50th Timed Auction: Old Master and 19th century Prints, Drawings and Oilpaintings

Timed auctions

Until Saturday, October 31 | 02:00 PM

H. W. Fichter Kunsthandel

Arndtstr. 49 60325, Frankfurt

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50th Timed Auction: Old Master and 19th century Prints, Drawings and Oilpaintings

H. W. Fichter Kunsthandel

477 - F. AVELINE (*1718) after KÜSEL (*1650), An Arcadian landscape with a temple complex, Copper engravin

478 - DIETRICY (*1712) after LAER (*1582), The Mule Drivers’ Inn, around 1750, Etching

479 - P. JEUNE (*1742) after MARILLIER (*1740), Easter, 1785, Copper engraving

480 - Schroeder (18th) after MARTIN (18th), Fontainebleau Castle, 1722, Steel engraving

481 - J. MECHEL (1764-1816), The view across the grave, Copper engraving

482 - J. HAID (*1704) after MEYR (18th), Johann Friedrich Cotta, Mezzotint

483 - W. WARD (*1766) after MORLAND (*1762), The Dram, The Little Sip, Mezzotint

484 - THE MEZZOTINTER (*1652) after MURRAY (*1663), Portrait of Richard Cumberland, 1714, Mezzotint

485 - W. WATTS (*1752) after NATES (18th), Broughton Tower in Lancashire, 1786, Etching

486 - J. HOUBRAKEN (*1698) after OLIVER (*1556), Portrait of Ben Jonson, 1738, Copper engraving

487 - F. OTTENS (1700-1770), Fortresses in Indonesia, around 1724, Copper engraving

488 - F. OTTENS (1700-1770), "De Cora-Cora Van Titaway", Copper engraving

489 - F. OTTENS (1700-1770), Trading posts in Indonesia, Copper engraving

490 - A. MARCENAY DE GHUY (*1722) after PARROCEL (*1646), A mounted battle scene, 1755, Etching

491 - J. HAID (*1704) after PIAZZETTA (*1682), Portrait of an Italian woman, Copper engraving

492 - R. HOUSTON (*1721) after PINE (*1730), Portrait of Jacob de Castro Sarmento, Mezzotint

493 - E. FISHER (*1722) after POND (*1700), Profile of Mark Akenside, 1772, Mezzotint

494 - J. SANDRART (*1630) after PREISSLER (*1627), Portrait of Georgius Woelker (d. 1664), Etching

495 - J. PUNT (1711-1779), An injured bird in a landscape, 1759, Etching

496 - J. PUNT (1711-1779), Dogs in front of a shed, 1759, Etching

497 - J. PUNT (1711-1779), The raven wants to imitate the eagle, 1759, Etching

498 - J. PUNT (1711-1779), Juno with peacocks, 1759, Etching

499 - J. PUNT (1711-1779), The Farmstead of Fables XXVII, 1759, Etching

500 - J. PUNT (1711-1779), Two bulls and a frog, 1759, Etching

501 - J. PUNT (1711-1779), A cockerel and a fox in a landscape, 1759, Etching

502 - J. PUNT (1711-1779), Hare and Frogs, 1759, Etching

503 - J. PUNT (1711-1779), Astrologer falls into the well, 1759, Etching

504 - J. PUNT (1711-1779), The Dove and the Ant, 1759, Etching

505 - J. PUNT (1711-1779), The Lion and the Donkey, 1759, Etching

506 - J. PUNT (1711-1779), The Cat as a Woman, 1759, Etching

507 - J. PUNT (1711-1779), The limbs and the stomach, 1759, Etching

508 - J. PUNT (1711-1779), The Will, as explained by Aesop, 1759, Etching

509 - J. PUNT (1711-1779), A cat and a pig in a tree, 1760, Etching

510 - J. PUNT (1711-1779), The Drop and the Spider, 1760, Etching

511 - J. PUNT (1711-1779), The Drinker and His Wife, 1760, Etching

512 - J. PUNT (1711-1779), A dilapidated farmstead with a round tower, 1760, Etching

