A Kota Throwing Knife, "musele / onzil" Wurf-Messer, "musele / onzil" Kota, Gabun Ohne Sockel / without base Eisen, Holz, Kupferlegierung, Polsternägel. H 25 cm. Provenienz: Gérald Minkoff (1937-2009) und Muriel Olesen (1948-2020), Genf. Zeremonialwaffen zeichnen sich durch sorgfältige Herstellung und dekorative Gestaltung, z.B. der Verzierung mit wertvollen Materialien wie Kupfer, Bronze, Elfenbein oder Fell, aus. Die ursprüngliche Funktion ist damit eingeschränkt, so dass eine Verwendung als Kampfwaffe nicht mehr im Vordergrund steht. Vielmehr signalisieren sie den sozialen Status und die Macht des Trägers und sind damit eher Kult-, Prunk-, Würde- und Statuswaffen die auch im Tauschhandel Verwendung fanden. Weiterführende Literatur: Schmidt, A. M / Westerdjik, P. (2006). The Cutting Edge. West Central African 19th century throwing knives in the National Museum of Ethnology Leiden. Leiden: National Museum of Ethnology. ----------------------------------------------------- Gérald Minkoff und Muriel Olesen Muriel Minkoff-Olesen (1948- 2020) absolvierte ihre Ausbildung an der Schule für Gestaltung in Genf. Gérald Minkoff (1937-2009) war ausgebildeter Anthropologe und Biologe. Beide erlangen als Künstler Bekanntheit und ab ihrer Begegnung im Jahr 1967 war das symbolträchtige Paar der zeitgenössischen Kunst unzertrennlich. Das reisebegeisterte Duo Olesen-Minkoff erkundete das Leben wie neugierige Nomaden und durchstreifte so den Erdball von Afrika über Asien, Ozeanien und Amerika bis Patagonien. Als Künstler und erfahrene Sammler zeitgenössischer Kunst hatten sie verständlicherweise auch eine ausgeprägte Sensibilität für die Ästhetik und Konzepte der Aussereuropäischen Kunst. Die Genfer Wohnung des Paares, vielleicht ihr schönstes Gemeinschaftswerk, wurde dadurch zu einem Ort, an dem die Werke enger Freunde wie Daniel Spoerri, Arman und Man Ray sowie ihre eigenen Fotografien mit fast tausend Objekten aus Afrika, Ozeanien, Asien und Südamerika zusammenlebten. CHF 100 / 200 Gewicht in Gramm: 207 Zustand: Der Zustand dieses Lots (Abnutzung, Gebrauchsspuren, Risse, eventuelle andere Beeinträchtigungen und die Altersspuren usw. , falls zutreffend) ist auf den Fotos, die wir für Ihre Dokumentation hochgeladen haben, zu sehen. Bitte zögern Sie nicht, Hammer Auktionen bei Fragen zu diesem Lot zu kontaktieren ([email protected]). Die Angaben zum Zustand der Objekte, die aus Sachdienlichkeit gegenüber den Interessenten gemacht wurden, sind nur eine Meinung und sollten nicht als Tatsachenbehauptung behandelt werden. Hammer Auktionen übernimmt keine Verantwortung für etwaige Fehler oder Auslassungen. Im seltenen Fall, dass der Artikel nicht der Beschreibung im Katalog entspricht, ist Hammer Auktionen für Sie da. Käufer können das Lot für für eine vollständige Rückerstattung zurückgeben, vorausgesetzt Hammer Auktionen wurde innerhalb von 5 Tagen nach Erhalt des Lots benachrichtigt.

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After this 30 days period of free storage, Hammer Auktionen will charge a daily fee of CHF 10 per item for storage and insurance.

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13. Written bids from potential buyers who cannot attend the auction in person are accepted up to 24 hours before the bidding begins.

Potential buyers may bid by telephone if they have given written notice at least 24 hours before the auction begins. We do not accept telephone bids for amounts under CHF 500. Please leave a written bid or participate in the salesroom.

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The place of performance is Basel and the courts of Basel Stadt have jurisdiction. HAMMER AUKTIONEN may, however, bring legal action before any other competent court.

African Ethnograhic Art from Gérald & Muriel MINKOFF, Jean-Louis Rinsoz, Galerie Walu, Helmut & Marianne Zimmer, Gottfried Honegger, and others Swiss Private Collections.

All items are guaranteed to be as described or your MONEY BACK. 

A "Confirmation of Provenance" and a "Right to Dispose" as well as all mentioned certificates will accompany each artwork. 

BEST OF LUCK ! 

Hammer Auktionen