Null Vierfliesige Tafel aus Talavera-Ton aus der Serie "tricolor", 17. Jahrhunde…

Beschreibung

Vierfliesige Tafel aus Talavera-Ton aus der Serie "tricolor", 17. Jahrhundert. 13x13 cm. Hölzerner Rahmen. Abplatzungen, Emailleschäden und eine gebrochene Fliese.

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Vierfliesige Tafel aus Talavera-Ton aus der Serie "tricolor", 17. Jahrhundert. 13x13 cm. Hölzerner Rahmen. Abplatzungen, Emailleschäden und eine gebrochene Fliese.

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Schätzw. 200 - 250 EUR

Table lamp from the 50s. White lacquered aluminum and brass. In good condition. Measurements: 33 x 17 x 27 cm. Table lamp raised on a suspended base from which emerges the golden brass shaft. The white lacquered aluminum lampshade projects light evenly.

Schätzw. 2 200 - 2 400 EUR

POUL KJÆRHOLM (Denmark, 1929 - 1980) for FRITZ HANSEN. PK-22 lounge chair, designed 1955. Steel frame. Upholstered in black leather. Made at Fritz Hansen in 1991, with label from here. Shows minor signs of wear and patina due to age. Measurements: 72 x 63 x 62 cm. Seat height 33 cm. The PK22 series of chairs are excellent examples of Poul Kjaerholm's ability to work with exquisite, minimalist materials. In the search for the ideal form they were created in a combination of elegant luxury and comfort. Poul Kjærholm was a Danish designer trained at the Danish School of Arts and Crafts in Copenhagen, where he entered in 1952 after having started his apprenticeship with the cabinetmaker Gronbech in 1948. From the mid-1950s he worked for his friend EjvindKoldChristiansen, a businessman who always gave him total creative freedom. His earliest creations, such as his plywood furniture series PKO, already reveal his strong personality. In 1958 he attracted international attention with his contribution to the "Formes Scandinaves" exhibition in Paris, and in the same year he won the Lunning Prize for his PK 22 chair. In 1957 and 1960 he was awarded the Grand Prix at the Milan Triennale, and in 1959 he was admitted to the Royal Danish Academy of Fine Arts. In 1973 he was appointed director of the Danish Design Institute, where he taught from 1976. His designs are now held in leading design collections, including those of the Victoria & Albert Museum in London and the MOMA in New York.

Schätzw. 2 200 - 2 400 EUR

POUL KJÆRHOLM (Denmark, 1929 - 1980) for FRITZ HANSEN. PK-22 lounge chair, designed 1955. Steel frame. Upholstered in black leather. Made at Fritz Hansen in 1991, with label from here. Shows minor signs of wear and patina due to age. Measurements: 72 x 63 x 62 cm. Seat height 33 cm. The PK22 series of chairs are excellent examples of Poul Kjaerholm's ability to work with exquisite, minimalist materials. In the search for the ideal form they were created in a combination of elegant luxury and comfort. Poul Kjærholm was a Danish designer trained at the Danish School of Arts and Crafts in Copenhagen, where he entered in 1952 after having started his apprenticeship with the cabinetmaker Gronbech in 1948. From the mid-1950s he worked for his friend EjvindKoldChristiansen, a businessman who always gave him total creative freedom. His earliest creations, such as his plywood furniture series PKO, already reveal his strong personality. In 1958 he attracted international attention with his contribution to the "Formes Scandinaves" exhibition in Paris, and in the same year he won the Lunning Prize for his PK 22 chair. In 1957 and 1960 he was awarded the Grand Prix at the Milan Triennale, and in 1959 he was admitted to the Royal Danish Academy of Fine Arts. In 1973 he was appointed director of the Danish Design Institute, where he taught from 1976. His designs are now held in leading design collections, including those of the Victoria & Albert Museum in London and the MOMA in New York.

Schätzw. 1 600 - 2 000 EUR

CRISTOPHE PILLET (France) for Cappellini. Sunset chair. Italy, 1997. Curved beech plywood frame. Stainless steel base. Upholstery: multi-density polyurethane foam. Upholstered in Siena Hallingdal fabric. Measurements: 75 x 82 x 64 cm. Seat 40 cm. Christophe Pillet's Sunset chair expresses the perfect mastery of sensuality and refinement characteristic of Pillet. It features a swivel design, back and seat in slightly curved wood and satin steel support. Christophe Pillet graduated from the Decorative Arts School in Nice in 1985. He received his Master's degree from the Domus Academy in Milan in 1986. He worked with Martine Bedin in Milan from 1986 to 1988. Collaborated with Philippe Starck in Paris from 1988 to 1993. Since 1993, he has run his own design studio. He was elected designer of the year in 1994. During his career, he has published numerous articles in the most important magazines in the world. Clarity of expression, the search for simplicity and elegance are the fundamental principles that govern Christophe Pillet's work. Pillet is internationally recognized for the broad spectrum and quality of his creations. His signature is invariably associated with the best furniture firms and also with recognized luxury brands such as: Trussardi, Lacoste, Moët et Chandon, Veuve Clicquot, Lancome, Shiseido, l'Oréal, JC Jitrois, Catherine Malandrino, Lancel, Le Tannneur International... The scope and variety of his projects share a common attitude, regardless of scale. Their interpretations are recognized as much for their precision as for their rigor and refinement. If there is a "Pillet style", it is his ability to crystallize, within a project, the emotion of a proposition.

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