Null AFTER THOMIR'S MODEL. FRENCH EMPIRE INKWELL, CIRCA 1800.
Quecksilbervergold…

Beschreibung

AFTER THOMIR'S MODEL. FRENCH EMPIRE INKWELL, CIRCA 1800. Quecksilbervergoldete und gebläute Bronze. Mit einem Sockel aus späterer Zeit. Gesamthöhe 14 cm x 15 x 15 cm.

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AFTER THOMIR'S MODEL. FRENCH EMPIRE INKWELL, CIRCA 1800. Quecksilbervergoldete und gebläute Bronze. Mit einem Sockel aus späterer Zeit. Gesamthöhe 14 cm x 15 x 15 cm.

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Schätzw. 12 000 - 13 000 EUR

PIERRE CHAPO (Paris, 1927-1987). Extending dining table model T40, 1970s. Elm wood. With two extensions. Without extensions the table has a round shape, with the extensions it becomes oval. Measurements: 170 x 120 x 74 cm (measurements with one extension); 120 x 74 x 74 x 74 cm (measurements without extension). Round/oval dining table T40 designed by Pierre Chapo. Like all Chapo furniture, this is a bold and robust piece of furniture anchored to tradition. It is distinguished by the four square-section legs that curve at the bottom (aesthetic that acquires the name of "duck foot") to converge at the central shaft. Pierre Chapo was initially interested in painting, but his meeting with a shipbuilding carpenter in 1947 introduced him to wood and carpentry, and led him to study architecture at the École nationale supérieure des Beaux-Arts in Paris. After traveling in Scandinavia, Central America and working for a year in the United States, he returned to Paris and pursued his interest in wood, crafting furniture mainly from solid oak, elm, ash or teak with a dual concern for contemporary design and traditional know-how. In the French capital he opened his own workshop. Influenced by the work of Charlotte Perriand for the alpine ski resort of Les Arcs, his participation in the 1967 Salon de la Société des artistes décorateurs earned him a bronze medal.

Schätzw. 1 000 - 1 200 EUR

Palm tree lamp. Attributed to MAISON JANSEN, ca. 1980's. Brass shaft, metal leaves. It shows wear and marks of use. Measurements: 76 x 27 x 27 cm. Floor lamp in the form of a palm tree, with brass shaft and metal leaves with mahogany patina. It is probable that it belongs to Maison Jansen, because it follows the same models and the same technique as the palm tree lamps of this prestigious house dedicated to luxury decoration. The Palmera lamp is the star piece of Maison Jansen, an icon for lovers of interior decoration. With a proven track record, Maison Jansen has decorated the residences of such important personalities as the Kennedys, the Duke and Duchess of Windsor, Coco Chanel and the March family. Founded in 1880 by Dutch designer Jean-Henri Jansen (1854-1928), its aesthetics were based on French furniture combined with aesthetic influences from around the world. His most sought-after pieces reflected the influence of antique designs from the Louis XIV, Louis XVI, Directory and Empire eras, as well as objects Jansen found during his travels to Japan and Turkey. It shows wear and tear and marks of use.

