Calendrier des ventes

Old Master & 19th Century Art

Old Master & 19th Century Art

Live

Le jeudi 12 novembre | 12:00 (11:00 London)

Chiswick Auctions

+44 20 8992 4442 bids@chiswickauctions.co.uk

Barley Mow Centre 10 Barley Mow Passage London W4 4PH, Londres

212 résultats

Attributed to Gaspard Dughet, called Gaspard Pouss

1 - Attributed to Gaspard Dughet, called Gaspard Poussin (Italian/French, 1615-1675) Italianate landscape with resting figure and mountains beyond oil on canvas Unframed: 49 x 66.5 cm. (19 1/4 x 26 1/4 in.) Framed: 62 x 80 cm. (24 1/2 x31 1/2 in.) Collection of Rev J. Cavalier-Chester, according to label attached verso. The Property of a Gentleman Born in Rome in 1615, Gaspard Dughet was exposed to the artistic milieu of the Eternal City from an early age. His sister had married the renowned pai

Estimation

4 700 - 7 200 €

Circle of Salvator Rosa (Italian, 1615-1673) Trav

2 - Circle of Salvator Rosa (Italian, 1615-1673) Travellers on a rocky coastal path oil on canvas Unframed: 41 x 65 cm. (16 x 25 1/2 in.) Framed: 56 x 81 cm. (22 x 32 in.) Private Collection, U.K.

Estimation

950 - 1 500 €

Follower of Jan Josefsz. van Goyen (Dutch, 1596-16

3 - Follower of Jan Josefsz. van Goyen (Dutch, 1596-1656) A view of the city of Leiden oil on canvas Unframed: 97.3 x 141 cm. (38.3 x 55.5 in.) Framed: 113 x 163 cm. (44 1/2 x 64 1/8 in.) Sale; Sotheby's, London, 11 July 2002, lot 164; Private Collection, U.K. A prolific and highly influential painter, etcher, and draughtsman, Jan Josefsz. van Goyen (1596-1656) spearheaded the development of naturalistic landscape painting in seventeenth-century Holland. His oeuvre encapsulates the prosperity an

Estimation

2 300 - 3 600 €

Continental School (17th Century) Landscape with

4 - Continental School (17th Century) Landscape with cows oil on canvas Unframed: 88 x 83 cm. (34 1/2 x 32 3/4 in.) Framed: 114.5 x 110.5 cm. (45 1/8 x 43 1/2 in.) Sale; Helbing, Munich, 23 March 1903, lot 3 (as Jan Asselijn), where purchased by the family of the present owner; Private Collection, U.K. The Property of a Lady Literature: A.C. Steland, Jan Asselijn Nach 1610 Bis 1652, Amsterdam 1971, p. 145, no. 132 (as Jan Asselijn) It can be assumed that Dr Steland's attribution to Jan Asselijn

Estimation

2 300 - 3 600 €

Jacob van der Ulft (Dutch, 1627-1689) A capriccio

5 - Jacob van der Ulft (Dutch, 1627-1689) A capriccio of an obelisk and a classical temple; A capriccio of ships off a classical harbour each illustrated 'J. van der Ulft' (mount, lower centre) watercolour, pen and brown ink Each unframed: 24 x 33 cm. (9 1/2 x 12 7/8 in.) Each framed: 40 x 50 cm. (15 3/4 x 19 3/4 in.) (2, a pair) Sale; Christie's, London, 12 June 2005, lot 90; Private Collection, U.K. Jacob van der Ulft was most recognised for his architectural and topographical compositions. Th

Estimation

1 700 - 3 000 €

Marc Baets (Flemish, active 1700-1749) Figures be

6 - Marc Baets (Flemish, active 1700-1749) Figures before a mill, extensive mountainous river landscape beyond oil on panel Unframed: 21.5 x 29 cm. (8 1/4 x 11 1/2 in.) Framed: 32.2 x 40 cm. (12 5/8 x 15 3/4 in.) Private Collection, London.

Estimation

950 - 1 500 €

Cornelis Troost (Dutch, 1696-1750) Cavalry Skirmi

7 - Cornelis Troost (Dutch, 1696-1750) Cavalry Skirmish graphite, pen and brushpoint with carbon ink and grey wash Unframed: 11.6 x 19.6 cm. (4 5/8 x 7 3/4 in.) Private Collection, U.K. This animated drawing underscores Troost’s compositional brilliance, heavily emphasising the drama of an intense cavalry skirmish at close quarters. The dynamic tension focuses around the central horseman, caught mid-charge and facing his enemies whose horses rear in chaos. Troost’s characteristic theatrical

Estimation

2 300 - 3 600 €

After Willem van Nieulandt (Flemish, 1584-1635/36)

8 - After Willem van Nieulandt (Flemish, 1584-1635/36) Travelers and sheep in a rocky coastal landscape watercolour in monochrome Unframed: 20 x 31 cm. (8 x 12 1/4 in.) Private Collection, U.K. After the etching by Willem van Nieulandt II, held in the Philadelphia Museum of Art (no. 1985-52-10528).

Estimation

230 - 360 €

Stefano della Bella (Italian, 1610-1664) Jeu de l

9 - Stefano della Bella (Italian, 1610-1664) Jeu de la Geographie (Geography Games) (1644-1698) etchings; state II (of IV) Set of fifty-two untrimmed playing cards commissioned by Cardinal Mazarin with texts by Jean Desmarets de Saint-Sorlin (1595-1676); de Vesme/Masar 543-594 Each card: 9 x 6 cm. (3 1/2 x 2 1/2 in.) Each sheet approximately: 27 x 22 cm. (10 1/2 x 8 3/4 in.) (5) Private Collection, London.

Estimation

2 300 - 3 600 €

Stefano della Bella (Italian, 1610-1664) The Arch

10 - Stefano della Bella (Italian, 1610-1664) The Arch of Constantine with part of the Colosseum etching plate 9 from 'Paysages et ruines de Rome', c.1646 Unframed: 12.5 x 12.5 cm. (5 x 5 in.) (tondo) (trimmed) Private Collection, London. One example from a series of thirteen etchings created around 1646, after his stay in Rome. The drawings executed during his time in Rome from 1633 to 1639 served as his studies for the series.

Estimation

230 - 360 €

Ubaldo Gandolfi (Italian, 1728-1781) The Virgin o

11 - Ubaldo Gandolfi (Italian, 1728-1781) The Virgin of Mount Carmel presenting the Scapular to Sant’Ubaldo, Bishop of Gubbio bears inscription 'Skippe Collection 167b as Matteo Preti 939' by A. E. Popham (to the mount) pen, ink and wash Unframed: 13.7 x 8.7 cm (5 3/8 x 3 3/8 in.) John Skippe (1741-1812) (Lugt 1529a-b), Herefordshire, U.K.; Thence by inheritance to his sister, Penelope Skippe-Martin (1740-1830), Worcestershire, U.K.; Thence by descent to her son, James Martin (1778-1870), Worces

Estimation

3 500 - 6 000 €

Filippo Pedrini (Italian, 1763-1856) The Expulsio

12 - Filippo Pedrini (Italian, 1763-1856) The Expulsion of Adam and Eve from Paradise (recto), Figure Studies (verso) pen, ink and wash (recto); chalk, pen and ink (verso), with watermark: armorial shield with lettering 'PG' below Unframed: 28.2 x 22.4 cm. (11 1/8 x 8 7/8 in.) Possibly Charles-François-Joseph Libert de Beaumon (1741-1812) (Lugt 1679, 1703) Private Collection, U.K. Filippo Pedrini initially studied under his father, Domenico, a contemporary and follower of Ubaldo Gandolfi. At the

Estimation

1 100 - 1 800 €

Florentine School (16th Century) Two philosophers

13 - Florentine School (16th Century) Two philosophers pen and ink Unframed: 30 x 23.5 cm. (11 3/4 x 9 1/4 in.) Framed: 52.7 x 45 cm. (20 5/7 x 17 3/4 in.) Private Collection, U.K.

