AUTOGRAPHS & MANUSCRIPTS: From Berlioz to Leonor Fini—Two Centuries of Autographs and Creative Work

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AUTOGRAPHS & MANUSCRIPTS: From Berlioz to Leonor Fini—Two Centuries of Autographs and Creative Work

Art Research Paris

1 - AURIC (Georges) (1899–1983). French composer, member of the Group of Six, close associate of Jean Cocteau, and a leading figure in 20th-century French music. Composer of numerous film scores, notably for Jean Cocteau and René Clair.

2 - AURIC (Georges) (1899–1983). French composer. Member of the Group of Six, student of Vincent d’Indy, close friend of Jean Cocteau, and composer of numerous film scores.

3 - BACHELET (Alfred) (1864–1944). French composer, conductor, and educator. Winner of the Grand Prix de Rome in 1890; director of the Nancy Conservatory.

4 - BARENTZEN (Aline van) (1897–1981). A Franco-American pianist of Russian origin. A student of Isidor Philipp, she was a renowned performer and teacher at the Paris Conservatory.

5 - BARNOLT (Pierre-Auguste Fleuret, known as) (1839–1900). French tenor. Signed autograph letter to a correspondent. The duet from *Mireille* and an unpublished piece by Massenet.

6 - BAUDRIER (Yves) (1906–1988). French composer. Co-founder, along with André Jolivet, Olivier Messiaen, and Daniel-Lesur, of the Jeune France group in 1936. Composer of numerous film scores.

7 - BELVAL (Jules) (1819–1876). French opera singer, renowned bass at the Paris Opera.

8 - BERLIOZ (Hector) (1803–1869). French composer. A leading figure of Romantic music, composer of *Symphonie fantastique*, *Requiem*, and *La Damnation de Faust*.

9 - BERLIOZ (Hector) (1803–1869). French composer, conductor, and music critic. A leading figure of Romanticism, best known for *Symphonie fantastique*, *La Damnation de Faust*, and *Requiem*.

10 - BERNIER (Louis-Stanislas) (1845–1919). French architect, winner of the Prix de Rome in 1872, architect of the Paris Observatory and the Opéra-Comique.

11 - BERTON (Henri-Montan) (1767–1844).

12 - BERTON (Henri-Montan) (1767–1844).

13 - BOIELDIEU (Louis-Adrien) (1815–1883). French composer, son of the famous François-Adrien Boïeldieu (1775–1834), composer of *La Dame blanche*.

14 - BOSTSARRON (A.) — CORTOT (Alfred) — DEBUSSY (Claude).

15 - BOSTSARRON (A.). Secretary General of Éditions de la Grange-Batelière.

16 - BOURDIN (Roger) (1900–1973). French baritone at the Opéra-Comique. Autographed card addressed to a music critic.

17 - BOURGAULT-DUCOUDRAY (Louis-Albert) (1840–1910). Composer, conductor, musicologist, and professor at the Paris Conservatory. Winner of the Prix de Rome in 1862.

18 - BRÉVAL (Lucienne) (1869–1935). Famous French opera singer of Swiss origin, a dramatic soprano, and one of the great performers of the Paris Opera during the Belle Époque.

19 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend of Émile Zola, he was one of the leading figures of musical naturalism. His notable works include the operas *Le Rêve*, *L'Attaque du moulin*, and *Messidor*.

20 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of French musical naturalism. His notable compositions include *Le Rêve*, *L'Attaque du moulin*, *Messidor*, and *L'Ouragan*.

21 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of French musical naturalism. His notable compositions include *Le Rêve*, *L'Attaque du moulin*, *Messidor*, and *L'Ouragan*.

22 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of musical naturalism, having composed, among other works, *Le Rêve*, *L'Attaque du moulin*, and *Messidor*.

23 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of musical naturalism. He composed numerous operas, including *Le Rêve*, *L'Attaque du moulin*, and *Messidor*.

24 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of musical naturalism. He composed, among others, the operas *Le Rêve*, *L'Attaque du moulin*, *Messidor*, and *L'Ouragan*.