513 - J. PUNT (1711-1779), The lion vanquished by man, 1760, Etching

514 - J. PUNT (1711-1779), A fox and a billy goat by the well, 1760, Etching

515 - J. PUNT (1711-1779), A quote from Socrates, 1762, Etching

516 - J. PUNT (1711-1779), Lark and Field Marshal with a Boy, 1762, Etching

517 - J. PUNT (1711-1779), The Miser and His Lost Treasure, 1762, Etching

518 - J. PUNT (1711-1779), The Oracle and the Wicked Man, 1762, Etching

519 - J. PUNT (1711-1779), The Woodcutter and Mercury, 1762, Etching

520 - J. PUNT (1711-1779), The Fox and the Bust, 1761, Etching

521 - J. PUNT (1711-1779), The Man and the Wooden Idol, 1761, Etching

522 - J. PUNT (1711-1779), A monkey on a dolphin in the sea, 1761, Etching

523 - J. PUNT (1711-1779), The Animals’ Tribute to Alexander, 1761, Etching

524 - J. PUNT (1711-1779), The Camel and the Floating Sticks, 1761, Etching

525 - J. PUNT (1711-1779), Birds in the forest, 1761, Etching

526 - J. PUNT (1711-1779), The Old Lion, 1761, Etching

527 - J. PUNT (1711-1779), The Wolves and the Sheep, 1761, Etching

528 - J. PUNT (1711-1779), Wolves and sheep, 1761, Etching

529 - J. PUNT (1711-1779), The Swan and the Cook, 1761, Etching

530 - J. PUNT (1711-1779), The Fox and the Grapes, 1761, Etching

531 - J. PUNT (1711-1779), The wolf at the goat pen, 1761, Etching

532 - J. PUNT (1711-1779), A peacock and birds in a fable scene, 1761, Etching

533 - J. PUNT (1711-1779), The Gardener and His Master, 1761, Etching

534 - J. PUNT (1711-1779), Battle of the Rats and Weasels, 1761, Etching

535 - J. PUNT (1711-1779), The Frog and the Rat, 1761, Etching

536 - J. HOUBRAKEN (*1698) after RAVESTEYN (*1570), Portrait of Johannes Wtenbogaert, Copper engraving

537 - After RENI (*1575), David with Goliath’s head, Mezzotint

538 - J. FREY (*1681) after RENI (*1575), Salome with the head of John, 1745, Etching

539 - E. MORACE (*1766) after REYNOLDS (*1723), Portrait of Angelika Kauffmann, Copper engraving

540 - R. PURCELL (*1746) after REYNOLDS (*1723), John Manners as a military commander, Mezzotint

541 - R. PURCELL (*1746) after REYNOLDS (*1723), Portrait of the Countess of Essex, around 1760, Mezzotint

542 - W. WATTS (*1752) after RICHARDS (18th), Halfwell in Somerset, 1780, Etching

543 - F. SINTZENICH (*1780) after RIGAUD (*1659), Portrait of General Moritz of Saxony, Etching

544 - J. TISCHBEIN (*1742) after REMBRANDT (*1606), Portrait of a man, Etching

545 - W. WATTS (*1752) after ROBERTSON (*1748), Mount Clare in Surrey, 1784, Etching

546 - W. WATTS (*1752) after ROBERTSON (*1748), Mount Clare in Surrey, 1784, Etching

547 - R. HOUSTON (*1721) after RUSSELL (*1745), Portrait of Reverend John Ryland, 1775, Mezzotint

548 - R. HOUSTON (*1721) after RUSSELL (*1745), Portrait of John Macgowan, 1774, Mezzotint

549 - R. HOUSTON (*1721) after SADLER (*1647), Portrait of John Bunyan, Mezzotint

550 - W. WATTS (*1752) after SANDBY (*1725), West Combe in Kent, 1779, Etching

551 - C. BRICART (*1705) after SANTERRE (*1651), The true portrait of the thief Cartouche, Copper engravin

552 - P. SCHENK (1653-1713), Portrait of Frederick I, King of Prussia (1657–1713), 1705, Mezzotint

553 - After SCHLEY (*1715), Samboupo, Sulawesi Island, Indonesia, around 1780, Copper engraving

