Null JAVIER MARISCAL, "Barcelona". (d) Pastell und Holzkohle auf Papier
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JAVIER MARISCAL, "Barcelona". (d) Pastell und Holzkohle auf Papier Signiert und datiert 1982 49,5 x 63 cm. In gutem Zustand. Es wurde nicht aus dem Rahmen heraus untersucht. Aluminium-Rahmen.

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JAVIER MARISCAL, "Barcelona". (d) Pastell und Holzkohle auf Papier Signiert und datiert 1982 49,5 x 63 cm. In gutem Zustand. Es wurde nicht aus dem Rahmen heraus untersucht. Aluminium-Rahmen.

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Schätzw. 1 800 - 2 000 EUR

JAVIER MARISCAL (Almazora, Castellón, 1950) for Akaba. Garriris" chair, 1987. Chrome-plated square steel tube frame with aluminum, plywood seat and red leather upholstery. In very good condition. This model is in important collections and museums such as the Victoria & Albert Museum in London, and the Museu del Disseny in Barcelona. It was exhibited at the George Pompidou in Paris for the Nouvelles Tendances exhibition in 1987. Measurements: 97 x 44 x 60 cm. The Garriris chair assimilates the animated character Mickey Mouse with the iconic ears on the backrest and his characteristic shoes. Renowned industrial designer, cartoonist and comic artist, Javier Mariscal has lived and worked in Barcelona since 1970. He studied design at the Elisava School in Barcelona, but soon abandoned his studies to learn directly from his surroundings and follow his own creative impulses. He began his career in the world of underground comics in publications such as "El Rrollo Enmascarado" or "Star", along with Farry, Nazario and Pepichek. After making his first own comics in the mid-seventies, in 1979 he designed the Bar Cel Ona logo, a work for which he began to be known by the general public. The following year the Dúplex opened in Valencia, the first bar signed by Mariscal, together with Fernando Salas, for which he designed one of his most famous pieces, the Dúplex stool, a true icon of design in the eighties both inside and outside our borders. In 1981 his work as a furniture designer led him to participate in the exhibition of the Memphis Group in Milan. In 1987 he exhibited at the Georges Pompidou Center in Paris and participated in the Documenta in Kassel. Two years later his design Cobi is chosen as the mascot for the 1992 Barcelona Olympic Games, controversial at first but now recognized as the most profitable mascot in the history of the modern Games. In 1989 he created Estudio Mariscal and collaborated on various projects with designers and architects such as Arata Isozaki, Alfredo Arribas, Fernando Salas, Fernando Amat and Pepe Cortés. Among his most outstanding works are the visual identities for the Swedish Socialist Party, the Onda Cero radio station, the Barcelona Zoo, the University of Valencia, the Lighthouse design and architecture center in Glasgow, the GranShip cultural center in Japan, and the London post-production company Framestore. In 1999 he received the National Design Prize, awarded by the Spanish Ministry of Industry and the BCD Foundation in recognition of his entire professional career.

Schätzw. 6 000 - 7 000 EUR

LUDWIG MIES VAN DER ROHE (Germany, 1886 - USA, 1969) for KNOLL. "Barcelona" chair. Chromed steel frame, loose comfort cushions upholstered in black leather sewn with buttons. Lower upholstery with black leather straps. With certificate and Knoll stamp. Literature: C. & P. Fiell. 1000 chairs. Mentioned and photographed on p. 172. Apparently unused. With original packaging. Brand new. Measurements: 80 x 75 x 70 cm. Packaging dimensions: 84 x 89 x 84 cm. The Barcelona chair (model MR90) is a classic work of 20th century industrial design. Mies van der Rohe created it, together with the ottoman and the matching side table, for the German pavilion at the 1929 Barcelona International Exposition, a building that was also a milestone in the architecture of the last century. The chairs were so admired that they were used as thrones for the kings of Spain when they visited the Barcelona pavilion. They were seats with a structure made entirely of polished stainless steel, with the seat and backrest entirely covered with pigskin upholstery. Later, in 1950, some adjustments would be made to the design for mass production. Van der Rohe based his creation, in his personal line of modern classicism, on the "sella curulis", a type of seat used by Roman magistrates in antiquity. On the other hand, the visible joining of the stretcher frame and seat cushions as separate components, and the combined use of traditional and modern materials, appropriately matched to their function, eloquently reveal Mies' personal vision of international style. Today, both the Barcelona chair and the matching ottoman and side table are still in production by Knoll, the firm that purchased the license from the architect in 1953. Modern models are produced in two different steel configurations, and in various types of leather in different colors. Examples of the Barcelona chair are now held in important collections around the world, including the MoMA in New York. An architect and industrial designer, Mies van der Rohe trained with Bruno Paul and Peter Behrens, and opened his own studio in Berlin in 1912. Between 1930 and 1933 he directed the Bauhaus in Dessau, although the political situation in Germany soon after forced him to emigrate to the United States. There he continued his brilliant career, teaching at the Illinois Technology Institute in Chicago. During his career he designed emblematic buildings mainly in Germany and the United States, especially his skyscrapers in New York and Chicago, the German Pavilion for the 1929 Barcelona International Exposition, and the NeueNationalgalerie in Berlin.

