Street Art, graffiti

Bill, Max. Untitled. (Square arrangement). Color silkscreen on firm wove paper. Signed and dated with the artist's stamp lower right and dry-stamped "euro act" lower left. 1971. motif dimensions: 42.5 x 42.5 cm. Sheet dimensions: 65 x 50 cm. Corners with small remnants of old mounting, minimal tear to upper left edge of sheet (approx. 5 mm), the print in perfect condition.

Bayrle, Thomas. Fire in the wheat. 9 color silkscreens on firm wove paper. Each numbered, titled, signed and dated "Bayrle 70" in pencil except for the title page. Copies: 96/100. (Frankfurt, Draier-Verlag, 1971.) Sheet dimensions: each 47.5 x 64 cm. Städtische Galerie Wolfsburg 75 - Complete series of Bayrle's erotic silkscreens, which bear such sonorous titles as "Herr + Frau Schwanz beim Tanz", "Steig in das Traumboot der Liebe" or "Hänsels + Gretel". - Without the acrylic cassette, the title sheet minimally rubbed in the lower margin, the sheet with the married couple "Schwanz" with a narrow fold mark in the left margin, the sheet edges of the other silkscreens in part only minimally bumped. - Provenance: From the collection of Hans-Jürgen Döpp, Frankfurt.

Panamarenko. Manpowered Fanjet Aircraft. Color silkscreen on cardboard. Signed, dated and numbered upper left. Copy: 6/100. 1972. Sheet dimensions: 89.5 x 52 cm. Published by Edition Staeck, Heidelberg. - Mounted on backing in the corners, in very good condition.

Viennese Actionism - Brus, Günter. Die Schastrommel (from volume 13 under the title "Die Drossel") nos. 1-8 (issue 4 as a special edition, 8 in 2 variants), 12 and 13 (of 17) in 13 issues as well as 1 cover of the folder. Edited by Günter Brus. With 4 original photographs, 2 original colored pencil drawings and numerous original screen prints (including cover illustration) as well as numerous texts, photos and drawings by the participating authors and artists. Berlin and Bolzano, 1969-1975. 29 x 21 cm and 23 x 17 cm respectively. Mostly color illustrated original boards. The most important issues of the legendary journal of Viennese Actionism. Initially published in 120 and 150 copies, later in 500 and 1000 copies. - Issue no. 1. in 1st edition - issue no. 2. with the original photograph of an action, photographed by Klaus Eschen. 18 x 23.8 cm. With photographer's stamp on verso. As well as signed and dated original lead and colored pencil drawing by Günter Brus. 1970. 29.5 x 20.5 cm. - Cf. hand drawings 1969-1971. Cologne, König, 1971. p. 37 (ill.). - Issue no. 4 as a special copy. In a binding variant with printed glassine cover. - One of 30 copies: with 1 mounted, signed and inscribed original photograph "Geweih" by Arnulf Rainer, 17.5 x 13 cm. - Signed, dated and inscribed original colored pencil drawing by Brus "für Margaret - Verhaltensforschung", 1971. 28.5 x 20.5 cm. - 2 original photographs mounted on one sheet. Each 8 x 11.5 cm. Signed and inscribed "'ANA' - 1964/Vienna" by Brus on the sheet. - Booklet no. 5 with mounted fabric relic on the front cover. - Booklet no. 8 in 3 volumes (8a, b and c) and in 1 volume. - Inside front cover with handwritten dedication, presumably to Margaret Raspé: "Alles Liebe zum Geburtstag 1975 Anna + Günther". - Collection folder cover for issues 1-8 with color silkscreen print, signed, dated and numbered by Brus on the front. Copy: 121. 1973 - Signed dedication on verso "Mit Widmung signiert, Günzi Brus - Basel 73". - Cover torn approx. 7 cm in the left margin, cover of issue 2 slightly creased and minimally torn at the capitals, slightly rubbed in places, in good overall condition. - Provenance: Estate of Margaret Raspé, with whom Brus lived during his time in exile in Berlin and in whose cellar he produced the Schastrommel.

