Expert - SFEP member [email protected] This lot is subject to the following lot symbols: AR AR An additional percentage will be charged to buyers for lots preceded by the AR symbol corresponding to artists' resale rights under the 2006 Copyright Regulations. Please refer to the sales conditions for further details. De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie. An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details. For further information on this lot please visit Bonhams.com

Estim. 15 000 - 25 000 EUR

Eugen Bracht (1842-1921): Animated dune view, oil on canvas, Karlsruhe, dated 1878

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