Tàpies, Antoni A.T. 1982. Farblithographie auf Velin. 38 x 56 cm (60,5 x 78,5 cm…

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Tàpies, Antoni A.T. 1982. Farblithographie auf Velin. 38 x 56 cm (60,5 x 78,5 cm). Signiert und nummeriert. Freistehend auf Passepartout montiert, unter Glas gerahmt (ungeöffnet). - Augenscheinlich se…

En línea - Arte moderno y contemporáneo Informal Tàpies, Antoni A.T. 1982. Litografía en color sobre papel tejido. 38 x 56 cm (60,5 x 78,5 cm). Firmada y numerada. Montada sobre passepartout, enmarcada bajo cristal (sin abrir). - Aparentemente en muy buen estado. Excelente impresión, parcialmente calcárea con el margen completo, con el margen de la primicia a la derecha. Galfetti 899 - Uno de 75 ejemplares. - Impreso por el Atelier Lelong, París. Litografía en colores sobre papel tejido. Firmada y numerada. Montada libre sobre paspartú, enmarcada bajo cristal (sin abrir). - Aparentemente en muy buen estado. Magnífica impresión, parcialmente calcárea con el margen completo, a la derecha con el margen de la primicia. - Uno de 75 ejemplares.

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Tàpies, Antoni A.T. 1982. Farblithographie auf Velin. 38 x 56 cm (60,5 x 78,5 cm). Signiert und nummeriert. Freistehend auf Passepartout montiert, unter Glas gerahmt (ungeöffnet). - Augenscheinlich sehr gut erhalten. Ausgezeichneter, teils kreidiger Dru

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Valorac. 1 200 - 1 500 EUR

ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Le plus beau cadeau", 1975. Etching and carborundum engraving in gray and brown, copy 37/80. Signed and numbered in pencil. Tàpies Galfetti V, p. 90, fig. 1513. Measurements: 63,5 x 45,5 cm. Antoni Tàpies begins in art during his long convalescence from a lung disease. Progressively he will dedicate himself with greater intensity to drawing and painting, and finally he leaves his studies of Law to dedicate himself completely to art. Co-founder of "Dau al Set" in 1948, he began to exhibit in the Salones de Octubre in Barcelona, as well as in the Salón de los Once held in Madrid in 1949. After his first individual exhibition in the Layetanas Galleries, he travels to Paris in 1950, with a scholarship from the French Institute. In these years he began his participation in the Venice Biennial, exhibited again at the Layetanas and, after a show in Chicago, in 1953 he had a solo exhibition at Martha Jackson's New York gallery. From then on, his exhibitions, both group and solo, were held all over the world, in leading galleries and museums such as the Guggenheim in New York and the Museum of Modern Art in Paris. Since the seventies, anthologies have been dedicated to him in Tokyo (1976), New York (1977 and 2005), Rome (1980), Amsterdam (1980), Madrid (1980), Venice (1982), Milan (1985), Vienna (1986) and Brussels (1986). Self-taught, Tàpies has created his own style within the avant-garde art of the 20th century, combining tradition and innovation in an abstract style but full of symbolism, giving great relevance to the material substrate of the work. It is worth mentioning the marked spiritual sense given by the artist to his work, where the material support transcends its state to signify a profound analysis of the human condition. Tàpies' work has been highly valued internationally, being exhibited in the most prestigious museums in the world. Throughout his career he has received numerous awards and distinctions, including the Praemium Imperiale of Japan, the National Culture Award, the Grand Prize for Painting in France, the Wolf Foundation of the Arts (1981), the Gold Medal of the Generalitat de Catalunya (1983), the Prince of Asturias Award for the Arts (1990), the Picasso Medal of Unesco (1993) and the Velázquez Award for Plastic Arts (2003). A great defender of Catalan culture, of which he is deeply imbued, Tàpies is a great admirer of the mystical writer Ramón Llull, as well as the Catalan Romanesque and Gaudí's architecture. At the same time, he appreciates Eastern art and philosophy, which, like his own work, blur the boundary between matter and spirit, between man and nature. Influenced by Buddhism, he shows in his paintings how pain, both physical and spiritual, is inherent to life. Antoni Tàpies is represented in major museums around the world, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.

Valorac. 800 - 900 EUR

ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Suite Berlin". Lithograph on Arches paper, copy 144/150. Signed and numbered by hand. Tàpies Galfetti II, p. 109, fig. 484. Measurements: 56 x 76 cm. Antoni Tàpies begins in art during his long convalescence from a lung disease. Progressively he will dedicate himself with greater intensity to drawing and painting, and finally he leaves his law studies to dedicate himself completely to art. Co-founder of "Dau al Set" in 1948, he began to exhibit in the Salones de Octubre in Barcelona, as well as in the Salón de los Once held in Madrid in 1949. After his first individual exhibition in the Layetanas Galleries, he travels to Paris in 1950, with a scholarship from the French Institute. In these years he began his participation in the Venice Biennial, exhibited again at the Layetanas and, after a show in Chicago, in 1953 he had a solo exhibition at Martha Jackson's New York gallery. From then on, his exhibitions, both group and solo, were held all over the world, in leading galleries and museums such as the Guggenheim in New York and the Museum of Modern Art in Paris. Since the seventies, anthologies have been dedicated to him in Tokyo (1976), New York (1977 and 2005), Rome (1980), Amsterdam (1980), Madrid (1980), Venice (1982), Milan (1985), Vienna (1986) and Brussels (1986). Self-taught, Tàpies has created his own style within the avant-garde art of the 20th century, combining tradition and innovation in an abstract style but full of symbolism, giving great relevance to the material substrate of the work. It is worth mentioning the marked spiritual sense given by the artist to his work, where the material support transcends its state to signify a profound analysis of the human condition. Tàpies' work has been highly valued internationally, being exhibited in the most prestigious museums in the world. Throughout his career he has received numerous awards and distinctions, including the Praemium Imperiale of Japan, the National Culture Award, the Grand Prize for Painting in France, the Wolf Foundation of the Arts (1981), the Gold Medal of the Generalitat de Catalunya (1983), the Prince of Asturias Award for the Arts (1990), the Picasso Medal of Unesco (1993) and the Velázquez Award for Plastic Arts (2003). A great defender of Catalan culture, of which he is deeply imbued, Tàpies is a great admirer of the mystical writer Ramón Llull, as well as the Catalan Romanesque and Gaudí's architecture. At the same time, he appreciates Eastern art and philosophy, which, like his own work, blur the boundary between matter and spirit, between man and nature. Influenced by Buddhism, he shows in his paintings how pain, both physical and spiritual, is inherent to life. Antoni Tàpies is represented in major museums around the world, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.

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ANTONI TÀPIES Barcelona 1923-2012 Foll. 1973 Lithograph on Chiffon de la Dore paper Signed in pencil Numbered 43/150 Measurements 29.6 x 46.2 cm Edited by the Musée d'Art Moderne de la Ville de Paris 1973 BIBLIOGRAPHY Mariuccia Galfetti, "Antoni Tápies. Graphic Work 1973-78", Ed. Gustavo Gili, Barcelona 1980, no. 377. Page 45

Valorac. 400 - 600 EUR

TAPIES ANTONI' (1923 - 2012)

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