Estimation

950 - 1 500 €

After Leonardo da Vinci (Italian, 1452-1519) Stud

14 - After Leonardo da Vinci (Italian, 1452-1519) Study of a male head red chalk Unframed: 8.5 x 7.1 cm. (3 3/8 x 2 3/4 in.) Private Collection, U.K. After the original drawing by Leonardo da Vinci titled Tete De Vieillard Imberbe, Tourne Vers La Gauche (inventory no. 1325).1 Comparison of the present example can also be made with a red chalk portrait of the same sitter circa 1490, currently held in the British Museum (no.1900,0824.106). When commenting on this, A.E. Popham noted that 'a prominen

Estimation

470 - 720 €

Northern Italian School (16th Century) Portrait o

15 - Northern Italian School (16th Century) Portrait of a Greek Goddess, possibly Hygieia numbered '108' (upper right), with collector's stamp (L.3400) (lower left) brown ink with heightening Unframed: 20.5 x 10 cm. (8 x 3 7/8 in.) Framed: 51.5 x 36.5 cm. (19 7/8 x 14 3/8 in.) Wolfhart F. Bürgi (1901-1989) (L.3400); Private Collection, U.K. In Greek mythology, Hygieia is primarily recognised as the goddess of health, sanitation and hygiene.

Estimation

830 - 1 200 €

After Frederick Bloemaert (Dutch, 1616-1690) Holy

16 - After Frederick Bloemaert (Dutch, 1616-1690) Holy Family bears inscription '4 S' and later inscription 'Maratta' (verso) pen & brown ink, brown wash, white bodycolour on paper Unframed: 25.4 x 20 cm. (10 x 7 7/8 in.) An early replica of Frederick Bloemaert’s engraving and chiaroscuro woodcut based on a drawing of the early 1620s by his father, Abraham (Dordrecht 1564-Utrecht 1651). The print was published in the mid-1650s in Het Tekenboek (plate number 75 of 173), an artist’s model book

Estimation

230 - 360 €

Italian School (18th/19th Century) Cherub reading

17 - Italian School (18th/19th Century) Cherub reading red chalk Unframed: 16.9 x 10 cm. (6 5/8 x 3 7/8 in.) Mounted: 32.7 x 22.9 cm. (12 7/8 x 9 in.) Private Collection, U.K.

Estimation

470 - 720 €

Spanish School (late 18th Century) The Rest on th

18 - Spanish School (late 18th Century) The Rest on the Flight into Egypt, after Anton Rafael Mengs (1728-1779) oil on canvas Unframed: 112 x 90 cm. (44 1/8 x 35 3/8 in.) Framed: 113.5 x 92 cm. (44 3/4 x 36 1/4 in.) Private Collection, London. This painting is a later copy of The Rest on the Flight into Egypt by Anton Rafael Mengs, dated 1768 and now in the Palacio Real, Madrid.1 The original, of which two preliminary drawings exist, is in the Uffizi Department of Prints and Drawings, first belon

Estimation

2 300 - 3 600 €

After Bartolomé Esteban Murillo (Spanish, 1618-168

19 - After Bartolomé Esteban Murillo (Spanish, 1618-1682) The Madonna and Child oil on canvas Unframed: 158 x 107 cm. (62 1/4 x 42 1/8 in.) Sale; Christie's, London, 6 July 1995, lot 44; Private Collection, U.K. The original, executed circa 1650-55, is in the Palazzo Pitti, Florence (See Bartolomé Esteban Murillo, exh. cat., 1982/83, p.151, no. 11, illustrated).

Estimation

470 - 720 €

Domenico Robusti Tintoretto (Italian, 1560-1635)

20 - Domenico Robusti Tintoretto (Italian, 1560-1635) A young woman presenting a basket of fruits oil on canvas (fragment) Unframed: 122 x 69 cm. (48 x 27 in.) Sale; Sotheby’s, Monaco, 23 June 1985, lot 238 (as Attributed to Domenico Robusti Tintoretto); Where purchased by the present owner. Property from a Distinguished U.K. Private Collection Domenico was the son and pupil of the eminent Venetian painter Jacopo Tintoretto (1518-1594). He managed the family workshop during his father’s final

Estimation

11 000 - 18 000 €

Circle of Bartolomeo Cavarozzi (Italian, 1600-1799

21 - Circle of Bartolomeo Cavarozzi (Italian, 1600-1799) The Mystic Marriage of Saint Catherine of Alexandria oil on canvas Unframed: 114 x 185 cm. (44 7/8 x 72 7/8 in.) Framed: 131.5 x 204 cm. (51 3/4 x 80 1/4 in.) Sale; Christie’s, New York, 26 January 2001, lot 27 (as attributed to Bartolomeo Cavarozzi); Sale; Wilkinson's Auctioneers, Doncaster, 21 June 2015, lot 448 (as attributed to Bartolomeo Cavarozzi); Where purchased by the present owner. Property from a Distinguished U.K. Private Colle

Estimation

4 700 - 7 200 €

After Cesare da Sesto (Italian, 1477-1523) Madonn

22 - After Cesare da Sesto (Italian, 1477-1523) Madonna and Child (Madonna dell'Albero) inscribed 'Di Cesare da Sesto' (on stretcher bar verso) oil on canvas Unframed: 50 x 40 cm. (19 3/4 x 15 3/4 in.) Framed: 59.5 x 52 cm. (23 1/2 x 20 1/2 in.) Private Collection, U.K. The original is held in the Brera Pinacoteca, Milan, inv. no. 326 and was painted c.1512-1520.

Estimation

3 500 - 6 000 €

After Raffaello Sanzio, called Raphael (Italian, 1

23 - After Raffaello Sanzio, called Raphael (Italian, 1483-1520) Madonna della Seggiola oil on tin Unframed: 69 cm. (27 1/8 in.) (tondo) Framed: 93 x 93 cm. (36 5/8 x 36 5/8 in.) After the original painting held in the Palazzo Pitti, Florence.

Estimation

350 - 600 €

After Paolo Veronese (Italian, 1528-1588) Christ

24 - After Paolo Veronese (Italian, 1528-1588) Christ and the Centurion oil on canvas Unframed: 76 x 58 cm. (29 7/8 x 22 7/8 in.) Framed: 91 x 73 cm. (35 3/4 x 28 3/4 in.) Private Collection, U.K. This painting is a loose copy after Veronese's Christ and the Centurion of 1571, now in the Museo del Prado, Madrid (inv. No. P000492). It can be assumed that this painting is more specifically observing a German 18th century engraving after Veronese's Madrid painting, by Phillipe Andreas Kilian (from '

Estimation

710 - 960 €

After José Jusepe de Ribera (Lo Spagnoletto) (Span

25 - After José Jusepe de Ribera (Lo Spagnoletto) (Spanish, 1591-1652) Virgin and Child oil on canvas Unframed: 60 x 46 cm. (23 1/2 x 18 in.) Framed: 82 x 68 cm. (32 x 26 3/4 in.) Private Collection, U.K. The original is now held in the Philadelphia Museum of Art (inv. no. E1924-3-54).

