A Luba Seat, "kipona" Luba, DR Kongo Ohne Sockel / without base Holz. H 35 cm. Provenienz: Gérald Minkoff (1937-2009) und Muriel Olesen (1948-2020), Genf. Karyatidensitze versinnbildlichten die ewige Macht der Könige. Die dargestellten Frauen spielten eine vermittelnde Rolle zwischen den Kräften des Diesseits und des Jenseits sowie zwischen der Macht des Königs, der Ahnen und der Geisterwelt. Der Besitz solcher Prestigeobjekte war in erster Linie ranghohen Würdenträgern vorbehalten. -------------------------------------------- Die Verbindung von Nützlichem und Schönem wird insbesondere bei den künstlerisch gestalteten Sitzgelegenheiten deutlich. Die Formen der Afrikanischen Sitze sind ebenso vielfältig wie deren Verwendung. Einfache, aus einem Holzblock gehauene Sitze stehen komplex zusammengesetzten Stühlen und königlichen Thronen gegenüber. Elementarformen von reinster Funktionalität begegnen reich ornamentierten und mit figürlichen Schnitzereien versehenen Werken. Von der Marktfrau bis zum Herrscher dienen sie zum gemütlichen oder zweckmässigen sitzen wobei sie auch Symbole von Reichtum, Würde und Macht sein können die einen festen Platz in Zeremonien und rituellen Handlungen einnehmen. Die im Allgemeinen im persönlichen Besitz stehenden Sitze werden unter Umständen von Hinterbliebenen so lange als Memorabilia aufbewahrt, bis sich niemand mehr an die einstigen Besitzer erinnern kann. Weiterführende Literatur: Bocola, Sandro (1994). Afrikanische Sitze. München, Prestel Verlag. -------------------------------------------- Gérald Minkoff und Muriel Olesen Muriel Minkoff-Olesen (1948- 2020) absolvierte ihre Ausbildung an der Schule für Gestaltung in Genf. Gérald Minkoff (1937-2009) war ausgebildeter Anthropologe und Biologe. Beide erlangten als Künstler Bekanntheit, und ab ihrer Begegnung im Jahr 1967 wurde das symbolträchtige Paar der zeitgenössischen Kunst unzertrennlich. Das reisebegeisterte Duo Olesen-Minkoff erkundete das Leben wie neugierige Nomaden und durchstreifte den Erdball von Afrika über Asien, Ozeanien und Amerika bis nach Patagonien. Als Künstler und erfahrene Sammler zeitgenössischer Kunst hatten sie verständlicherweise auch eine ausgeprägte Sensibilität für die Ästhetik und Konzepte der Aussereuropäischen Kunst. Die Genfer Wohnung des Paares, vielleicht ihr schönstes Gemeinschaftswerk, wurde dadurch zu einem Ort, an dem die Werke enger Freunde wie Daniel Spoerri, Arman und Man Ray sowie ihre eigenen Fotografien mit fast tausend Objekten aus Afrika, Ozeanien, Asien und Südamerika zusammenlebten. CHF 1 000 / 2 000 Gewicht in Gramm: 2073 Zustand: Teil der Standfläche hinten links nach Bruch wieder angeleimt. Bauchnabel fehlt (Bruchstelle wurde nachpatiniert). -------------------------------- Der Zustand (allfällige Abnutzung, Gebrauchsspuren, Risse, eventuelle andere Beeinträchtigungen und die Altersspuren usw.) dieses Lots ist auf den Fotos, die wir für Ihre Dokumentation hochgeladen haben, zu sehen. Für alle Fragen zu diesem Objekt steht Ihnen Hammer Auktionen gerne zur Verfügung ([email protected]). Die Angaben zum Zustand der Objekte, die aus Sachdienlichkeit gegenüber den Interessenten gemacht wurden, sind nur eine Meinung und sollten nicht als Tatsachenbehauptung behandelt werden. Hammer Auktionen übernimmt keine Verantwortung für etwaige Fehler oder Unterlassungen. Im seltenen Fall, dass der Artikel nicht mit der Beschreibung im Katalog übereinstimmt, ist Hammer Auktionen hier, um zu helfen. Käufer können das Lot gegen volle Rückerstattung zurückgeben, sofern sie Hammer Auktionen innerhalb von 5 Tagen nach Erhalt des Lots benachrichtigen.