25 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of musical naturalism. His notable compositions include *Le Rêve*, *L'Attaque du moulin*, and *Messidor*.

26 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of musical naturalism. His notable compositions include *Le Rêve*, *L'Attaque du moulin*, and *Messidor*.

27 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of musical naturalism. His notable compositions include *Le Rêve*, *L'Attaque du moulin*, *Messidor*, and *L'Ouragan*.

28 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of musical naturalism. His notable compositions include *Le Rêve*, *L'Attaque du moulin*, *Messidor*, and *L'Ouragan*.

29 - BRUNEAU (Alfred) (1857–1934).

30 - BRUNEAU (Alfred) (1857–1934) *L'Attaque du moulin* and *Messidor*. He had his first opera, *Kérim*, performed in 1887.

31 - BRUNEAU (Alfred) (1857–1934) French musical naturalism.

32 - BRUNEAU (Alfred) (1857–1934). French composer. A friend of Émile Zola, whose works he adapted for the opera stage, notably *Le Rêve*, *L'Attaque du moulin*, and *Messidor*. He was one of the leading figures of French musical naturalism.

33 - BRUNEAU (Alfred) (1857–1934).

34 - BRUNEAU (Alfred) (1857–1934).

35 - BRUNEAU (Alfred) (1857–1934).

36 - CARLÈS (Jean-Antonin) (1851–1919). French sculptor, born in Gimont. Winner of the Grand Prix de Rome in 1881; creator of works such as *The Return from the Hunt* and *The Cicada*. He also created several portraits and public monuments.

37 - CARLÈS (Jean-Antonin) (1851–1919). French sculptor; winner of the First Grand Prix de Rome in 1881. Creator of numerous sculptures and monuments, he was a student of Jouffroy and Hiolle, among others.

38 - CARVALHO (Caroline MIOLAN, wife) (1827–1895). Famous French opera singer, one of the great sopranos of the 19th century.

39 - CARVALHO (Caroline MIOLAN, wife) (1827–1895). Famous French opera singer, one of the first great divas of 19th-century French opera.

40 - CASADESUS (Francis) (1870–1954). French composer, conductor, and educator. Member of the famous Casadesus musical dynasty; brother of Henri and Marius Casadesus.

41 - CASADESUS (Robert) (1899–1972). Renowned French pianist and composer, one of the leading figures of the 20th-century French school of piano.

42 - CHARBONNEL (Marie-Louise) (1880–1969). French opera singer, contralto, who portrayed Delilah in Camille Saint-Saëns’s *Samson and Delilah*.

43 - CHARLES-RENÉ (Charles Olivier René Bibard, known as) (1863–1935). French pianist, composer, and teacher. Winner of the first Second Grand Prix de Rome in 1884 for *L'Enfant prodigue*, based on a libretto by Édouard Guinand.

44 - CHARLES-RENÉ (Charles Olivier René Bibard, known as) (1863–1935). French pianist, composer, and teacher. Winner of the first Second Grand Prix de Rome in 1884 for *L'Enfant prodigue*, based on a libretto by Édouard Guinand.

45 - CHARLES-RENÉ (Charles Olivier René Bibard, known as) (1863–1935). French pianist, composer, and teacher. Winner of the first Second Grand Prix de Rome in 1884; student of Léo Delibes and Antoine Marmontel.

46 - CHARLES-RENÉ (Charles Olivier René Bibard, known as) (1863–1935). French pianist, composer, and teacher. Winner of the first Second Grand Prix de Rome in 1884; student of Léo Delibes and Antoine Marmontel.

47 - CHARPENTIER (Gustave) (1860–1956). French composer, student of Jules Massenet, winner of the Grand Prix de Rome in 1887, composer of the opera *Louise* (1900).

48 - CHARPENTIER (Gustave) (1860–1956). French composer, student of Jules Massenet, winner of the Grand Prix de Rome in 1887, composer of the opera *Louise*, which premiered in 1900.

