Watercolours

Eugène GALIEN-LALOUE 1854-1941 - PLACE PIGALLE AT DUSK Watercolor signed lower left Sight: 18.5 x 30.5 cm

Charles LAPICQUE (1898-1988) "Paysage de Castille", Watercolour signed upper left, 35 x 47.5 cm

Mathurin MEHEUT (1882-1958), "Camaret, chantier naval", Gouache signed lower right, 30 x 43 cm

Henri LEBASQUE (1865-1937). Beachfront. Drawing and watercolor signed lower right. Sight: Height 23 cm - Width 30.5 cm

Jules Emile ZINGG (1882-1942) "Sur la plage", Watercolour signed lower left, 29.5 x 46 cm

Mathurin MEHEUT (1882-1958), "Barques au port de Douarnenez", Gouache signed lower right, 32 x 29 cm

YVES BRAYER (1907-1990). "Beaucaire. Watercolor signed lower left and titled lower right. Sight: Height : 21 cm - Width : 30 cm

Adrien Jean LE MAYEUR DE MERPRES (1880-1958) Vues de Venise et de l'Orient Suite de quatre dessins à la gouache et fusain sur papier Chacun signé: "J. Le Mayeur" 14 x 21 cm à vue pour chacun

LUCEBERT (1924-1994) Javea Aduanas, 1970 Crayon gras et gouache sur papier Signé, titré et daté en bas à droite: "Lucebert Javea Aduanas 70" 35 x 47 cm à vue

Michel CARRADE(1923-2021) Sans titre, 1976 Fusain, pastel et aquarelle sur papier fort Signé et daté en bas à droite: "Carrade dec 76" 55 x 75 cm

Gustave Doré (1832-1883) Paysage écossais, aquarelle, signée, 16.5x28.5 cm. Provenance: collection privée Bordeaux, collection privée suisse

Johan Barthold JONGKIND (1819-191) "Le Drac, 1882", Watercolor drawing signed lower right, 17 x 25 cm

Corneille (Cornelis Guillaume Beverloo) (1922 Liège (Liège) - 2010 Auvers-sur-Oise) Untitled (Children Playing with Dogs) Imaginative, expressive, stylistically typical work by the artist, who studied at the Academy in Amsterdam from 1940 to 1943, characterized by strong colors and contrasting black contours. Together with Pierre Alechinsky, Karel Appel, Constant, Asger Jorn and K. O. Götz, he belonged to the legendary avant-garde artists' group "CoBrA", which had set itself the task of breaking with the conventional understanding of art. In 1950, Corneille moved to Paris, where he lived and worked for the most part until his death. Under the influence of the impressions he gathered on his travels to Asia, South America and Africa, the artist further reduced form and color in his oeuvre and was thus able to further increase expressivity. He took part in documenta II and III (1959 and 1964) in Kassel and is considered one of the most important Dutch artists of the post-war period. His works are represented in international museums and collections such as the Stedelijk Museum in Amsterdam and the Museum of Modern Art in New York, but his works are also very popular with private collectors. Watercolor and gouache over pencil/paper, mounted on cardboard. Signed and dated (lower right). (19)51. Gallery label verso. Approx. 60 cm x 50 cm. Frame. Provenance: Galerie Roche, Bremen. Watercolour, gouache and pencil on paper, laid down on cardboard. Signed and dated (19)51. Gallery label on the reverse.

Jilali GHARBAOUI (1930-1971) Carnet de dessins, 1959 Ensemble comprenant 19 dessins à la gouache sur papier fort, reliés dans un carnet en cuir Chacun signé, la première page annotée probablement par l'artiste: "Jilali Gharbaoui Album des Qroquis(?) 1959" 16 x 25 cm pour chaque feuille Provenance: Collection particulière, Allemagne

Mathurin MEHEUT (1882-1958), "Paysage panoramique, Cap Sizun", Watercolor signed lower left, 19 x 190 cm

VICTOR-JEAN NICOLLE (1754-1826) VIEW OF ROME Watercolor Partially sun-exposed Rome, watercolour, partially sun-exposed paper 13.50 x 19 CM - 5.3 x 7.5 IN

Marie BRACQUEMOND (Landunvez, 1840 - Sèvres, 1916) Church interior Watercolor gouache over pencil lines Church interior, watercolour gouache over pencil lines, by Marie Bracquemond 17.71 × 12.59 in. Frameless H: 45.0 cm, W: 32.0 cm Marie BRACQUEMOND (Landunvez, 1840 - Sèvres, 1916) H : 45.0 cm, W : 32.0 cm