By participating in the auction the bidder accepts the following auction conditions.

1. The auction objects are auctioned in the name and on the account of the supplier or one of the third parties designated by him. The bid in Swiss francs is accepted from the highest bidder recognized by the auctioneer. In principle, the auctioned item is handed over to the buyer only in return for cash payment. The invoice for a successful bid for an auctioned item is payable within 7 days from the end of the auction. HAMMER AUKTIONEN may use any payment by the purchaser as settlement for any debt which the purchaser owes to HAMMER AUKTIONEN and set off any debt which it owes to the purchaser against its own claims. If the successful bidder defaults on a payment, default interest of 15% p.a. is charged upon the invoiced sum.

2. In addition to the bid price, the successful bidder must pay a surcharge of 26% on top of the the hammer price up to CHF 100'000, and of 21% above CHF 100'000.

If the winning bid is placed in the course of an Internet live online auction through, the surcharges are subject to the conditions published on the respective Internet sites.

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Hammer Auktionen is pleased to offer you free storage for 30 days.

After this 30 days period of free storage, Hammer Auktionen will charge a daily fee of CHF 10 per item for storage and insurance.

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No claims of any kind may be made if the description in the catalogue corresponds to the latest specialist knowledge or the opinion of the majority of authoritative experts at the time when the catalogue was prepared and/or if the fake could not be recognized in accordance with the latest research and with generally accepted and practiced scientific methods at the time when the catalogue was prepared or could only have been recognized by means of a scientific process which was unreasonably expensive or impractical to use or was likely to have caused damage to the property.

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During the said period HAMMER AUKTIONEN is liable for loss, theft, damage or destruction of items which have been auctioned and paid for but only up to the total of the auction price, surcharge and VAT. HAMMER AUKTIONEN ceases to have liability after the said period. No liability can be assumed for frames and glass. If the auctioned items are not collected within 7 days, they are stored at the successful bidder's expense and risk. In such cases, the fees incurred are added to the bid price.

Three weeks after the auction, all furniture and furnishings over 50 cm in bigness will be sent for storage to the warehouse in Basel City. The objects may be collected at the warehouse by contacting the warehouse directly. All storage costs will be invoiced to the buyer by the warehouse. Storage is subject to the business conditions of the warehouse, which are available upon request from the warehouse.

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13. Written bids from potential buyers who cannot attend the auction in person are accepted up to 24 hours before the bidding begins.

Potential buyers may bid by telephone if they have given written notice at least 24 hours before the auction begins. We do not accept telephone bids for amounts under CHF 500. Please leave a written bid or participate in the salesroom.

Potential buyers who intend to place their bids in the course of an Online Auction via the Internet may participate in the auction after their registration applications were approved by HAMMER AUKTIONEN. HAMMER AUKTIONEN reserves the right to decline registration applications at its discretion.

HAMMER AUKTIONEN refuses all liability for any kind of bids as well as advance notifications of telephone bidding which are not taken into consideration. Telephone bidders and persons giving written instructions are also subject to the provisions of Clause 7 relating to proof of identity and of financial soundness. For bidders placing bids in the course of an Online Auction via the Internet Clause 7 only applies with regards to financial soundness. This is in any event without prejudice to Clause 8.

14. The physical auctions (floor sales) are attended by an official of the Basel City Mayor's Office. The attending official, the local authority and the State have no liability for the acts of HAMMER AUKTIONEN.

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The place of performance is Basel and the courts of Basel Stadt have jurisdiction. HAMMER AUKTIONEN may, however, bring legal action before any other competent court.

African and Oceanic Art from the Collections of

Jean-Louis Rinsoz, Marcel Roux, Pierre Vérité, Henri Kamer, Paul Berger-Frei, Gérald and Muriel Minkoff, Charles-Edouard Duflon,

Thierry Santos, Hans und Carla Baumann, René Rickli, Alfons J. Keller, Edwin Bentley Savage, Edith Mbella, Mama Mecano,

Galerie Alain Bovis, Galerie Alain Naoum, Galerie Tribal Art Classics, Galerie Alain Lecomte, Galerie Walu

All items are guaranteed to be as described or your MONEY BACK.

A "Confirmation of Provenance" and a "Right to Dispose" as well as all mentioned certificates will accompany each artwork.

BEST OF LUCK !

Hammer Auktionen