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JOAN REIXACH (Documented in Valencia between 1431 and 1486) "Virgin in Majesty" Tempera and gold leaf on panel. Despite its obvious damage, this interesting 15th century panel can be attributed to the painter Joan Reixach, one of the main promoters of the Hispano-Flamenco style in the Kingdom of Valencia. Central panel of an important dismounted altarpiece dedicated to the Virgin, the painter shows the titular image as in his other works: enthroned and holding the Child Jesus in her lap with her right hand, while with her left she blesses and carries a goldfinch. Surrounded by a large celestial court, two angels kneel at her feet offering her two vases with flowers. Her strong Eyckian imprint is evident in some details of the work such as the rich textile decoration and the sumptuousness of the decorations with gems and pearls. Measurements: 151.5 x 91 cm.

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JOAN REIXACH (Documented in Valencia between 1431 and 1486) "Virgin in Majesty" Tempera and gold leaf on panel. Despite its obvious damage, this interesting 15th century panel can be attributed to the painter Joan Reixach, one of the main promoters of the Hispano-Flamenco style in the Kingdom of Valencia. Central panel of an important dismounted altarpiece dedicated to the Virgin, the painter shows the titular image as in his other works: enthroned and holding the Child Jesus in her lap with her right hand, while with her left she blesses and carries a goldfinch. Surrounded by a large celestial court, two angels kneel at her feet offering her two vases with flowers. Her strong Eyckian imprint is evident in some details of the work such as the rich textile decoration and the sumptuousness of the decorations with gems and pearls. Measurements: 151.5 x 91 cm.

Schätzwert 7 500 - 10 000 EUR
Startpreis 5 000 EUR

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madrid, Spanien
Ansorena
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Attributed to the Italo-Valencian school of PAOLO DE SAN LEOCADIO (Reggio Emilia, 1447-Valencia, 1519) - Saint John the Baptist and Mary Magdalene on panel Pair of oil paintings on panel representing Saint John the Baptist and Mary Magdalene. Oil on panel. Measurements of each table: 145 x 60 cm, good general state of conservation in polychrome. Provenance: private collection, Madrid. Pilar Silva Maroto (Reggio Emilia, 1447-Valencia, 1519). Italian painter who developed much of his activity in Valencia, and helped introduce the Renaissance to the city. Of Ferrari-Paduan training, judging by the style of the first works attributed to him, he must also have known the Venetian painting of the Bellini. Thanks to the protection of Cardinal Rodrigo de Borja - the future Pope Alexander VI - Paolo de San Leocadio arrived in Valencia in 1472 together with the Neapolitan painter Francesco Pagano. The Virgin of the Knight of Montesa (c. 1475, Prado), which is attributed to his hand, the Sacra Conversatione (signed, National Gallery, London) or the San Miguel (c. 1500, Diocesan Museum of Sacred Art of Orihuela, which comes from the chapel of the Ducal Palace of Gandía), demonstrate how he maintained his quality, without being necessary that supposed trip to Italy that Ximo Company places between 1484 and 1488, since the Italian sources of his art remain the same as when he arrived in Valencia in 1472. The best testimony of the reputation he obtained with his painting is, without a doubt, the document dated in Castellón in 1490 on the occasion of the execution of the main altarpiece of the cathedral -unfortunately disappeared-, in which Paolo is described of San Leocadio as the most solemn painter in Spain. Married three times, he had two painter sons, Felipe Pablo de San Leocadio, from his second wife, and Miquel Joan, from his third, who collaborated with him in his final stage. Thanks to the patronage of the Duchess of Gandía, María Enríquez, widow of Juan de Borja, ...