Estimation

350 - 600 €

After Jacopo da Ponte Bassano (19th Century) Lame

26 - After Jacopo da Ponte Bassano (19th Century) Lamentation by candlelight oil on canvas Unframed: 49.5 x 61.7 cm. (19 1/2 x 24 5/16 in.) Framed: 62 x 74.3 cm. (24 3/8 x 29 1/4 in.) The composition of this painting is based on The Deposition of Christ by Jacopo Bassano, who repeated the scene on several occasions. Bassano produced these works on canvas (Musée du Louvre, inv. no. 433) and on slate (Sotheby's, New York, 29 January 2021, lot 145), evidently catering to individual patron preferen

Estimation

470 - 720 €

Italian School (18th Century) Jacob and Rachel at

27 - Italian School (18th Century) Jacob and Rachel at the Well oil on canvas Unframed: 76 x 61 cm. (30 1/4 x 24 in.) Property from a Distinguished U.K. Private Collection

Estimation

350 - 600 €

Manner of Leonardo Coccorante (Italian, 1680-c.175

28 - Manner of Leonardo Coccorante (Italian, 1680-c.1750) Capriccio landscape dated '1757' (to the base of the column) oil on canvas Unframed: 71.5 x 54.5 cm. (28 1/8 x 21 1/2 in.) Framed: 85 x 66.5 cm. (33 1/2 x 26 1/8 in.)

Estimation

470 - 720 €

Albrecht Dürer (German, 1471-1528) The Holy Famil

29 - Albrecht Dürer (German, 1471-1528) The Holy Family with Three Hares, c.1580 woodcut with watermark 'The Name of Jesus (4SH in a Shield)' (Meder 306), Meder state F Unframed: 42.5 x 31.5 cm. (16 3/4 x 12 3/8 in.) (sheet), 28.5 x 39.5 cm. (11 x 15 1/8 in.) (plate) Private Collection, U.K. The watermark visible in the sheet (Meder 306: "The Name of Jesus (4SH in a Shield)."), dates the paper to c. 1580.1 The three hares in the present composition are particularly interesting because they add a

Estimation

2 300 - 3 600 €

Hans Baldung Grien (German, 1484-1545) St. Barbar

30 - Hans Baldung Grien (German, 1484-1545) St. Barbara, c. 1505 woodcut with unidentified partial watermark (lower edge); state II (of II), with Dürer's monogram (to the seat) Unframed: 23 x 16.5 cm. (9 1/2 x 6 1/2 in.) Private Collection, U.K. Literature: Bartsch 24; Hollstein 134/Ii (Von Ii). Although this woodcut is signed with the monogram 'AD' (Albrecht Dürer), the artist is Hans Baldung (later Hans Baldung Grien), who was Dürer's student and who served his apprenticeship between 1503 an

Estimation

590 - 840 €

Maarten Jacobsz Van Heemskerck (Dutch, 1498-1574)

31 - Maarten Jacobsz Van Heemskerck (Dutch, 1498-1574) Christ Driving the Money Changers from the Temple, 1548 signed within the plate .'M. Heemskerck Inven' (on the wheel at lower left) with an unidentified watermark etching Unframed: 24.5 x 19.5 cm. (9 5/8 x 7 5/8 in.) Private Collection, U.K. From the series 'The Fall and Salvation of Mankind(g) through the Life and Passion of Christ', NH (Heemskerck) I.228.282; (Hollstein.VIII.232.8; TIB. 55, 25.10).

Estimation

140 - 220 €

After Peter Paul Rubens (Flemish, 1577-1640) Ador

32 - After Peter Paul Rubens (Flemish, 1577-1640) Adoration of the Magi inscribed 'Rubens... Musée du Antwerp...' (lower margin) black ink and brown wash Unframed: 29.6 x 21.9 cm. (11 5/8 x 8 5/8 in.) Framed: 48 x 39 cm. (18 7/8 x 15 3/8 in.) Private Collection, U.K. The original location of Rubens' painting was the church of St Michael’s Abbey in Antwerp. It is now held in the Royal Museum of Fine Arts Antwerp. This drawing is executed in reverse of Rubens' painting, suggesting it is after Ro

Estimation

350 - 600 €

Romeyn De Hooghe (Dutch, 1645-1708) Time of Peace

33 - Romeyn De Hooghe (Dutch, 1645-1708) Time of Peace Between the Peoples bears inscription 'G. Storck a Milano 1798 / In. No. 4989' (verso); bears unidentified collector's mark 'va' (Lugt 2502) (verso) etching (Dallett 21) Unframed: 22 x 34 cm. (8 1/2 x 13 1/2 in.) (sheet) With Giuseppe Storck (1766-1836), Milan, no. 4989, by 1798 (Lugt 2318-9); Private Collection, London.

Estimation

170 - 300 €

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Ch

34 - Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Christ Driving the Money Changers from the Temple, 1635 etching with touches of drypoint, on laid paper; with watermark Strasbourg Bend (Hinterding A-a-a); state I (of IV) (trimmed to or just inside the platemark) Bartsch, Hollstein 69; Hind 126; New Hollstein 139; Daulby 69 Unframed: 14 x 17.1 cm. (5 1/2 x 6 3/4 in.) (sheet) Reginald Pole Carew (1753-1835), Antony House, Cornwall; His sale; Benjamin Wheatley, London,13 May 1835, lot 73; Private

Estimation

7 100 - 9 600 €

Rembrandt Harmensz. Van Rijn (Dutch, 1606-1669) T

35 - Rembrandt Harmensz. Van Rijn (Dutch, 1606-1669) The Card Player, 1641 etching, state II (of V) Bartsch 136; New Hollstein 193 Unframed: 8.8 x 8.2 cm. (3 1/8 x 3 1/2 in.) (plate) 9.3 x 8.3 cm. (3 5/8 x 3 1/4 in.) (sheet) Framed: 34 x 29 cm. (13 1/2 x 11 1/2 in.) Private Collection, U.K.

Estimation

2 300 - 3 600 €

Georg Friedrich Schmidt (German, 1712-1775) after

36 - Georg Friedrich Schmidt (German, 1712-1775) after Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Portrait of a Persian man signed 'Rembrandt pinx' and 'G.F. Schmidt fecit aquaforti 1756' (within the plate), and lettered 'du Cabinet du Sieur Godskoffsky' (lower margin) etching Unframed: 21 x 16 cm. (8 1/4 x 6 1/4 in.) Framed: 28 x 23 cm. (11 x 9 in.) After the 1633 painting by Rembrandt in the National Gallery of Art, Washington (inv. no. 499) (Bredius 180).