49 - CHARPENTIER (Gustave) (1860–1956). French composer, a student of Massenet, winner of the Grand Prix de Rome in 1887, composer of the opera *Louise*, which premiered in 1900.

50 - CHARPENTIER (Gustave) (1860–1956). French composer. Author of the opera *Louise*. Autographed business card with a message of thanks and compliments.

51 - CHARPENTIER (Gustave) (1860–1956). French composer. Winner of the Grand Prix de Rome in 1887. Composer of the opera *Louise*.

52 - CHIROL (Pierre) (1881–1953). French architect. President of the Society of Architects of Seine-Inférieure and Eure. Professor at the École des Beaux-Arts in Rouen.

53 - CHIROL (Pierre) (1881–1953). French architect. President of the Society of Architects of Seine-Inférieure and Eure. Professor at the École des Beaux-Arts in Rouen.

54 - CHIROL (Pierre) (1881–1953). French architect. President of the Society of Architects of Seine-Inférieure and Eure. Professor at the École des Beaux-Arts in Rouen. Designer of numerous buildings and monuments in Rouen.

55 - CHRISTOFF (Boris) (1914–1993). Renowned Bulgarian bass, one of the great lyric voices of the 20th century.

56 - CLÉMENT (Félix) (1822–1885). French organist, composer, and musicologist. A beautiful, signed autograph letter concerning music education and his *History of Music*.

57 - CLÉMENT (Félix) (1822–1885). French organist, composer, and musicologist. Autograph signed letter concerning his vocal music method and organ instruction.

58 - CLOSTRE (Adrienne) (1921–2006).

59 - COHEN (Jules Émile David) (1830–1901). French composer, born in Marseille, a student at the Paris Conservatory.

60 - COLLIN (Charles-René) (1827–1911). French musician, organist, and composer.

61 - COLLIN (Charles-René) (1827–1911). French musician, organist, and composer.

62 - COLLIN (Charles-René) (1827–1911). French organist and composer, titular organist of the main organ at Saint-Brieuc Cathedral.

63 - COLLIN (Charles-René) (1827–1911). French organist, composer, and musician.

64 - COMETTANT (Oscar). Signed autograph letter regarding the reception of Madame Comettant and the resumption of music classes.

65 - CORTOT (Alfred) (1877–1962). Franco-Swiss pianist, conductor, and educator; one of the greatest performers of the 20th century.

66 - CORTOT (Alfred) (1877–1962). Franco-Swiss pianist, conductor, and educator. One of the greatest pianists of the 20th century and founder of the École normale de musique de Paris.

67 - CORTOT (Alfred) (1877–1962). Franco-Swiss pianist, conductor, and educator. One of the most illustrious pianists of the first half of the 20th century and founder of the École normale de musique de Paris.

68 - CORTOT (Alfred) (1877–1962). Franco-Swiss pianist, conductor, and educator. One of the most illustrious pianists of the 20th century and founder of the École normale de musique de Paris.

69 - CORTOT (Alfred) (1877–1962). Franco-Swiss pianist, one of the most famous performers and teachers of the 20th century.

70 - CORTOT (Alfred). (1877–1962). French pianist, conductor, and teacher.

71 - COSSOTTO (Fiorenza). Renowned Italian mezzo-soprano, one of the great operatic voices of the second half of the 20th century.

72 - D'INDY (Vincent) (1851–1931)

73 - D'INDY (Vincent) (1851–1931)

74 - D'INDY (Vincent) (1851–1931)

75 - D'INDY (Vincent) (1851–1931)

76 - D'INDY (Vincent) (1851–1931)

77 - D'INDY (Vincent) (1851–1931)

78 - D'INDY (Vincent) (1851–1931)

5 - BARNOLT (Pierre-Auguste Fleuret, known as) (1839–1900). French tenor. Signed autograph letter to a correspondent. The duet from Mireille and an unpublished piece by Massenet.

8 - BERLIOZ (Hector) (1803–1869). French composer. A leading figure of Romantic music, composer of Symphonie fantastique, Requiem, and La Damnation de Faust.