Calderara, Antonio. Untitled. (Composition green-grey-yellow). Color serigraph on firm wove paper. Signed, dated and numbered in pencil verso. Copy: 46/79. 1973. motif dimensions: 27 x 27 cm. Sheet dimensions: 68.5 x 49 cm. Edges minimally bumped and slightly browned, in very good condition.

"OBEY", SHEPARD FAIREY (Charleston, South Carolina, U.S.A.,1970). "Tested performance" 2014. Silkscreen, copy 20/50. Signed and justified in pencil. Measurements: 106 x 106 cm. Frank Shepard Fairey, OBEY, is an American urban artist and graphic designer, famous for the iconic "Hope" poster used by Barack Obama during his presidential campaign. His designs take elements from mid-20th century political propaganda poster art. Including slogans such as "Think and create, print and destroy", which mix the subversive with entertainment, his subject matter and aesthetics often come to be a mix between caricature and revival of political propaganda, Situationist ideas and the aesthetic-philosophical revolutions of the 1960s, thematic backgrounds very common in the art of the late 1990s and the beginning of the present century. His situation as an artist is controversial, maintaining works of graphic design and advertising with major brands on the one hand, and facing arrests in several countries for urban vandalism with his interventions, thus being a marked representative of the discussion on the role of the artist and his ideology in the present moment of the history of capitalist societies. He claims the public space as the main space for artistic and cultural life, proposing a critique of the aesthetic and presential hegemony of advertising, led by large financial corporations.

"SIXEART" (Badalona, Barcelona, 1975). "Studies of an unemployed dog", 2010. Mixed media on canvas. Signed in the lower left corner. Measurements: 100 x 73 cm; 104 x 77 cm (frame). Sixeart or Sixe Art, Sergio Hidalgo Paredes, is a self-taught multidisciplinary artist. He began his artistic career in the eighties, painting graffiti in the streets of Barcelona. A decade later, in the mid-nineties, he began to experiment with sculpture and painting, until in 1998 he saw the need to open his own studio, which has allowed him to define himself as a visual artist. Sixeart expresses with his work a universe of his own through various disciplines; from his beginnings, his artistic language has evolved to become what it is today: an abstract universe of color endowed with forms and symbologies, which breathes simplicity and complexity at the same time. His pictorial work is a balanced mixture of figurative and abstract, extremely rich in sensitivity. Sixeart starts from his experiences in the urban landscape as the main creative stimulus; his days in his city, Barcelona, the melancholy of the city, his concerns about evolution and its consequences, genetic manipulation, a romanticism for the world that is left behind, the images that are lost in time... all this configures his personal plastic universe. This artist belongs to El Equipo Plástico, together with Nuria Mora, Nano4814 and Eltono, and since 2000 he has held exhibitions in Spain, Germany, France, Italy, the United States, Belgium, Denmark, England, Brazil, Peru and Mexico. His latest exhibitions include "New World - Intercontinental Transmutation" (A.L.I.C.E. Gallery, Brussels, 2010), "From Chillida to Sixeart" (Mayoral Gallery, Barcelona, 2009), "Warriors" (N2 Gallery, Barcelona, 2009). Also, in 2008 he exhibited with Blu, Faile, JR, Nunca and Os Gémeos at the Tate Modern in London, in the exhibition "Street Art".

Hörl, Ottmar. Tell. Plastic briefcase with title in silkscreen, filled with plastic dummies of a Beretta pistol and a Granny Smith apple, mounted on aluminum plate. Signed, dated and numbered on a label on the inside lid of the case. Specimen: 13/35. 1998. dimensions: 36.5 x 43.5 x 10 cm (case). The last collector's case by the German conceptual artist Ottmar Hörl from a series of four, also published: "Collector's Kit", "Auslandsvertretung" and "Picknick". - Case minimally rubbed on the outside, otherwise in very good condition.