Estimation

230 - 360 €

Follower of Rembrandt Harmensz. van Rijn (Dutch, 1

37 - Follower of Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Study of a lion brown ink Unframed: 8 x 12 cm. (3 1/8 x 4 3/4 in.) This drawing of a lion in profile recalls those executed by Rembrandt throughout his career. In 1722, the inventory of the Dutch collector Jan Pietersz Zomer recorded a total of nineteen drawings of lions by Rembrandt, though only six autograph examples are known to survive today.1 Lions were a subject of intense fascination for Rembrandt, who likely drew some of th

Estimation

350 - 600 €

Attributed to Pieter Neefs I (Flemish, c.1578-1656

38 - Attributed to Pieter Neefs I (Flemish, c.1578-1656/61) Animated church interior (Intérieur d'église animé) signed 'N E F S' (centre right) oil on panel Unframed: 33.5 x 49.4 cm. (13 x 19 1/2 in.) Framed: 48 x 64 cm. (18 7/8 x 25 in.) Private Collection, London. The present work is published on the RKD as a work by Pieter Neefs (I) (R.K.D. neg. nr: 02.775-10x24). Neeffs was admitted to the guild of Antwerp in 1609. Specialising in Church interiors, particularly Antwerp Cathedral, Neefs exp

Estimation

4 700 - 7 200 €

Circle of Philips Wouwerman (Dutch, 1619-1668) Tw

39 - Circle of Philips Wouwerman (Dutch, 1619-1668) Two travellers with horses and dogs in an extensive landscape oil on tin Unframed: 22 x 30 cm. (8 3/4 x 24 in.) Framed: 28 x 36 cm. (11 x 14 in.) The Property of a Gentleman

Estimation

470 - 720 €

Manner of Nicolaes Berchem (Dutch, 1620-1683) Cow

40 - Manner of Nicolaes Berchem (Dutch, 1620-1683) Cows amongst a landscape, ruins beyond signed 'J Hardor' (lower left) oil on panel Unframed: 25 x 19.5 cm. (9 7/8 x 7 5/8 in.) Framed: 39 x 34 cm. (15 3/8 x 13 3/8 in.)

Estimation

710 - 960 €

Circle of Karel Breydel (Flemish, 1678-1733) A ca

41 - Circle of Karel Breydel (Flemish, 1678-1733) A cavalier on horseback charging towards a cavalry skirmish inscribed 'La Madeleine[...]'(verso) oil on copper Unframed: 9 x 12 cm. (3 1/2 x4 3/4 in.) Framed: 17 x 20 cm. (7 x 5 in.) Private Collection, U.K.

Estimation

350 - 600 €

Manner of Jan Wijnants (Dutch, 1632-1684) An eleg

42 - Manner of Jan Wijnants (Dutch, 1632-1684) An elegant hawking party with riders in an extensive landscape oil on canvas Unframed: 70.3 x 100.2 cm. (27 11/16 x 39 7/16 in.) Framed: 79.6 x 108.8 cm. (31 5/16 x 42 13/16 in.)

Estimation

290 - 420 €

Gerrit Malleyn (Dutch, 1753-1816) Luring a mare

43 - Gerrit Malleyn (Dutch, 1753-1816) Luring a mare signed 'G Mallein [...]' (lower left) oil on panel Unframed: 35.5 x 45 cm. (14 x 17 3/4 in.) Framed: 52 x 61.5 cm. (20 1/2 x 24 1/4 in.)

Estimation

1 100 - 2 400 €

After Godfried Schalcken (Dutch, 1643-1706), after

44 - After Godfried Schalcken (Dutch, 1643-1706), after Peter Paul Rubens (Flemish 1577-1640) An old woman and a boy by candlelight inscribed, dated and numbered 'Godfried Schalcken...1643-1706/No 78' (verso) oil on panel Unframed: 63 x 45 cm. (24 3/4 x 17 3/4 in.) Framed: 79 x 62.5 cm. (31 1/8 x 24 5/8 in.) Private Collection, Oxfordshire. The composition is after Rubens' etching (Hollstein, vol. 20, 1978, p. 119, cat. 48) after an original painting now in the Mauritshuis (inv. no. 1150). The or

Estimation

470 - 720 €

After Peter Paul Rubens (Flemish, 1577-1640) Self

45 - After Peter Paul Rubens (Flemish, 1577-1640) Self-portrait of the artist oil on canvas Unframed: 40 x 33.4 cm. (15 3/4 x 13 1/8 in.) Framed: 57.2 x 49.9 cm. (22 1/2 x 19 5/8 in.) After the original located at the Uffizi Gallery in Florence, Italy.

Estimation

350 - 600 €

Jan Anton Garemyn (Flemish, 1712-1799) A pair of

46 - Jan Anton Garemyn (Flemish, 1712-1799) A pair of animated head studies first: dated 'May 1745' (upper left) black chalk on blue laid paper Unframed: 31.1 x 24.8 cm. (12 1/4 x 9 3/4 in.) Framed: 49.1 x 41 cm. (19 3/8 x 16 1/8 in.) second: dated 'May 1745' (upper right) black chalk on blue laid paper Unframed: 28 x 25 cm. (11 x 9 7/8 in.) Framed: 49.2 x 41 cm. (19 3/8 x 16 1/8 in.) (2) Private Collection, Belgium.

Estimation

350 - 600 €

Jan Frans Van Bloemen, called l'Orizzonte (Flemish

47 - Jan Frans Van Bloemen, called l'Orizzonte (Flemish, 1662-1749) Villa with two statues signed 'Fran : van Bloemen det : Horizonti' within the plate (lower left, margin) etching Unframed: 25 x 18 cm. (9 3/4 x 7 in.) (sheet)

Estimation

170 - 300 €

Swiss School (18th Century) View of the Chateau A

48 - Swiss School (18th Century) View of the Chateau Angenstein inscribed 'Angenstein Chateau a la Birs/Contre Basle' (upper right) pen, brown ink and grey wash Unframed: 15.5 x 21 cm. (6 1/8 x 8 1/4 in.) Framed: 33 x 38 cm. (13 x 15 in.) Sale; Sotheby's, London, 22 November 1974, lot 129; Private Collection, U.K.

Estimation

350 - 600 €

Étienne Delaune (French, 1518/19-1595) Chasse au

49 - Étienne Delaune (French, 1518/19-1595) Chasse au cerf (Stag hunt) signed within the plate (lower right) etching; state III Unframed: 7 x 22 cm. (2 3/4 x 8 3/4 in.) William Bell Scott (1811-1890) (according to later inscription, on the reverse); Private Collection, London. Scott assembled a collection of engravings and etchings, through which he established himself as a leading authority most notably on Albrecht Dürer and the group of sixteenth-century engravers known as the Little Masters.

Estimation

170 - 300 €

School of Fontainebleau (c.1580) Three dancing fi

50 - School of Fontainebleau (c.1580) Three dancing figures pen & ink, heightened with white lead on laid paper Unframed: 25 x 20.1 cm. (9 7/8 x 7 7/8 in.) Mounted: 32.7 x 25.8 cm. (12 7/8 x 10 1/8 in.) Sir Jack and Lady Baer, Kensington; By whose estate sold; Sworders, 11 October 2022, lot 335, (as Italian School, 17th Century).

Estimation

1 100 - 2 400 €

Follower of Sébastien Bourdon (French, 1616-1671)

51 - Follower of Sébastien Bourdon (French, 1616-1671) The Death of Dido ink and wash on paper Unframed: 24.5 x 17 cm. (9 5/8 x 6 3/4 in.) Framed: 46.2 x 37.2 cm. (18 1/4 x 14 5/8 in.) Private Collection, U.K. Visual comparison can be made between elements of the present composition and Sébastien Bourdon's 'The Death of Dido', currently held in the Hermitage Museum, St. Petersburg (inv. no. ГЭ-1247).

