Null ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012).

"Suite Berlin". 

Lithograph …
Descripción

ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Suite Berlin". Lithograph on Arches paper, copy 144/150. Signed and numbered by hand. Tàpies Galfetti II, p. 109, fig. 484. Measurements: 56 x 76 cm. Antoni Tàpies begins in art during his long convalescence from a lung disease. Progressively he will dedicate himself with greater intensity to drawing and painting, and finally he leaves his law studies to dedicate himself completely to art. Co-founder of "Dau al Set" in 1948, he began to exhibit in the Salones de Octubre in Barcelona, as well as in the Salón de los Once held in Madrid in 1949. After his first individual exhibition in the Layetanas Galleries, he travels to Paris in 1950, with a scholarship from the French Institute. In these years he began his participation in the Venice Biennial, exhibited again at the Layetanas and, after a show in Chicago, in 1953 he had a solo exhibition at Martha Jackson's New York gallery. From then on, his exhibitions, both group and solo, were held all over the world, in leading galleries and museums such as the Guggenheim in New York and the Museum of Modern Art in Paris. Since the seventies, anthologies have been dedicated to him in Tokyo (1976), New York (1977 and 2005), Rome (1980), Amsterdam (1980), Madrid (1980), Venice (1982), Milan (1985), Vienna (1986) and Brussels (1986). Self-taught, Tàpies has created his own style within the avant-garde art of the 20th century, combining tradition and innovation in an abstract style but full of symbolism, giving great relevance to the material substrate of the work. It is worth mentioning the marked spiritual sense given by the artist to his work, where the material support transcends its state to signify a profound analysis of the human condition. Tàpies' work has been highly valued internationally, being exhibited in the most prestigious museums in the world. Throughout his career he has received numerous awards and distinctions, including the Praemium Imperiale of Japan, the National Culture Award, the Grand Prize for Painting in France, the Wolf Foundation of the Arts (1981), the Gold Medal of the Generalitat de Catalunya (1983), the Prince of Asturias Award for the Arts (1990), the Picasso Medal of Unesco (1993) and the Velázquez Award for Plastic Arts (2003). A great defender of Catalan culture, of which he is deeply imbued, Tàpies is a great admirer of the mystical writer Ramón Llull, as well as the Catalan Romanesque and Gaudí's architecture. At the same time, he appreciates Eastern art and philosophy, which, like his own work, blur the boundary between matter and spirit, between man and nature. Influenced by Buddhism, he shows in his paintings how pain, both physical and spiritual, is inherent to life. Antoni Tàpies is represented in major museums around the world, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.

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ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Suite Berlin". Lithograph on Arches paper, copy 144/150. Signed and numbered by hand. Tàpies Galfetti II, p. 109, fig. 484. Measurements: 56 x 76 cm. Antoni Tàpies begins in art during his long convalescence from a lung disease. Progressively he will dedicate himself with greater intensity to drawing and painting, and finally he leaves his law studies to dedicate himself completely to art. Co-founder of "Dau al Set" in 1948, he began to exhibit in the Salones de Octubre in Barcelona, as well as in the Salón de los Once held in Madrid in 1949. After his first individual exhibition in the Layetanas Galleries, he travels to Paris in 1950, with a scholarship from the French Institute. In these years he began his participation in the Venice Biennial, exhibited again at the Layetanas and, after a show in Chicago, in 1953 he had a solo exhibition at Martha Jackson's New York gallery. From then on, his exhibitions, both group and solo, were held all over the world, in leading galleries and museums such as the Guggenheim in New York and the Museum of Modern Art in Paris. Since the seventies, anthologies have been dedicated to him in Tokyo (1976), New York (1977 and 2005), Rome (1980), Amsterdam (1980), Madrid (1980), Venice (1982), Milan (1985), Vienna (1986) and Brussels (1986). Self-taught, Tàpies has created his own style within the avant-garde art of the 20th century, combining tradition and innovation in an abstract style but full of symbolism, giving great relevance to the material substrate of the work. It is worth mentioning the marked spiritual sense given by the artist to his work, where the material support transcends its state to signify a profound analysis of the human condition. Tàpies' work has been highly valued internationally, being exhibited in the most prestigious museums in the world. Throughout his career he has received numerous awards and distinctions, including the Praemium Imperiale of Japan, the National Culture Award, the Grand Prize for Painting in France, the Wolf Foundation of the Arts (1981), the Gold Medal of the Generalitat de Catalunya (1983), the Prince of Asturias Award for the Arts (1990), the Picasso Medal of Unesco (1993) and the Velázquez Award for Plastic Arts (2003). A great defender of Catalan culture, of which he is deeply imbued, Tàpies is a great admirer of the mystical writer Ramón Llull, as well as the Catalan Romanesque and Gaudí's architecture. At the same time, he appreciates Eastern art and philosophy, which, like his own work, blur the boundary between matter and spirit, between man and nature. Influenced by Buddhism, he shows in his paintings how pain, both physical and spiritual, is inherent to life. Antoni Tàpies is represented in major museums around the world, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.