"Gustave ASSIRE - Drawings 1870-1941 A very rare set of 54 original signed watercolors by Gustave Assire. In the field of book illustration, we know of this artist's fine etchings illustrating Mac Orlan's book Images secrètes de Paris, published by Kieffer in 1930. The artist, a pupil of Gustave Moreau, Benjamin Constant and Cormon in particular, is the author of watercolors and paintings of young cabaret girls, prostitutes and others. Modern wine-red half-chagrin folder and matching bordered slipcase, covering a paper cover containing the entire set laminated on pearly Japon paper pages, in in-4 format. Excellent condition. There are 39 watercolors of women (elegantes, filles de la nuit, etc.), 3 of men, 2 couples of dancers, 4 amusing views of the July 14, 1912 military parade, 6 landscape views, some located (in Jongkind, Amsterdam, Carpentras, Canal St Martin...)".

Emile Othon FRIESZ 1879-1949 - NAKED WOMAN Watercolour signed lower right 33 x 22 cm

Lucien SIMON (1861-1945) "Les mendiants", Illustration for Pierre Loti's Pêcheurs d'Islande, Watercolor gouache signed lower left, 48 x 63 cm

Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) The beach at Veules-les-Roses Watercolor gouache over pencil lines No frame The beach at Veules-les-Roses, watercolour gouache over pencil lines, located and dated, by Marie Bracquemond 9.25 × 14.17 in. H : 23.5 cm, W : 36.0 cm Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) H : 23.5 cm, W : 36.0 cm

Fengmian Lin (1900-1991). Opera dancer. Ink and watercolor on silk paper. Signed upper left and accompanied by the artist's stamp. Dim. 35x22.5 cm; 49.8x36 cm overall. Rousseurs and marks. Provenance: Berthier collection, Shanghai since 1937.

Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) A meteorite passing over Paris on February 10, 1875 Watercolor and gouache over pencil, pen and brown ink, on blue paper My Dear Silbermann - I'm sending you a sketch of what I saw yesterday evening at a quarter to 6 I was on the road from Versailles to Sèvres, which will show you the direction in which the phenomenon occurred - just in the axis of the road - the lower sketch shows what had become of the the light trail ten minutes later - I haven't forgotten my promise, but I still haven't been able to go and see you my respects to mademoiselle Silbermann to you Bracquemond Sèvres February 11, 1875 Unframed A meteorite hit in Paris on February 10, 1875, watercolour and gouache over pencil, pen and brown ink on blue paper, by Félix Bracquemond 9.44 × 5.90 in. H : 24.0 cm, W : 15.0 cm Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) H: 24.0 cm, W: 15.0 cm

CAVAILLES J. "Bouquet de fleurs" Gouache watercolour SHG and dedicated to Doctor GIROU ? ...... 58x36cm

Bernard GANTNER (1928-2018) Urban landscape Gouache signed and dated 1959 lower right, dedicated lower left 31 x 43 cm on view

Julian FALAT (1853-1929) Rare watercolor depicting a snowy view Signed lower right Late 19th, early 20th century Restoration due to use and maintenance Sight size: H: 23.7; W: 34.3 cm

Marcel DE LINCÉ. - "Grisaille. 1930" Watercolor on paper, 27 x 38. Signed and dated upper left. Under glass. Grey frame.

Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) Femme se baignant un soir de pleine lune, plate design Watercolor gouache and gold highlights on pencil lines Woman bathing on the evening of a full moon, plate project, watercolour with gouache and gold highlights over pencil lines, by Félix Bracquemond 8.66 × 11.42 in. H : 22.0 cm, W : 29.0 cm Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) H : 22.0 cm, W : 29.0 cm

Yves BRAYER 1907-1990 - MEXICO: BOATS ON LAKE PÁTZCUARO Watercolor signed lower right 48 x 63 cm