Estimation

350 - 600 €

Master of the Die (Italian, act.c.1530-60), after

52 - Master of the Die (Italian, act.c.1530-60), after Michiel Coxie I (c.1499-1592) Gods celebrating the wedding of Cupid and Psyche, from 'The Story of Cupid and Psyche as told by Apuleius' engraving (plate 31) Unframed (Plate mark): 19.5 x 23 cm. (7 5/8 x 9 in.) Framed: 38 x 42.2 cm. (15 x 16 5/8 in.) Private Collection, London.

Estimation

230 - 360 €

Giambattista Piranesi (Italian, 1720-1778) Tomb o

53 - Giambattista Piranesi (Italian, 1720-1778) Tomb of Maria Honorius, wife of the Emperor Honorius; Labrum aegyptiacum porphyreticum (Sarcophagus of Egyptian porphyry) etchings Each unframed: 41 x 52 cm. (16 x 20 1/2 in.) (sheet) Each framed: 52.5 x 72.4 cm. (20 5/8 x 28 1/2 in.) (2) Private Collection, London. Sarcophagi, from vol. 10 of Opere: Il Campo Marzio dell’antica Roma. Egyptian sarcophagus in porphyry discovered in the Baths of Agrippa, 1762, p.135; and sarcophagus of Maria, wife of

Estimation

470 - 720 €

Jean-Jacques Boissard (French, 1528/33-1598/1602)

54 - Jean-Jacques Boissard (French, 1528/33-1598/1602) Roman bath signed 'Boissard' (within the plate, lower right) engraving (later edition) Unframed: 25.5 x 16.5 cm. (10 x 6 1/2 in.) Private Collection, London.

Estimation

170 - 300 €

After Guido Reni (Italian, 1575-1642) Portrait of

55 - After Guido Reni (Italian, 1575-1642) Portrait of Beatrice Cenci (1577-1599) oil on panel Unframed: 25.2 x 20.3 cm (9 7/8 x 8 in.) Framed: 36.7 x 31.5 cm. (14 1/2 x 12 3/8 in.) The original Portrait of Beatrice Cenci attributed to Guido Reni is held at the Galleria Nazionale d'Arte Antica in Rome (inv. no. 1944).

Estimation

350 - 600 €

After Justus Sustermans (Flemish, 1597-1681) Port

56 - After Justus Sustermans (Flemish, 1597-1681) Portrait of Eleonora Gonzaga (1598-1655) oil on copper Unframed: 7.2 x 5.7 cm. (3 3/4 x 2 1/4 in.) Framed: 10.8 x 8 cm. (4 1/4 x 3 1/4 in.) With Galerie Claude Vittet, Paris; The H. George and Marianne Mandel Collection, USA; Private Collection, London. The portrait is held in an oval form with cast, chased, and pierced decoration of interlaced scrolls, flanked by two winged female busts, all surmounted by a mask. Loop attachment, marked with the

Estimation

590 - 840 €

Circle of Pierre Gobert (French, 1662-1744) Portr

57 - Circle of Pierre Gobert (French, 1662-1744) Portrait of a lady, three-quarter-length, in costume, holding a mask in her right hand, before a red curtain, in an interior oil on canvas Unframed: 131 x 98 cm. (51 5/8 x 38 5/8 in.) Framed: 138 x 106 cm. (54 3/8 x 41 3/4 in.) Private Collection; Sale; Christie's, London, 'From Milan to Rome-The Collections of Two Italian Designers', 16 November 2011, lot 327. The present portrait is traditionally held to be Françoise Marie de Bourbon. Françoise

Estimation

4 100 - 5 400 €

French School (mid 18th Century) Portraits of a g

58 - French School (mid 18th Century) Portraits of a gentleman and a lady Portrait of a gentleman wearing a grey curled wig and embroidered waistcoat, tied white lace cravat, holding an open trinket box oil on canvas Unframed: 79.3 x 62.8 cm. (31 1/5 x 24 3/4 in.) Framed: 100.1 x 83.5 cm. (39 2/5 x 32 7/8 in.) together with; Portrait of a lady in a blue dress and dark shawl, holding a small dog oil on canvas Unframed: 81 x 65.2 cm. (31 7/8 x 25 5/8 in.) Framed: 99.1 x 82.7 cm. (39 x 32 9/16 in.) (2

Estimation

590 - 840 €

Follower of Jean-Marc Nattier (French, 1685-1766)

59 - Follower of Jean-Marc Nattier (French, 1685-1766) Portrait of a young lady oil on panel Unframed: 18.2 x 14.7 cm. (7 1/8 x 5 3/4 in.) Framed: 26.5 x 22.5 cm. (10 3/8 x 5 3/4 in.) The Dickinson Collection (according to the label on the reverse)

Estimation

230 - 360 €

After Jean-Baptiste Greuze (French, 1725-1805) A

60 - After Jean-Baptiste Greuze (French, 1725-1805) A boy with lesson-book oil on canvas Unframed: 60 x 47 cm. (23 1/2 x 18 1/2 in.) Framed: 73 x 60 cm. (28 3/4 x 23 3/4 in.) After the original painting from 1755-57, now in the National Galleries of Scotland (NG 436).

Estimation

350 - 600 €

Circle of Godfrey Kneller (British, 1646-1723) Po

61 - Circle of Godfrey Kneller (British, 1646-1723) Portrait of a child oil on canvas Unframed: 77 x 64 cm. (30 1/2 x 25 1/8 in.) Framed: 98 x 85 cm. (38 1/2 x 33 1/2 in.) The Property of a Gentleman

Estimation

950 - 1 500 €

Michael Dahl (Swedish/British, 1659-1743) Portrai

62 - Michael Dahl (Swedish/British, 1659-1743) Portrait of Anne Spencer (née Churchill), Countess of Sunderland (1683-1716) inscribed 'Lady Sunderland' (lower left) oil on canvas Unframed: 110 x 104 cm. (43 1/4 x 41 in.) Framed: 127 x 121 cm. (50 x 47 3/4 in.) Sale; Minerva Auctions, Rome, 12 March 2013, lot 51 (as Sir Godfrey Kneller); Where purchased by the present owner. Property from a Distinguished U.K. Private Collection Although Dahl was born in Stockholm, he spent most of his career in E

Estimation

7 100 - 9 600 €

Sir Joshua Reynolds (British, 1723-1792) Portrait

63 - Sir Joshua Reynolds (British, 1723-1792) Portrait of Lady Fortescue, Anne Campbell, half-length (circa 1759-60) oil on canvas Unframed: 81 x 69 cm. (31 7/8 x 27 1/8 in.) Framed: 98.5 x 87 cm. (38 3/4 x 34 1/4 in.) Possibly with Colnaghi, London; From whom possibly sold; Christie's, London, 4 February 1860, lot 62: ‘Portrait of a Lady Fortescue, in a blue dress, leaning on a table. A beautiful early work’ (purchased by ‘Ross’ for 17 gns); Sale; Christie's, London, 21 May 1971, lot 4; W