Richard Orlinski - Richard Orlinski Pompon x Orlinski bear (Gold Matte) Resin sculpture new and unwrapped, in original box, with certificate of authenticity. S ignature engraved by Richard Orlinski and Pompon Limited and sold-out edition. Dimensions: 23 x 12 x 4.5 cm Weight: 1.9 kg (including packaging) Mandatory shipping, 1 to 5 lithographs from €14.76 for mainland France; €29.64 for Europe (see CGE)

Banksy - Banksy Walled hotel, 2020 wall of resin sculptures approx. 13x19x14cm Mandatory shipping, 1 to 5 lithographs from €14.76 for mainland France; €29.64 for Europe (see CGE)

Floyd Gottfredson - Three Little Pigs Christmas Story, 1963 pencil, pastel, ink and screen on thin cardboard 53.5 x 16.5 cm Daily comic strip from 12/16/1963 for "Three Little Pigs Christmas Story." Very rare strip for one of the most loved Christmas continuities of all time, in this daily one (it is episode 19 out of 26) we immerse ourselves in the Christmas spirit with two little pigs intent on decorating the Christmas tree and Ezekiel Wolf who for the first time he takes on the role of Santa Claus with not too charitable intentions. Signed Walt Disney and dated.

Beuys, Joseph. One-stone time. Zinc plate with serigraph and wire soldered to the verso at the upper edge in a plexiglass display case. Signed and numbered verso, as well as two stamps with artist's name, title, date and information on the photograph and print. Copy: 16/500. 1984. dimensions: 28.5 x 40 cm. Dimensions of the display case: 41 x 44 x 16 cm. Schellmann 503 A. - Photograph by Magdalena Broska, printed by Free International University, Gelsenkirchen. Published by the magazine natur, Munich. The proceeds from "Ein-Stein-Zeit" were donated to the ecological Gesamtkunstwerk "Joseph Beuys, 7000 Eichen" in Kassel. - The work not in the original wooden box, in very good condition.

Richard Orlinski - Richard Orlinski Kong Oil, 2023 Sculpture, resin 17.8 × 9.7 × 5.3 cm Mandatory shipping, 1 to 5 lithographs from €14.76 for mainland France; €29.64 for Europe (see CGE)

Henry LHOTELLIER (1908-1993) "Beijing morning - Beijing noon, 1984" Silkscreen in color (on Arches ?) Signed and dated lower left, numbered EA12/12. 38 x 53 cm (sheet) Fold Bibl : Henry Lhotellier, Rétrospective et catalog raisonné de l'oeuvre gravé 1992-1993, ref G99 p87. Enclosed is a working proof of the silkscreen by Pierre Vandrotte, sent to Henri Lhotellier.

Berges, Werner. Untitled. (Yellow dotted). Color screenprint on firm wove paper. Signed, dated and numbered. Copy: 27/50. 1969. Sheet dimensions: 84 x 60 cm. Sheet browned, somewhat rubbed, occasional light foxing, upper left corner with loss (1 cm).

Richard Orlinski - Richard ORLINSKI Panther spirit (silver edition) Original resin sculpture Silver-grey metallic 9 x 18 x 3.5 cm Presented in gift box with certificate Excellent condition Mandatory shipping, 1 to 5 Lithographs from 14,76€ for Metropolitan France; 29,64€ for Europe (see CGE)

Wilding, Ludwig. Spigel graphic. Serigraph on PVC film, loose on serigraphed cardboard folded in the middle. The cardboard signed, dated and numbered. Copy: 91/150. 1968. motif dimensions: 28 x 28 cm. Sheet dimensions: 44 x 31.5 cm. From the luxury edition "Kunstmarkt Köln 1968". - The cardboard on support, the PVC film mounted behind passepartout, the serigraph slightly smudged in the upper area of the film. VAT: #

Arakawa, Shusaku. Above Sound. Color serigraph and color lithograph on chamois-colored Arches. Signed, dated and numbered and with embossed stamp lower left. Copy: 78/100. 1973. sheet dimensions: 76 x 57 cm. From the portfolio "Realitiy & Paradoxes", printed by Styria Studio Ltd, Los Angeles and published by Multiples Inc, New York. - In good condition.