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ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "El cap", 1987. Grabado, ejemplar HC 11/15. Firmado y justificado a lápiz. Medidas: 98 x 130 cm.(estampa); 135 x 168 cm.(marco). En "El Cap" convergen algunas de las indagaciones plásticas de Tàpies de los años ochenta: la numerología y la alquimia (progresión y secuencia codificadas en los números 1,2,3,4), la cruz griega (con su sentido espiritual más allá del dogma cristiano, sumado a la idea de intersección e identidad personal) y el énfasis en el cero como símbolo de vacío y plenitud, ciclo y eternidad, es decir, conjugación de contrarios. Por último, la caligrafía en trazos negros desafía la legibilidad para enfatizar la textura y el enigma del texto. Cofundador de "Dau al Set" en 1948, Tàpies comienza a exponer en los Salones de Octubre de Barcelona, así como en el Salón de los Once celebrado en Madrid en 1949. Tras su primera exposición individual en las Galerías Layetanas, viaja a París en 1950, becado por el Instituto Francés. En 1953 expone individualmente en la galería neoyorquina de Martha Jackson. A partir de entonces, sus exposiciones, tanto colectivas como individuales, se suceden por todo el mundo, en destacadas galerías y en museos como el Guggenheim de Nueva York o el Museo de Arte Moderno de París. Desde los años setenta, se le han dedicado antologías en Tokio, Nueva York, Roma, Ámsterdam, Madrid, Venecia, Milán, Viena y Bruselas. Autodidacta, Tàpies ha creado un estilo propio dentro del arte de vanguardia del siglo XX, combinando tradición e innovación en un estilo abstracto pero lleno de simbolismo, dando gran importancia al sustrato material de la obra. Cabe destacar el marcado sentido espiritual que el artista da a su obra, donde el soporte material trasciende su estado para significar un profundo análisis de la condición humana. La obra de Tàpies ha sido muy valorada internacionalmente, exponiéndose en los museos más prestigiosos del mundo. A lo largo de su carrera ha recibido numerosos premios y distinciones, entre los que destacan el Praemium Imperiale de Japón, el Premio Nacional de Cultura, el Gran Premio de Pintura de Francia, el Wolf Foundation of the Arts (1981), la Medalla de Oro de la Generalitat de Catalunya (1983), el Premio Príncipe de Asturias de las Artes (1990), la Medalla Picasso de la Unesco (1993) y el Premio Velázquez de las Artes Plásticas (2003). Antoni Tàpies está representado en importantes museos de todo el mundo, como la fundación que lleva su nombre en Barcelona, el Reina Sofía de Madrid, el Guggenheim de Berlín, Bilbao y Nueva York, el Fukoka Art Museum de Japón, el MoMA de Nueva York y la Tate Gallery de Londres.