Estimation

17 000 - 30 000 €

George Romney (British, 1734-1802) Two standing f

64 - George Romney (British, 1734-1802) Two standing figures brown ink and brush on paper Unframed: 29.5 x 16.3 cm. (11 5/8 x 6 3/8 in.) Framed: 45.5 x 31 cm. (17 7/8 x 12 1/4 in.) Private Collection, London. The positioning and expression of the figures in this study could suggest that the present work is a preparatory sketch for Romney's Two Sisters Contemplating on Mortality (location unknown), painted between 1766-1767. While many sketches for the work are known, Robert Dunkarton’s engravin

Estimation

1 100 - 2 400 €

George Romney (British, 1734-1802) Portrait of La

65 - George Romney (British, 1734-1802) Portrait of Lady Laetitia à Court, half-length, in a white muslin dress with satin bows, 1786 oil on canvas Unframed: 76.5 x 63.8 cm. (30 1/8 x 25 1/8 in.) Framed: 100 x 87.5 cm. (39 3/8 x 34 1/2 in.) Commissioned by the husband of the sitter, Sir William Ashe à Court, 1st Baronet (c.1747-1817); Thence by descent to their son, Sir William Henry Ashe à Court, 2nd Baron Heytesbury (1809-1891); From whom acquired by Thomas Agnew and Sons, London, by October

Estimation

17 000 - 30 000 €

Circle of Sir Thomas Lawrence (British, 1769-1830)

66 - Circle of Sir Thomas Lawrence (British, 1769-1830) Portrait of Abel Rous Dottin ESQ., M.P. pencil Unframed: 21.5 x 16 cm. (8 1/2 x 6 1/4 in.) Framed: 47 x 39 cm. (18 1/2 x 15 3/8 in.) With Mr E. J. Edward, The Edward Gallery, London; Private Collection, U.K. Literature: C. R. Grundy, in The Connoisseur, vol. XXXI, September - December 1911, p. 234, illustrated (as Sir Thomas Lawrence) Exhibited: Exhibition of Sixty Drawings by Sir Thomas Lawrence PRA, at The Edward Gallery, 26 King Street, Lo

Estimation

350 - 600 €

After Sir Thomas Lawrence (British, 1769-1830) Po

67 - After Sir Thomas Lawrence (British, 1769-1830) Portrait of Countess Gower, afterwards Duchess of Sutherland bears signature 'T Lawrence' and indistinctly dated '18..' (lower right) pencil Unframed: 24 x 17.5 cm. (9 1/2 x 6 7/8 in.) Framed: 47 x 39 cm. (18 1/2 x 15 3/8 in.) With Mr E. J. Edward, The Edward Gallery, London; Private Collection, U.K. Literature: C. R. Grundy, in The Connoisseur, vol. XXXI, September - December 1911, p. 234, illustrated (as Sir Thomas Lawrence) Exhibited: Exhibiti

Estimation

350 - 600 €

William Etty (British, 1787-1849) Study of a youn

68 - William Etty (British, 1787-1849) Study of a young woman extensively inscribed (verso) oil on card Unframed: 28.5 x 17.5 cm. (11 1/4 x 6 7/8 in.) Framed: 40.7 x 29.7 cm. (16 x 11 3/4 in.) Private Collection, London. The Property of a Lady Born in York, William Etty (1787–1849) enrolled at the Royal Academy Schools in 1807 where he studied under Sir Thomas Lawrence. He became a Royal Academician in 1828 and continued to exhibit his work there for nearly four decades. While Etty’s large-sc

Estimation

710 - 960 €

Circle of Robert Smirke R.A. (British, 1752-1845)

69 - Circle of Robert Smirke R.A. (British, 1752-1845) A tea-time tantrum, within a feigned oval oil on canvas Unframed: 47.5 x 41 cm. (18 3/4 x 16 1/8 in.) Famed: 58 x 51.5 cm. (22 7/8 x 20 1/4 in.) Private Collection, U.K.

Estimation

350 - 600 €

After Joseph Siffred Duplessis (French, 1725-1802)

70 - After Joseph Siffred Duplessis (French, 1725-1802) Portrait of Jacques Necker (1732-1804) watercolour on ivory Unframed: 6.2 x 4.8 cm. (2 1/2 x 1 7/8 in.) Framed: 7.4 x 6.1 cm. (2 7/8 x 2 3/8 in.) Ivory declaration: N8VJ4T8U Private Collection, U.K. Jacques Knecker was a banker, financier and statesman who served as the finance minister of France. His dismissal on 11 July 1789 contributed to the uprising and storming of the Bastille on 14 July 1789.

Estimation

470 - 720 €

Thomas Stothard R.A. (British, 1755-1834) Augusta

71 - Thomas Stothard R.A. (British, 1755-1834) Augusta pen & ink and wash Unframed: 11 x 10.5 cm. (4 3/8 x 4 1/8 in.) Framed: 31 x 26.5 cm. (12 1/4 x 10 3/3 in.) Private Collection, U.K.

Estimation

230 - 360 €

Nathaniel Dance Holland R.A. (British, 1735-1811)

72 - Nathaniel Dance Holland R.A. (British, 1735-1811) 'He smash'd and fell'd the cloud capt towers and castles at one blow' inscribed 'He smash'd and fell'd the cloud capt towers, and castles at one blow!' (lower edge); further signed 'George Dance, RA' (verso) pen & ink and wash Unframed: 23.5 x 27 cm. (9 1/4 x 10 5/8 in.) Framed: 43 x 45 cm. (16 7/8 x 17 3/4 in.) Possibly Iolo Williams, 1890-1962; Private Collection, London. The present work could possibly be in reference to Prospero's speech

Estimation

350 - 600 €

James Malton (Irish, 1761-1803) Horseman in a mou

73 - James Malton (Irish, 1761-1803) Horseman in a mountainous landscape pen & ink and wash on paper Unframed: 7.5 x 11.2 cm. (3 x 4 3/8 in.) Framed: 19 x 23.3 cm. (7 1/2 x 9 1/8 in.) With Gorry Gallery, Dublin, May 1985; Private Collection, U.K.

Estimation

470 - 720 €

Francis Danby, A.R.A. (Irish, 1793-1861) Cader Id

74 - Francis Danby, A.R.A. (Irish, 1793-1861) Cader Idris, North Wales watercolour on paper Unframed: 18.7 x 29.8 cm. (7 3/8 x 11 3/4 in.) Framed: 37 x 47.5 cm. (14 5/8 x 18 3/4 in.) With Thos. Agnew & Sons Ltd, London (no.47584), by 1986; Private Collection, U.K. Literature: F. Greenacre, Francis Danby 1793-1861, exh. cat., 1988, p.168 Francis Greenacre dates this watercolour to circa 1820. An earlier view of Cader Idris by Danby is in the Courtauld Institute (inv. no. D.1952.RW.4553). Danby is

Estimation

590 - 840 €

William Leighton Leitch (Scottish, 1804-1883) Fis

75 - William Leighton Leitch (Scottish, 1804-1883) Fishermen at Howford, Balbochingle, Scotland watercolour Unframed: 14 x 20 cm. (5 1/2 x 7 7/8 in.) Framed: 36 x 41.5 cm. (14 1/8 x 16 3/8 in.) With Peter Cardiff Fine Art, London.