554 - J. SCHLEY (1715-1779), View of the city of Ambon from the sea, Copper engraving

477 - F. AVELINE (1718) after KÜSEL (1650), An Arcadian landscape with a temple complex, Copper engravin

478 - DIETRICY (1712) after LAER (1582), The Mule Drivers’ Inn, around 1750, Etching

479 - P. JEUNE (1742) after MARILLIER (1740), Easter, 1785, Copper engraving

483 - W. WARD (1766) after MORLAND (1762), The Dram, The Little Sip, Mezzotint

484 - THE MEZZOTINTER (1652) after MURRAY (1663), Portrait of Richard Cumberland, 1714, Mezzotint

486 - J. HOUBRAKEN (1698) after OLIVER (1556), Portrait of Ben Jonson, 1738, Copper engraving

490 - A. MARCENAY DE GHUY (1722) after PARROCEL (1646), A mounted battle scene, 1755, Etching

491 - J. HAID (1704) after PIAZZETTA (1682), Portrait of an Italian woman, Copper engraving

492 - R. HOUSTON (1721) after PINE (1730), Portrait of Jacob de Castro Sarmento, Mezzotint

493 - E. FISHER (1722) after POND (1700), Profile of Mark Akenside, 1772, Mezzotint

494 - J. SANDRART (1630) after PREISSLER (1627), Portrait of Georgius Woelker (d. 1664), Etching

536 - J. HOUBRAKEN (1698) after RAVESTEYN (1570), Portrait of Johannes Wtenbogaert, Copper engraving

538 - J. FREY (1681) after RENI (1575), Salome with the head of John, 1745, Etching

539 - E. MORACE (1766) after REYNOLDS (1723), Portrait of Angelika Kauffmann, Copper engraving

540 - R. PURCELL (1746) after REYNOLDS (1723), John Manners as a military commander, Mezzotint

541 - R. PURCELL (1746) after REYNOLDS (1723), Portrait of the Countess of Essex, around 1760, Mezzotint

543 - F. SINTZENICH (1780) after RIGAUD (1659), Portrait of General Moritz of Saxony, Etching

544 - J. TISCHBEIN (1742) after REMBRANDT (1606), Portrait of a man, Etching

545 - W. WATTS (1752) after ROBERTSON (1748), Mount Clare in Surrey, 1784, Etching

546 - W. WATTS (1752) after ROBERTSON (1748), Mount Clare in Surrey, 1784, Etching

547 - R. HOUSTON (1721) after RUSSELL (1745), Portrait of Reverend John Ryland, 1775, Mezzotint

548 - R. HOUSTON (1721) after RUSSELL (1745), Portrait of John Macgowan, 1774, Mezzotint

549 - R. HOUSTON (1721) after SADLER (1647), Portrait of John Bunyan, Mezzotint

550 - W. WATTS (1752) after SANDBY (1725), West Combe in Kent, 1779, Etching

551 - C. BRICART (1705) after SANTERRE (1651), The true portrait of the thief Cartouche, Copper engravin

557 - J. BAQUOY (1721) after SÈVE (1742), A view of a snow leopard, around 1770, Copper engraving

558 - J. BAQUOY (1721) after SÈVE (1742), A zoological depiction of a tiger, Copper engraving

559 - J. BAQUOY (1721) after SÈVE (1742), Depiction of a leopard, around 1770, Copper engraving

562 - R. HOUSTON (1721) after SOEST (1600), Portrait of Richard Pendrell, Mezzotint

563 - G. VERTUE (1684) after SOMER (1576), Portrait of James I, 1736, Etching

564 - C. MOSLEY (1720) after SOMER (1576), Portrait of James I, Copper engraving

565 - D. BERGER (1744) after SUEUR (1691), Head studies of a man and a woman, Lithography

566 - D. BERGER (1744) after SUEUR (1691), Head studies of a young girl, Lithography

567 - D. BERGER (1744) after SUEUR (1691), Study of a man’s head in profile, Lithography

568 - J. BAS (1707) after TENIERS (1610), The Smoker, Etching

570 - W. MAYR () after TISCHBEIN (1722), Division of the Landgraviate of Hesse in 1567, Copper engraving