Henry LHOTELLIER (1908-1993) "La mèche, 1974" (The wick) Silkscreen in color. Signed and dated lower right, numbered 29/33. 65 x 50 cm (sheet) Stains and folds Bibl: "Henry Lhotellier, Rétrospective et catalog raisonné de l'oeuvre gravé 1992-1993", ref G90 p86.

Sacha CRASSON Aka Holysmal (1998) - Glide on Venus. Spray paint and acrylic markers on skateboard. Signed by hand. This work is sold in aid of the ASBL Ntoki, Ntoki's aim is to promote cultural exchanges between Belgian and Congolese artists.

Richard Orlinski - Richard ORLINSKI Kong Christmas limited edition (Red edition) Original resin sculpture Red edition 19cm x 13,5cm x 6cm Presented in gift box with certificate Excellent condition Mandatory shipping, 1 to 5 Lithographs from 14,76€ for Metropolitan France; 29,64€ for Europe (see CGE)

Mack, Heinz. Color cloud. Color silkscreen on aluminum cardboard. Signed, dated and inscribed "Probe (3x)" lower center. 1972. motif dimensions: 70 x 50 cm. Sheet dimensions: 90 x 65.5 cm. Mack 78/II. - Proof outside the numbered edition of 100. - Some handling marks and creases and slightly scratched.

Rizzi, James. Twenty Five Years of Good Taste, Good Times, and Good Friends. Color serigraph on wove paper in original red lacquered frame. Signed lower right in pencil and with imprinted title and date below the image. 1995. motif dimensions: 22.5 x 31 cm. Framed: 42.5 x 52.5 cm. Humorous hidden object by the American pop artist James Rizzi (1950-2011) on the occasion of the 25th anniversary of the tobacco manufacturer Philip Morris. The screen print was both designed and printed in an edition of 3750 copies for the employees at the time. - With the original label on the reverse. - The print in the passepartout cutout in perfect condition, the unopened frame scratched and somewhat rubbed as well as with minor color flaking and overpainting.

Piene, Otto. Heseler Silver. Serigraph in black and silver on cardboard. Signed and dated lower right. Inscribed lower left "é.d'ar." (épreuve d'artiste). 1971. sheet dimensions: 89.5 x 69 cm. Rottloff 95 - Proof outside the edition of 100 numbered copies. - Printed by Kroll, Munich. Published by Galerie Heseler, Munich. - Partially with minimal surface rubbing, otherwise in very good condition.

Shepard FAIREY (1970) OBEY - Shepard Fairey - Panther. Silkscreened skateboard. 79 x 20.5 cm. Signed by hand.

Shepard FAIREY (1970) OBEY - Shepard Fairey - Propaganda. Screen-printed skateboard. 79 x 20.5 cm. Signed by hand. Note: Shepard Fairey, known as Obey, was born in 1970 in Charleston in the United States. He plunged into the world of graphic design at the age of 14, drawing images that would later be flocked onto t-shirts and skateboards. Influenced by the work of Andy Warhol and the Russian artist Alexander Rodchenko, he naturally went on to study art. At the end of the 1980s, Obey and a group of friends from the Rhode Island School of Design created a series of stickers and posters based on the wrestler André the Giant, which they secretly pasted onto the walls of American cities in their thousands. It was one of the first and most important ‘viral’ Street Art campaigns, demonstrating the striking power of this new form of clandestine expression. His work received international recognition during the 2008 US presidential campaign, with the creation of Barack Obama's HOPE poster, which became an iconic image of the campaign. The President personally thanked him for the influence his poster had during the presidential elections. The Institute of Contemporary Art in Boston considers him one of the best and most influential street artists of the moment. Despite this, although he is one of the pioneers of street art, his work is sometimes considered by the law to infringe artistic property. During some of his run-ins with the law, this did not prevent his exhibitions in various museums from doubling in attendance. Today, Shepard Fairey continues to use art as an artistic medium to engage with current social and political issues. In 2022, in collaboration with the Department of Art and Culture, he completed a 100-metre mural encouraging the use of renewable, less polluting energies in Munich.