Estimation

230 - 360 €

T. Lamey (German, active 1805) Figures walking th

76 - T. Lamey (German, active 1805) Figures walking through a forest signed and dated 'T. Lamey f. 1810' (lower right) watercolour and pen and black ink on paper Unframed: 22.5 x 34.5 cm. (8 7/8 x 13 5/8 in.) Framed: 42.2 x 52.2 cm. (16 5/8 x 20 1/2 in.)

Estimation

230 - 360 €

William Beilby (British, 1740-1819) Five views of

77 - William Beilby (British, 1740-1819) Five views of Scotland Bothwell Castle inscribed 'Bothwell Castle' (lower centre) Dairsie, West View inscribed 'Dairsie, West View' (lower centre) Tarvit Mill, no. 1 inscribed 'Tarvit Mill N1' (lower centre) Tarvit Mill, no. 2 inscribed 'Tarvit Mill N2' (lower centre) Mills at Rumgay inscribed 'Mills at Rumgay' (lower centre) each watercolour Each approximately unframed: 12.2 x 18.6 cm. (4 3/4 x 7 3/8 in.) Two framed (the largest): 16.5 x 21.5 cm. (6 1/2 x 8

Estimation

830 - 1 200 €

Alexander Nasmyth (Scottish, 1758-1840) James Pil

78 - Alexander Nasmyth (Scottish, 1758-1840) James Pillans (1778-1864) and his two sisters, in a landscape with a dog, mountains beyond inscribed on the label on the reverse of the stretcher oil on canvas Unframed: 112 x 153 cm. (44 x 60 in.) Framed: 126 x 167 cm. (49 1/2 x 65 3/4 in.) Probably commissioned by the father of the sitters, James Pillans (b.1745); Thence by descent to his son, James Pillans (1778-1864); The collection of Lord Herschell; Sale; Christie’s, London, 20 November 1964, lo

Estimation

17 000 - 30 000 €

Anne Gibson Nasmyth (Scottish, 1798-1874) Goat he

79 - Anne Gibson Nasmyth (Scottish, 1798-1874) Goat herding in an Italianate landscape oil on canvas Unframed: 51.3 x 61.3 cm. (20 1/4 x 24 1/8 in.) Framed: 69 x 79 cm. (27 1/8 x 31 1/8 in.) Gifted by A. Beattie to Mr Marsh, 25 March 1854, according to the inscription on the reverse; With Ealing Gallery, London; Private Collection, U.K. Anne was one of seven daughters born to artist Alexander Nasmyth (1758-1840) in Scotland. She first began learning to paint with some of her siblings at the art s

Estimation

830 - 1 100 €

British School (early 19th Century) An English co

80 - British School (early 19th Century) An English country estate, a family with a sheepdog in the foreground inscribed 'Middle[..] Lodge a. Nasmyth' (on the reverse of the stretcher) oil on canvas Unframed: 45 x 66 cm. (17 3/4 x 26 in.) Framed: 60 x 73 cm. (23 1/2 x 28 3/4 in.) The Property of a Gentleman

Estimation

710 - 960 €

Daniel Turner (British, active 1782-c.1828) A vie

81 - Daniel Turner (British, active 1782-c.1828) A view of Lambeth Palace, facing east with a view of the River Thames and Westminster Abbey signed 'DANIEL TURNER' (lower right) oil on panel Unframed: 30.8 x 48.6 cm. (12 1/8 x 19 1/8 in.) Framed: 39.7 x 57.8 cm. (15 5/8 x 22 3/4 in.) With Leggatt Brothers, London; Private Collection, U.K. Daniel Turner was a British artist active at the turn of the nineteenth century. He lived and worked in London, producing portraits, maritime scenes, and engrav

Estimation

950 - 1 500 €

Jacob Eichholtz (American, 1776-1842) Portrait of

82 - Jacob Eichholtz (American, 1776-1842) Portrait of Mrs Benjamin Tevis (probably Mary Hunter), 1827 oil on canvas Unframed: 91 x 71.5 cm. (35 3/4 x 28 1/8 in.) Framed: 116.5 x 96 cm. (42 x 37 3/4 in.) Commissioned directly from the artist by Miss Sallie Tevis, Shelbyville, Kentucky; Thence by descent to her nieces, the Misses Sarah C. and Miriam Stevenson, Ohio; Thence by descent to the present owner; Private Collection, U.K. Literature: R. J. Beal, Jacob Eichholtz, 1776-1842; portrait painter

Estimation

2 300 - 3 600 €

Jean Boni (Italian, 1829-1912) Portrait of a lady

83 - Jean Boni (Italian, 1829-1912) Portrait of a lady, half-length, seated, wearing a black lace dress with gold jewellery signed, located and dated 'J. Boni, Nice, 1861' (lower left) oil on canvas Unframed: 53 x 45 cm. (21 x 17 1/2 in.) Framed: 67 x 23 cm. (26 1/2 x 23 in.)

Estimation

350 - 600 €

Robert Isaac Cruikshank (British, 1789-1856) Gust

84 - Robert Isaac Cruikshank (British, 1789-1856) Gustavus Vaghan Brooke (1818-1866) as Claude Melnotte in 'The Lady of Lyon' (c.1850) signed 'Rt Cks' (lower right) and titled 'Mr Brook [sic] as Claude Mellat [sic] as Lady of Lyon' (upper right/left) watercolour and pencil Unframed: 24 x 29 cm. (9 1/2 x 11 1/2 in.) Framed: 49 x 39 cm. (19 1/4 x 15 1/2 in.) Private Collection, U.K. An original drawing for a 'Penny Plain/Twopence Coloured' theatrical print, depicting Brooke's 1850 performance at th

Estimation

230 - 360 €

Edward Donovan (Irish/British, 1768-1837) Papilio

85 - Edward Donovan (Irish/British, 1768-1837) Papilio (Ornithoptera) priamus- Priams Birdwing on Minosa grandiflora inscribed 'Papilo Priamus, Mimosa Grandiflora. Papilo Priamus is found in Amboyna, it is extremely rare, next to Ulysses, is considered the most beautiful of this tribe of insects' (lower centre) gouache and gum arabic on whatman paper Unframed: 27 x 20.5 cm. (10 5/8 x 8 1/8 in.) Framed: 41 x 35 cm. (16 1/8 x 13 3/4 in.) Private Collection, U.K. A very similar composition is publis

Estimation

350 - 600 €

Georges Putzys (late 19th Century) Paphiopedilum

86 - Georges Putzys (late 19th Century) Paphiopedilum rothschildianum signed 'Georges Putzys' (lower right) watercolour Unframed: 46.5 x 28.5 cm. (18 1/4 x 11 1/4 in.) Framed: 63 x 44.5 cm. (24 3/4 x 17 1/2 in.) Private Collection, U.K. Georges Putzys provided the original watercolours for at least 84 plates which were published in Jean Jules Linden’s monumental 'Lindenia:iconographie des Orchidées' between 1897 and 1900. "Lindenia" remains perhaps the most celebrated catalogue of finely illus

Estimation

350 - 600 €

British School (act. c.1838) Undress of the Royal

87 - British School (act. c.1838) Undress of the Royal Foot Artillery, Sept 15th 1838 (recto); Buttons and Regalia (verso) inscribed and dated 'Undress of the Royal Foot Artillery Sept 15th 1838' and initialled 'AL' (lower centre) watercolour pen and black ink (recto/verso) Unframed: 15 x 19 cm. (6 x 7 1/2 in.) Framed: 30 x 34 cm. (12 x 13 1/2 in.) The Royal Foot Artillery was a historic branch of the British Army's Royal Regiment of Artillery, renowned for its discipline, technical skill, and c

