Null Der Tod des Roebuck . Kupferstich . Kupferstich nach einem englischen Stich…

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Der Tod des Roebuck . Kupferstich . Kupferstich nach einem englischen Stich aus dem 19. Jahrhundert von Henry Thomas Alken und Richard Gilson Reeve, gerahmt. Maße mit Rahmen: 70 x 84 cm

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Der Tod des Roebuck . Kupferstich . Kupferstich nach einem englischen Stich aus dem 19. Jahrhundert von Henry Thomas Alken und Richard Gilson Reeve, gerahmt. Maße mit Rahmen: 70 x 84 cm

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Schätzw. 900 - 1 000 EUR

GIUSEPPE TERRAGNI (Italy, 1904 - 1943). Table "Novocomum". BD Barcelona Design edition, 1980s. Cherry wood. Measurements: 61 x 70 cm (small diameter) and 90 cm (large diameter). The "Novocomum" table was created between 1929 and 1930 by Terragni as part of the furniture for the headquarters of the Federazione degli Agricoltori, in the building of the same name in Como, which he designed. It is a piece of furniture with simple volumes, an example of rationalism and based on the sober combination of straight and curved planes. Giuseppe Terragni was an Italian architect and designer, pioneer of rationalism and author of the famous Casa del Fascio. He studied at the Technical College of Como, and then finished architecture at the Politecnico di Milano. In 1927, together with his brother Attilio, he opened an office in Como, which remained active until Giuseppe's death during World War II. Terragni created some of the most emblematic buildings of modern architecture in Italy and led Italian Rationalism, always striving to position architecture away from neoclassical and neo-Baroque revivalism. Although his career was short, cut short by his early death, Terragni created an important group of projects and consolidated concepts such as the lamellar wall or the hollowing out (he used to empty certain parts of the total volume, without losing the reference of the original object).

Schätzw. 1 200 - 1 500 EUR

RICHARD HUTTEN (Zwollerkerspel, Holland, 1967). Pair of Berlage chairs. Oak and black fabric strips. In good condition. Presents manufacturing stamp on the back crossbar (made in Rotterdam). Measurements: 85 x 42 x 57.5 cm. Richard Hutten was inspired by architect Berlage's throne chair, created for the Dutch Van Hengel family in 1911. Its main feature is that the back of the chair extends to the back legs. Combining industrial creation techniques for the structure and artisanal techniques for the weaving of the seat using hand-tied straps, the finish is unique and unrepeatable. This chair is in the collections of the Gemeentemuseum The Hague and the Boijmans van Beuningen Museum in Rotterdam. Richard Hutten opened his studio in Rotterdam after graduating from the Design Academy of Eindhoven in 1991. He is one of the leading exponents of Droog Design, in which he has been involved since its inception in 1993, making him one of the main founders of the famous Dutch design movement. He entered the international design scene with the conceptual pieces The Cross and S(h)it on it, positioning himself as a designer with his own discourse with the idea of 'no sign of design', functional pieces of a conceptual and humorous nature. Since 2008, Richard Hutten has been the artistic director of Gispen, the second largest and most famous furniture brand in the Netherlands, with almost 100 years of history. His work is part of the permanent collections of more than 40 museums worldwide, making him one of the most collected living designers. The list includes MoMa in New York, the Museum of Modern Art in San Francisco, the Stedelijk Museum of Modern Art in Amsterdam, the Central Museum in Utrecht and the Vitra Design Museum, among others.

Schätzw. 1 200 - 1 500 EUR

JOE COLOMBO (Milan, 1930-1971) for ZANOTTA. Pair of "Birillo" stools, 1970s. Chromed metal and plastic. White vinyl seat. Designer's and manufacturer's stamp on base. In good condition. Measurements: 105 x 43 x 44 cm. The Birillo stool was designed by Joe Colombo and chosen by the acclaimed film director Ridley Scott as a space-age inspired stool on the set of Blade Runner. The combination of modern materials for the time (plastic and steel derivatives) made it a completely new model. Architect and designer Cesare Colombo, nicknamed "Joe" Colombo, was an artist, architect, furniture, product and interior designer who was central to Italian design in the 1960s. Trained at the Academy of Fine Arts and Architecture of the Polytechnic University of Milan, where he devoted himself, among other things, to painting, sculpture and drawing, skills that would serve him to develop his career as a designer by setting up his own studio in 1962. Throughout the 1960s he collaborated with major publishers such as Kartell, O-Luce and Zanotta. Many of his works are still exhibited in museums around the world and the artist is the subject of regular retrospectives, studies and exhibitions. During the 1960s, the designer worked mainly on the creation of furniture that stood out for being easily modular, flexible and practical, as is the case with these chairs, which can be transported and adapted to the needs of their user. He focused on a global design, where the elements of the furniture transcend space and architecture. In this way, Colombo moves towards a form of design that helps the user to save space and time. Some of the Italian designer's most famous works are the "Elda" armchair (1963), the "Continental Library" (1965), the "Universal" (1967) and "Tube" chairs (1969) and the "Chariot Boby" (1969). His career and achievements led him to take part in the 14th Milan Triennale, exhibiting some of his interior design proposals. In 1964 he won the gold medal at the Milan Triennale with the acrylic table lamp, which is now part of the permanent collection of the Museum of Modern Art in Philadelphia. In 1972, shortly after his death, his overall furniture project was shown in the exhibition "Italia: The New Domestic Landscape" held at MOMA in New York, realised by ELCO - FIARM, Boffi, Ideal - Standard, with the help of Sormani. In 1984, a retrospective of his work was held at the Villeneuve Museum of Modern Art. Subsequently, in 2005, the Milan Triennale hosted the retrospective Joe Colombo Inventing the Future.

Schätzw. 30 - 40 EUR

[Anglikanische Kirche:] The Liturgy, or Formula of Public Prayers, according to the Use of the Anglican Church. London, N. Prévost & Compagnie, 1729. In-12 braunes Kalbsleder mit Rückenschild und goldgeprägtem Titel (zeitgenössischer Einband). Abgenutzte Ecken und Kanten. Gestochene Vignette auf dem Titel. Exlibris JM.

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