Afghanistan. - Map of Afghanistan with the adjoining Russian and English territories. Edited by Gustav Freytag. Scale. 1:2,100,000. Vienna and others. Hartleben (around 1900). 67 x 79 cm. Folded several times. With attached illustrated OU. with 7 views in wood engraving. Cover edges partly creased, folds of the map partly torn - ╔In addition: Map╗ of Italy, Greece and the areas around the Black Sea. Composed of 4 parts, lithographed, border color map. Map, partly with ornamental border, ca. mid-19th century. Fragment. Ca. 51 x 113 cm. Folded several times. - Partly. Folds and margins somewhat damaged. - Indo-Persian miniature: A soldier presents the head of an enemy to the army commander (Shah). Gouache (15 x 10 cm) in floral frame, approx. 25 x 17 cm. Framed under glass (not framed). - Sheet with stress cracks. D

Marcel DE LINCÉ. - "Corner of the Ourthe" Watercolor, 25 x 34. Signed lower right. Countersigned, titled and dedicated to Victor Moremans on the back. Very fresh. Under glass and passe-partout, gilded frame. Provenance: Victor Moremans Collection.

Marie BRACQUEMOND (Landunvez, 1840 - Sèvres, 1916) Young woman reading in medieval style, project for a dish Charcoal, watercolor and gouache on blue paper (irregular edges) Frameless Young woman in a medieval style reading, dish project, charcoal, watercolour and gouache on blue paper, by Marie Bracquemond 18.70 × 19.09 in. H : 47.5 cm, W : 48.5 cm Marie BRACQUEMOND (Landunvez, 1840 - Sèvres, 1916) H : 47.5 cm, W : 48.5 cm

Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) Study for Baron Vitta's screen Watercolor gouache and pastel highlights on pencil lines (irregular edges) Frameless Study for the screen of Baron Vitta, watercolour with gouache and pastel highlights over pencil lines, by Félix Bracquemond 14.17 × 19.29 in. H : 36.0 cm, W : 49.0 cm Félix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) H : 36.0 cm, W : 49.0 cm

MAI THU: Jeune femme se maquillant, original lithograph and watercolor stencil on silk, signed in the plate and bearing the artist's stamp 15x9.5cm à vue

Ludovic PIETTE 1826-1877 - PEASANT AT REST Gouache signed lower left 30 x 38 cm

Marie BRACQUEMOND (Landunvez, 1840 - Sèvres, 1916) Apple picking Pencil and white gouache highlights unframed Apple picking, pencil and white gouache highlights, signed, by Marie Bracquemond 22.05 × 14.96 in. H : 56.0 cm, W : 38.0 cm Marie BRACQUEMOND (Landunvez, 1840 - Sèvres, 1916) H : 56.0 cm, W : 38.0 cm

Rik SLABBINCK(1914-1991) Les 12 mois, 1972 Portfolio comprenant 12 lithographies sur Japon nacré et un dessin original à l'encre de Chine et gouache sur papier fort signé en bas à droite: "Slabbinck" Exemplaire n°9 signé par l'artiste, d'une édition à 12 exemplaires sur Japon nacré Jean-Robert Delahaut Éditeur, Paris-Bruxelles Textes d'Émile Verhaeren Dans son emboitage toilé vert 19 x 12 cm pour le dessin original 40,5 x 31 cm pour l'emboitage

Bernard GANTNER (1928-2018) attributed to Winter landscape Gouache 35 x 50 cm view

ROBERT Bonimenteur in a Mamelouk Guard uniform and two harlequins drawing and watercolor on paper, Signed lower right 16; x12 cm

Marie BRACQUEMOND (Landunvez, 1840 - Sèvres, 1916) July - Preparations for departure Charcoal and white gouache highlights Unframed July - Preparing for departure, charcoal with white gouache highlights, by Marie Bracquemond 20.67 × 13.78 in. H : 52.5 cm, W : 35.0 cm Marie BRACQUEMOND (Landunvez, 1840 - Sèvres, 1916) H : 52.5 cm, W : 35.0 cm

Marie BRACQUEMOND (Landunvez, 1840 - Sèvres, 1916) Young woman in medieval style playing the harp, design for a dish Brown ink, charcoal and white gouache highlights over pencil lines on blue paper (irregular edges) Frameless Young woman in medieval style playing the harp, brown ink, charcoal and white gouache highlights in pencil on blue paper, by Marie Bracquemond 19.09 × 18.70 in. H : 48.5 cm, W : 47.5 cm Marie BRACQUEMOND (Landunvez, 1840 - Sèvres, 1916) H : 48.5 cm, L : 47.5 cm

18th century French school Lively town entrance Gouache. Tondo. 11.5 cm long, 8 cm high. Provenance : Chartraine collection.

