Null T. PÉREZ. NACH BARTOLOMÉ ESTEBAN MURILLO. Madonna mit Kind, bekannt als "Ma…

Beschreibung

T. PÉREZ. NACH BARTOLOMÉ ESTEBAN MURILLO. Madonna mit Kind, bekannt als "Madonna mit der Serviette". Öl auf Leinwand Signiert, lokalisiert in Sevilla und datiert 1939 46x47 cm. Vergoldeter Holzrahmen. Bildliche Lücken.

542

T. PÉREZ. NACH BARTOLOMÉ ESTEBAN MURILLO. Madonna mit Kind, bekannt als "Madonna mit der Serviette". Öl auf Leinwand Signiert, lokalisiert in Sevilla und datiert 1939 46x47 cm. Vergoldeter Holzrahmen. Bildliche Lücken.

Das Los wurde versteigert. Ergebnisse ansehen

Dies könnte Ihnen auch gefallen

Schätzw. 3 000 - 3 200 EUR

Lounge Chair in the style of GIO PONTI (Milan, 1891 - 1979). Brass structure. Upholstery in blue and gray velvet. New upholstery in very good condition. Measurements: 96 x 72 x 80 cm. Armchair with brass tube feet and upper structure of angular shapes that embrace the user. It is a design halfway between the design tradition of the twentieth century and futuristic fantasy, dominated by a bichrome that avoids the stridencies and characterized by the play of planes and volumes. Architect, designer and academic, Gio Ponti is, along with Ettore Sottsass, the leader of the most sought-after Italian designers of the 20th century by collectors. In addition to the elegance of his furniture, sensitive to functionality, yet original at the same time, Ponti is recognized for his volcanic creativity, which led him to produce and design until the 1970s. His ability to give voice to new trends made him the "inventor" of the Made in Italy design concept. Ponti studied architecture at the Politecnico. After World War I, in which he had to serve, he worked as artistic director for the respected ceramic manufacturing company Richard-Ginori. Between 1923 and 1927 he partnered with architects Mino Fiocchi and Emilio Lancia, opening his own studio in 1928, and founded the famous design magazine Domus, through whose pages (and those of Lo Stile, a magazine he would found and edit in the 1940s) Ponti influenced international taste in design for more than fifty years. By 1933, Ponti partnered with engineers Antonio Fornaroli and Eugenio Soncini to create the Ponti-Fornaroli-Soncini studio, which firmly embraced the modernist aesthetic and worked until 1945. In 1950, Ponti was awarded the commission for what would become one of the iconic buildings of the 20th century, the 32-story Pirelli Tower in Milan. Throughout his career, Ponti played many different roles: architect, industrial designer, craftsman, teacher, painter, editor and journalist.

Schätzw. 1 000 - 1 200 EUR

ROBERT SLEZAK for Slezak Factories. Czech Republic, ca.1930's. Writing desk. White painted metal. Black glass. Shows signs of use and wear. Needs restoration. Measurements: 80 x 115 x 60 cm. Desk designed by the Czech artist Robert Slezak in the thirties, following the precepts of the German Bauhaus. The tubular structure and the small spherical feet give lightness and boldness to a design in accordance with the aesthetic and conceptual interests of the modern movement. The cabinet has three drawers with ball handles, and the top is covered with black glass. Robert Slezak founded Slezak Factories in 1908, a Czech furniture brand specializing in chrome-plated and bent metal furniture, which initially operated as a locksmith's shop and building fittings. The workshop developed rapidly, production was first extended to the popular brass fittings and new galvanic plating technology was introduced in the new facility. In 1911, it was one of the first manufacturers to offer galvanic plating of copper, nickel and chromium on the surface of products. From 1913, it began production of metal chairs and brass furniture, including beds, tables and chairs with its own designs in a combination of metal and wood. The original Slezák factories became part of the Kovona company after 1948, and since 1992 it has been called Kovonax. It presents marks of use and wear. Needs restoration.

Schätzw. 400 - 600 EUR

T. S. Eliot Signierte Weihnachtskarte Hübsche Weihnachtskarte, entworfen von Barnett Freedman für den Verlag Faber und Faber im Jahr 1950, 8,25 x 6,5 geschlossen, signiert neben dem gedruckten Gruß in Füllfederhalter "T. S. Eliot". Die Karte öffnet sich auf 16,5 x 6,5 und enthüllt die attraktive Weihnachtsgravur, die von Freedman entworfen und von der Curwen Press gedruckt wurde. In gutem Zustand.

Schätzw. 20 - 30 EUR

[Irland]. [Album mit Ansichten von Killarney und Umgebung]. London, T. Nelson and Sons, [c. 1900]. Format in 12 länglich, schwarzes Halbchagrinleder mit stummem glatten Rücken (Einband der Zeit). Album mit 23 Chromolithographien, die auf Blätter kaschiert sind. Ein gutes Exemplar. Ecken und Schnitte berieben.

Online-Zahlungen werden durch Ingenico und verschlüsselte Transaktionen gesichert.

Jedes Los wurde von einem Auktionshaus authentifiziert und bewertet.

Sehen Sie sich unsere Hilfeseite an oder kontaktieren Sie uns.

Das legendäre Auktionshaus Drouot ist das größte Auktionshaus Frankreichs. Es steht allen offen und ist der ideale Ort für Kunst-und Dekorationsliebhaber. Die Online-Auktionsplattform drouot.com ermöglicht es Ihnen, von jedem Ort aus mitzubieten und auf den größten Katalog von Kunstobjekten in Europa zuzugreifen.

Die Drouot-Gruppe

Von Drouot zugelassene Auktionatoren

Kontakt

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]

Besuche & Privatisierungen