Polke, Sigmar. Hopp. Serigraph on cardboard. Signed, dated and numbered. Copy: 24/60. 1996. motif dimensions: 34 x 62 cm. Sheet dimensions: 50 x 70 cm. Becker/von der Osten 117. - Mounted on backing in the upper corners verso, mounting is lighter on the front, overall browned and somewhat foxed, light-stained. VAT: #

Roth, Dieter. 6 piccadillies. 8 plates from the series, with 1 doublet and 5 color variants. Offset prints on both sides on wooden boards laminated with Chromolux cardboard, the front sides overprinted with silkscreens. 2 signed and dated lower right. Published by Petersburg Press, London, 1970. sheet dimensions: 50 x 70 cm. Dobke 118-123 - bücher und grafik 116-123 - One plate inscribed "AP", 2 plates signed, the others unnumbered and probably produced outside the edition of 150 numbered copies. - One motif (Dobke 121) in 4 color variants and with 1 doublet. - The backs with a smaller image of the motifs overprinted on the fronts. - With color deviations from Dobke. - "One of the first works they (Petersburg Press) produced is propably his best known series of prints, the '6 picadillies'. The idea for this was prompted by the collection of Picadilly postcards belonging to Rita Donagh, Richard Hamilton's companion." (Dobke p. 17). - Without the accompanying printed cardboard box. - Edges and corners bumped, variously heavily stained, soiled and scratched, 1 plate with a larger impact mark in the margin, 1 plate with 4 small nail holes in the corners, 1 plate with a small loss in the silkscreen, craquelure in places, 1 plate more heavily affected. - Provenance: Estate of Rudolf Rieser.

Shepard FAIREY (1970) - Real OG Oval Remix Project, 2007. Screen-printed skateboard. 79.5 x 20 cm. Includes stickers and "the real remix project". Note: Shepard Fairey, known as Obey, was born in 1970 in Charleston in the United States. He plunged into the world of graphic design at the age of 14, drawing images that would later be flocked onto t-shirts and skateboards. Influenced by the work of Andy Warhol and the Russian artist Alexander Rodchenko, he naturally went on to study art. At the end of the 1980s, Obey and a group of friends from the Rhode Island School of Design created a series of stickers and posters based on the wrestler André the Giant, which they secretly pasted onto the walls of American cities in their thousands. It was one of the first and most important ‘viral’ Street Art campaigns, demonstrating the striking power of this new form of clandestine expression. His work received international recognition during the 2008 US presidential campaign, with the creation of Barack Obama's HOPE poster, which became an iconic image of the campaign. The President personally thanked him for the influence his poster had during the presidential elections. The Institute of Contemporary Art in Boston considers him one of the best and most influential street artists of the moment. Despite this, although he is one of the pioneers of street art, his work is sometimes considered by the law to infringe artistic property. During some of his run-ins with the law, this did not prevent his exhibitions in various museums from doubling in attendance. Today, Shepard Fairey continues to use art as an artistic medium to engage with current social and political issues. In 2022, in collaboration with the Department of Art and Culture, he completed a 100-metre mural encouraging the use of renewable, less polluting energies in Munich.

Mack, Heinz. Rotor. Color serigraph and embossed print on gold-colored aluminum cardboard. Signed, dated and inscribed "Probedruck" lower right. 1972. sheet dimensions: 58 x 42.5 cm. Fulda-Kahn 88. - Proof alongside the edition of 180 numbered copies for the Cologne art market 1972. - Lower margin with 2 creases in the margins, with slight surface rubbing and scratches, otherwise in good condition.

Polke, Sigmar. Cultural stencil. Serigraph on card with two cut-outs, backed with two magazine advertisements. Signed and dated lower right, numbered lower left. Copy: 50/70. 1998. motif dimensions: 25 x 38 cm. Sheet dimensions: 42 x 59.5 cm. Mounted in spots on support verso in the margins, in very good condition. VAT: #

Chris JOHANSON (1968) X Barry MCGEE (1966) - Recycled. Sculpture, silkscreen and skateboard cut-out. 77 x 20 cm. Hand-signed, dated 2011 and numbered 4/40.