Schätzw. 6 000 - 7 000 EUR

LUDWIG MIES VAN DER ROHE (Germany, 1886 - USA, 1969) for KNOLL. Chair "Barcelona". Chrome-plated steel frame, loose comfort cushions upholstered in black leather sewn with buttons. Lower upholstery with black leather straps. With certificate and Knoll stamp. Literature: C. & P. Fiell. 1000 chairs. Mentioned and photographed on p. 172. Apparently unused. With original packaging. Brand new. Measurements: 80 x 75 x 70 cm. Packaging dimensions: 84 x 89 x 84 cm. The Barcelona chair (model MR90) is a classic of 20th century industrial design. Mies van der Rohe created it, together with the ottoman and the matching side table, for the German pavilion at the 1929 Barcelona International Exposition, a building which was also a landmark in the architecture of the last century. The chairs were so admired that they were used as thrones for the King and Queen of Spain when they visited the Barcelona pavilion. They were seats with a structure made entirely of polished stainless steel, with the seat and backrest entirely covered in pigskin upholstery. Later, in 1950, some adjustments were made to the design for mass production. Van der Rohe based his creation, in his personal brand of modern classicism, on the "sella curulis", a type of seat used by Roman magistrates in antiquity. On the other hand, the visible joining of the frame and seat cushions as separate components, and the combined use of traditional and modern materials, appropriately matched to their function, eloquently reveal Mies' personal vision of international style. Today, both the Barcelona chair and the matching ottoman and side table are still produced by Knoll, the firm that bought the licence from the architect in 1953. The modern models are produced in two different steel configurations, and in various types of leather in different colours. Examples of the Barcelona chair can be found in important collections around the world, such as the MoMA in New York. An architect and industrial designer, Mies van der Rohe trained with Bruno Paul and Peter Behrens, and opened his own studio in Berlin in 1912. Between 1930 and 1933 he directed the Bauhaus in Dessau, although the political situation in Germany forced him to emigrate to the United States shortly afterwards. There he continued his brilliant career, while at the same time teaching at the Illinois Technology Institute in Chicago. During his career he designed emblematic buildings, mainly in Germany and the United States, particularly his skyscrapers in New York and Chicago, the German Pavilion for the 1929 Barcelona International Exposition, and the NeueNationalgalerie in Berlin.

Schätzw. 7 000 - 8 000 EUR

JAVIER MARISCAL (Almazora, Castellón, 1950). Palo Alto, Barcelona. Mai 2006. Öl auf Leinwand. Signiert und datiert am rechten Rand; signiert, lokalisiert und datiert auf der Rückseite. Provenienz; Privatsammlung Maße: 180 x 160 cm. Javier Mariscal beherrscht es meisterhaft, belebte Szenen zu komponieren, Menschenmengen, die von der Magie der Nacht erhellt werden, sind konkurrenzlos. Mit einem unbekümmerten Stil ordnet er die Figuren auf dieser Leinwand scheinbar wahllos an, aber unter dem scheinbaren Chaos von Scheinwerfern, Trinksprüchen, Lächeln, Körpern und Tischen verbirgt sich eine kompositorische Strenge, die das Ergebnis echter Begabung ist. Mariscal bedient sich bei den Comics, verwandelt sie aber in eine soziologische und plastische Betrachtung. Wir erkennen seine Handschrift in jeder seiner Figuren, diesen synthetischen Gesichtern und einigen von ihnen, die leicht hundeähnlich sind und an eines der berühmtesten Maskottchen der letzten Jahrzehnte erinnern. Javier Mariscal ist ein renommierter Industriedesigner, Cartoonist und Comiczeichner, der seit 1970 in Barcelona lebt und arbeitet. Er studierte Design an der Elisava-Schule in Barcelona, brach sein Studium jedoch bald ab, um direkt von seiner Umgebung zu lernen und seinen eigenen kreativen Impulsen zu folgen. Er begann seine Karriere in der Welt der Underground-Comics in Publikationen wie "El Rrollo Enmascarado" oder "Star", zusammen mit Farry, Nazario und Pepichek. Nachdem er Mitte der siebziger Jahre seine ersten eigenen Comics gezeichnet hatte, entwarf er 1979 das Logo der Bar Cel Ona, ein Werk, mit dem er in der Öffentlichkeit bekannt wurde. Im darauffolgenden Jahr eröffnete das Dúplex in Valencia, die erste Bar, die Mariscal zusammen mit Fernando Salas entwarf. Für diese Bar entwarf er eines seiner berühmtesten Stücke, den Dúplex-Hocker, eine wahre Ikone des Designs in den achtziger Jahren, sowohl innerhalb als auch außerhalb unserer Grenzen. Seine Arbeit als Möbeldesigner führte ihn 1981 zur Teilnahme an der Ausstellung der Memphis-Gruppe in Mailand. Im Jahr 1987 stellte er im Centre Georges Pompidou in Paris aus und nahm an der Documenta in Kassel teil. Zwei Jahre später wurde sein Entwurf Cobi als Maskottchen für die Olympischen Spiele 1992 in Barcelona ausgewählt, was zunächst umstritten war, heute aber als das profitabelste Maskottchen in der Geschichte der modernen Spiele anerkannt wird. 1989 gründete er das Estudio Mariscal und arbeitete an verschiedenen Projekten mit Designern und Architekten wie Arata Isozaki, Alfredo Arribas, Fernando Salas, Fernando Amat und Pepe Cortés zusammen. Zu seinen herausragendsten Arbeiten gehören die visuellen Identitäten für die Sozialistische Partei Schwedens, den Radiosender Onda Cero, den Zoo von Barcelona, die Universität von Valencia, das Design- und Architekturzentrum Lighthouse in Glasgow, das Kulturzentrum GranShip in Japan und das Londoner Postproduktionsunternehmen Framestore. Im Jahr 1999 erhielt er den Nationalen Designpreis, der vom spanischen Industrieministerium und der BCD-Stiftung in Anerkennung seiner gesamten beruflichen Laufbahn verliehen wurde.

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