Estimation

140 - 220 €

Julius Caesar Ibbetson (British, 1759-1817) Lands

88 - Julius Caesar Ibbetson (British, 1759-1817) Landscape with figures in a horse-drawn carriage, farmhouse beyond oil on canvas Unframed: 36 x 46 cm. (14 x 18 in.) Framed: 50 x 62 cm. (19 3/4 x 24 1/2 in.) The Property of a Gentleman Ibbetson produced several variations of this composition. One similar example from his London period (circa 1792), formerly with the Leggatt Brothers and sold at Christie’s, London, in 2008, shares the overall design but differs from the present work in the numbe

Estimation

1 100 - 2 400 €

Follower of Julius Caesar Ibbetson (British, 1759-

89 - Follower of Julius Caesar Ibbetson (British, 1759-1817) Resting travellers by the wayside oil on canvas Unframed: 15 x 20 cm. (6 x 8 in.) Framed: 22 x 29 cm. (9 3/4 x 11 1/2 in.)

Estimation

350 - 600 €

Thomas Baker of Bath (British, 1769-1847) Wooded

90 - Thomas Baker of Bath (British, 1769-1847) Wooded landscape oil on canvas Unframed: 79 x 61 cm. (31 1/8 x 24 in.) Framed: 89.1 x 71 cm. (35 1/8 x 28 in.) Sale; Sotheby's, London, 17 February 1988, lot 328; Private Collection, U.K.

Estimation

710 - 960 €

Attributed to Joseph Farington R.A. (British, 1747

91 - Attributed to Joseph Farington R.A. (British, 1747-1821) Anglers by Hoe Mill on the River Chelmer, Essex inscribed 'Anglers by Water Mill by "Constable", Presented as an heirloom/to the Hoe Mill Estate by Chas. Smith in affectionate remem/brance of the late Robert Marriage. 4th mo 1st 1862' (verso) oil on canvas Unframed: 41 x 48.5 cm. (16 x 19 in.) Framed: 53 x 61 cm. (20 7/8 x 24 in.) Chas. Smith, by 1862; Private Collection, U.K.

Estimation

710 - 960 €

Continental School (c.1780-1820) An expansive vie

92 - Continental School (c.1780-1820) An expansive view over the Roman campagna and Rome oil on canvas Unframed: 33 x 25 cm. (13 x 9 7/8 in.) Framed: 39 x 31 cm. (15 1/3 x 12 1/5 in.) Private Collection, France.

Estimation

710 - 960 €

French School (late 18th Century) Landscape with

93 - French School (late 18th Century) Landscape with distant castle, possibly an Italian view oil on board Unframed: 27.5 x 44.2 cm. (10 3/4 x 17 1/2 in.) Framed: 34 x 49.5 cm. (13 1/2 x 19 1/2 in.) The Collection of Thomas Barlow (1883-1964), Manchester; Thence by descent to his daughter, Theodora Gertrude Winter (née Barlow) (1912-2003); Thence by descent to the present owner. Literature: B. Nicholson, ‘Current and Forthcoming exhibitions’, in The Burlington Magazine, vol. CX, no. 782, May

Estimation

2 300 - 3 600 €

Attributed to Jules Dupré (French, 1811-1889) For

94 - Attributed to Jules Dupré (French, 1811-1889) Forest glade oil on panel Unframed: 31.2 x 22.9 cm. (12 1/4 x 9 in.) Framed: 45.7 x 37.5 cm. (18 x 14 3/4 in.) With Beaux Arts Gallery, London. Property from a Distinguished U.K. Private Collection Dupré began his career as a decorator at his father’s porcelain factory before turning to landscape painting in the 1830s. Following a visit to England in 1832, he encountered the work of British masters such as John Constable, J. M. W. Turner, and

Estimation

710 - 960 €

Henri-Joseph Harpignies (French, 1819-1916) Souve

95 - Henri-Joseph Harpignies (French, 1819-1916) Souvenir d'Ile de France signed and dated ‘H Harpignies 76’ (lower centre) oil on card laid down on canvas Unframed: 17.7 x 62.4 cm. (7 x 24 5/8 in.) Framed: 37.4 x 80.3 cm. (14 3/4 x 31 5/8 in.) With H. Terry-Engell Gallery, London, by 1972; Sale; Sotheby’s, Billingshurst, 26 January 1999, lot 234; Sale; W.H. Lane & Son, Penzance, 9 June 2005, lot 356. Property from a Distinguished U.K. Private Collection Exhibited: London, H. Terry-Engell Ga

Estimation

950 - 1 500 €

Henri-Joseph Harpignies (French, 1819-1916) A She

96 - Henri-Joseph Harpignies (French, 1819-1916) A Shepherd herding his flock within a hilly landscape signed 'H Harpignies' (lower left) oil on panel Unframed: 23.7 x 31.4 cm. (9 5/16 x 12 5/16 in.) Framed: 47.5 x 55.1 cm. (18 11/16 x 21 x 11/16 in.) Property from a Distinguished U.K. Private Collection Harpignies favoured a classical style of landscape painting, placing figures, houses and nature in harmony. Comparison can be made between the present example and his work Landscape in Auvergne (

Estimation

470 - 720 €

British School (early 19th Century) View of ruins

97 - British School (early 19th Century) View of ruins watercolour Unframed: 26 x 37 cm. (10 1/4 x 14 5/8 in.) Framed: 48.4 x 56.2 cm. (19 x 22 1/8 in.)

Estimation

350 - 600 €

Peter De Wint (British, 1784-1849) Ruins of an ab

98 - Peter De Wint (British, 1784-1849) Ruins of an abbey beside a river, eel-traps in the foreground watercolour and pencil Unframed: 26 x 39.5 cm. (10 1/4 x 15 1/2 in.) Framed: 45 x 57.5 cm. (17 3/4 x 22 5/8 in.)

Estimation

470 - 720 €

Thomas Miles Richardson Snr (British, 1784-1848)

99 - Thomas Miles Richardson Snr (British, 1784-1848) Conway Castle, North Wales signed and dated 'T.M. Richardson Snr/1847' (lower right) pencil and watercolour heightened with bodycolour and gum arabic, and with scratching out Unframed: 47.5 x 77.5 cm. (18 3/4 x 30 1/2 in.) Framed: 71 x 100 cm. (28 x 39 3/8 in.) With Appleby Brothers, London; With Thos. Agnew & Sons Ltd, London, no.23640; Private Collection, U.K., since 2006. Richardson was one of the most highly regarded painters in watercolou

Estimation

470 - 720 €

Thomas Horner (British, 1785-1844) The Vale of Ne

100 - Thomas Horner (British, 1785-1844) The Vale of Neath, Wales watercolour Unframed: 30.1 x 45.1 cm. (11 7/8 x 17 3/4 in.) Framed: 51.9 x 65.3 cm. (20 3/8 x 25 3/4 in.) With The Fine Art Society, London, by August 1961; Private Collection, U.K.

Estimation

470 - 720 €

Aller vers

Drouot App

Explore, discover and bid on thousands of exceptional objects with the Drouot app

Google Play

App Store