Alfred Edward Chalon (1780 Geneva - 1860 Kensington/London) Double portrait of Princess Charlotte Augusta of Wales and her mother Princess Caroline of Brunswick-Wolfenbüttel as Princess of Wales Finely executed interior scene with a music lesson in a drawing room. Standing is the young, beautiful Princess Charlotte (1796 - 1817) in a white Empire dress playing the harp, who married Prince Leopold of Saxe-Coburg (1831 - 1865 King of the Belgians) in 1816; seated next to her is her mother Caroline (1768 - 1821), Queen of Great Britain, Ireland and Hanover through her marriage to George IV in 1820/21. Chalon, who had studied at the Royal Academy in London since 1797 and had been an Academy member (RA) since 1816, created watercolor portraits of high society and in 1837 became court painter to the young Queen Victoria, who had herself portrayed by Chalon in full coronation regalia. Pen and ink, watercolor a. pencil/paper. Signed lower right; mounted old adhesive label with inscription or dedication "à Madame Renier de Renens à Lausanne" verso. 42.1 cm x 37 cm. Frame. Ink, pen, watercolour and pencil on paper. Signed. Mounted old label with inscription or dedication on the reverse.

Walnut TRUMEAU, the upper part decorated under glass with poppies and field flowers painted in gouache, signed, A. Lesguillon, and dated 1935. Size of composition. 69 x 93 cm. Total height : 168 x 106 cm.

Emile DORREE (1883-1959). Dur-Ecu Manor in Urville. Watercolor signed, located and dated "23" lower right. 27.5 x 37.5 cm.

Lothar Malskat (1912 Königsberg/East Prussia - 1988 Wulfsdorf near Lübeck) North German landscape with cottage garden in front of old thatched-roof houses Expressionist landscape painted by Malskat in the tradition of Emil Nolde with partly relief-like impasto application of paint, in which he contrasted an intensely luminous coloring with black areas. Malskat received his artistic training at the art academy in Königsberg. He gained fame after 1945 through the forgery scandal surrounding his frescoes painted in the Gothic style in Schleswig Cathedral (1937/38) and in St. Mary's Church in Lübeck (1948-1951), as well as through forgeries of artworks by prominent artists such as Barlach, Chagall, Kokoschka, Picasso, Liebermann, Rembrandt, Rousseau, Utrillo and others. Gouache/paper. R. and monogr.; 53.5 cm x 67.5 cm (mat opening). Frame. Gouache on paper. Monogrammed.

19th century French school, "Ferme aux environs de Pau", Watercolor drawing monogrammed lower center "T.R." and dated 1838. Sight size: 13 x 21.2 cm. Under glass, gilded frame.

École italienne du XIXe siècle - Italian school of the 19th century Pompeii, View of the Triangular Forum and the Isoletta di Rivigliano Watercolor over engraved lines 13.5 x 19.5 cm Cartel on mount A. VIANELLI Label on reverse Pompei / View of the Triangular Forum and the Isoletta di Rivigliano / pages 178 and 5 / P.Gusman - Paris 1906 - Emile Gaillard Pompeii, The Basilica Watercolor over engraved lines 13.5 x 19.5 cm Cartel on the mount A. VIANELLI Label on reverse Pompei / The Basilica / page 143/ P.Gusman - Paris 1906 - Emile Gaill Pompeii, The Civil Forum Watercolor over engraved lines 13.5 x 19.5 cm Cartel on the mount A. VIANELLI Label on reverse Pompei / Le Forum Civil / pages 147-148/ P.Gusman - Paris 1906 - Emile Gaillard Pompeii, Mecatonctylon of the triangular Forum Watercolour over engraved lines 13.5 x 19.5 cm Cartel on mount A. VIANELLI Label on reverse Pompei / Mecatonctylon du Forum triangulaire / page 177 / P.Gusman - Emile Gaillard - Paris 1904

Maurice LE SCOUEZEC 1861-1940 - PLOUGASTEL CHURCH EXIT Watercolor signed and located lower right 44 x 62 cm

Auguste LEPÈRE - Auguste LEPÈRE Paris, 1849 - 1918, Domme Two studies of the port of Le Havre Black stone and white gouache highlights 20.5 x 14 cm ; 21 x 14 cm - 8 1/16 x 5 1/2 in. ; 8 1/4 x 5 1/2 in. (Sold framed)