Schätzw. 800 - 1 200 EUR

Atelier by JEAN PROUVÉ (France, 1901-1984). Bureau table. Surveillant’ model, ca. 1950s. Oak. Measurements: 79 x 130 x 65 cm. This table, model Surveillant (‘supervisor’) denotes the mastery of the teaching of the great French designer Jean Prouvé, both for the functional essentiality of the design and for the handcrafted and natural character of the finish. Prouvé had the generosity to spread his knowledge and create a school, since he founded his Ateliers in the 1930s. Jean Prouvé collaborated on the furniture in his Ateliers from the idea to the finished product. Equipped with a skilled creative team and the most advanced manufacturing technologies available, the Ateliers were laboratories where ideas were continually refined and adapted to produce furniture and prefabricated buildings on an industrial scale. The son of the modernist cabinetmaker Victor Prouvé, he was a prolific builder, designer and engineer. In Paris, he trained as an artistic blacksmith with Emile Robert, Enghien and Szabo in Paris. In 1924, he opened his own workshop in Nancy. As early as 1925, he produced the first furniture in formed sheet steel. In 1930 he co-founded the artists' association “Union des Artistes Modernes”. In 1931 he founded Les Ateliers Jean Prouvé. During the 1930s, these workshops produced numerous pieces of furniture and the first prefabricated architectural elements, for example for the ‘Maison du Peuple’ in Clichy, which attracted a great deal of attention with its steel and glass structure. Due to the shortage of steel, wooden furniture was made during the war and simple houses were developed from prefabricated elements. From 1940, Jean Prouvé was a member of the Resistance and became mayor of Nancy after the liberation of the city. During this period, he designed and built housing for the homeless. In 1947, Jean Prouvé founded the Maxéville factory. Between 1957 and 1968, he directed the construction department of the Compagnie Industrielle de Matériel de Transport in Paris. Between 1968 and 1984, he ran a studio in Paris as an independent consultant architect. From 1957 to 1970 he holds a chair at the Conservatoire National des Arts et Métiers. In 1971 he chairs the jury for the competition for the construction of the Pompidou Centre in Paris and contributes to the choice of the design by Renzo Piano and Richard Rogers. Between 1980 and 1984, he devoted himself to perfecting his furniture designs. In many of his works, Prouvé succeeds in combining his pretensions to functionality, suitability of materials and economy with the complex requirements of mass production. In 2002, Vitra begins to reissue his designs in collaboration with the Prouvé family.

Schätzw. 300 - 400 EUR

[FONTALLARD (Henri-Gérard) oder LEPRINCE (Xavier)]. [Métamorphoses d'Arlequin. parades. (Jouées sur le Théâtre Français)] [Paris], [Langlumé], [1826]. Kleines, längliches in-4, in ff. geheftet, ohne Umschlag und Titel. 11 (von 12) lithographierte und aquarellierte Tafeln. Größe: 25 x 24 cm. Erste Ausgabe dieser äußerst seltenen Suite (nur ein einziges Exemplar in der öffentlichen Sammlung der BnF und kein Exemplar auf einer Auktion in den letzten 36 Jahren). Die Karikaturen, die entweder Gérard Fontallard oder Xavier Leprince zugeschrieben werden, zeigen politische oder historische Sketche, die politische Ereignisse zwischen 1791 und 1826 illustrieren, indem sie Figuren der Commedia del'Arte in Szene setzen, die ihr Kostüm manchmal unter einer zeitgenössischen Kleidung oder Uniform verstecken: 1re Parade. - 1791. Colombine délaissée oder Fiez-vous aux vainins discours des hommes (Verlassen Sie sich auf die leeren Reden der Männer); 2. Parade. - 1793. L'Orateur Populaire oder Lebe frei oder stirb!; 3. Parade. - 1795. Le Directorien ou Veillons au Salut de l'Empire; ; 4. Parade. - 1799. - Le 18 Brumaire an ou la raison du plus fort est toujours la meilleure (Der 18. Brumaire oder Die Vernunft des Stärkeren ist immer die beste); 5. Parade. - 1800. - Le Grenadier des Consuls oder Je suis français, mon pays avant tout; ; 6. Parade. - 1808. - Le Chambellon oder Adieu Marton! Adieu Rosette. ; 7. Parade. - 1814. - Le Marquis de Bergame oder Vive le Roi! Quand même!; 8. Parade. - 1815. - Le Champ de Mai ou l'on revient toujours à ses premiers amours; ; 9. Parade. - 1820. - Tartufe ou L'habit ne fait pas le moine; ; 10. Parade. - 1823. - Le Dîner oder Du courage, les amis sont toujours là!; 11. Parade. - 1825. - La Clôture ou Ventre affamé n'a point d'oreilles (Der Zaun oder Der hungrige Bauch hat keine Ohren). Ohne die 12. und letzte Tafel (Le Congréganiste). Vereinzelte kleine Braunflecken, qqs helle Wasserflecken.

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