9 - BERLIOZ (Hector) (1803–1869). French composer, conductor, and music critic. A leading figure of Romanticism, best known for Symphonie fantastique, La Damnation de Faust, and Requiem.

13 - BOIELDIEU (Louis-Adrien) (1815–1883). French composer, son of the famous François-Adrien Boïeldieu (1775–1834), composer of La Dame blanche.

19 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend of Émile Zola, he was one of the leading figures of musical naturalism. His notable works include the operas Le Rêve, L'Attaque du moulin, and Messidor.

20 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of French musical naturalism. His notable compositions include Le Rêve, L'Attaque du moulin, Messidor, and L'Ouragan.

21 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of French musical naturalism. His notable compositions include Le Rêve, L'Attaque du moulin, Messidor, and L'Ouragan.

22 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of musical naturalism, having composed, among other works, Le Rêve, L'Attaque du moulin, and Messidor.

23 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of musical naturalism. He composed numerous operas, including Le Rêve, L'Attaque du moulin, and Messidor.

24 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of musical naturalism. He composed, among others, the operas Le Rêve, L'Attaque du moulin, Messidor, and L'Ouragan.

25 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of musical naturalism. His notable compositions include Le Rêve, L'Attaque du moulin, and Messidor.

26 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of musical naturalism. His notable compositions include Le Rêve, L'Attaque du moulin, and Messidor.

27 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of musical naturalism. His notable compositions include Le Rêve, L'Attaque du moulin, Messidor, and L'Ouragan.

28 - BRUNEAU (Alfred) (1857–1934). French composer and conductor. A friend and collaborator of Émile Zola, he was one of the leading figures of musical naturalism. His notable compositions include Le Rêve, L'Attaque du moulin, Messidor, and L'Ouragan.

30 - BRUNEAU (Alfred) (1857–1934) L'Attaque du moulin and Messidor. He had his first opera, Kérim, performed in 1887.

32 - BRUNEAU (Alfred) (1857–1934). French composer. A friend of Émile Zola, whose works he adapted for the opera stage, notably Le Rêve, L'Attaque du moulin, and Messidor. He was one of the leading figures of French musical naturalism.

36 - CARLÈS (Jean-Antonin) (1851–1919). French sculptor, born in Gimont. Winner of the Grand Prix de Rome in 1881; creator of works such as The Return from the Hunt and The Cicada. He also created several portraits and public monuments.

42 - CHARBONNEL (Marie-Louise) (1880–1969). French opera singer, contralto, who portrayed Delilah in Camille Saint-Saëns’s Samson and Delilah.

43 - CHARLES-RENÉ (Charles Olivier René Bibard, known as) (1863–1935). French pianist, composer, and teacher. Winner of the first Second Grand Prix de Rome in 1884 for L'Enfant prodigue, based on a libretto by Édouard Guinand.

44 - CHARLES-RENÉ (Charles Olivier René Bibard, known as) (1863–1935). French pianist, composer, and teacher. Winner of the first Second Grand Prix de Rome in 1884 for L'Enfant prodigue, based on a libretto by Édouard Guinand.

47 - CHARPENTIER (Gustave) (1860–1956). French composer, student of Jules Massenet, winner of the Grand Prix de Rome in 1887, composer of the opera Louise (1900).

48 - CHARPENTIER (Gustave) (1860–1956). French composer, student of Jules Massenet, winner of the Grand Prix de Rome in 1887, composer of the opera Louise, which premiered in 1900.

49 - CHARPENTIER (Gustave) (1860–1956). French composer, a student of Massenet, winner of the Grand Prix de Rome in 1887, composer of the opera Louise, which premiered in 1900.

50 - CHARPENTIER (Gustave) (1860–1956). French composer. Author of the opera Louise. Autographed business card with a message of thanks and compliments.

51 - CHARPENTIER (Gustave) (1860–1956). French composer. Winner of the Grand Prix de Rome in 1887. Composer of the opera Louise.

56 - CLÉMENT (Félix) (1822–1885). French organist, composer, and musicologist. A beautiful, signed autograph letter concerning music education and his History of Music.