Null Base following models from the 17th century, Spain, mid 20th century
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Base following models from the 17th century, Spain, mid 20th century Aus geschnitztem, polychromem und vergoldetem Holz mit groteskem Dekor. Falten. Abmessungen: 43 x 51 x 43 cm

845

Base following models from the 17th century, Spain, mid 20th century Aus geschnitztem, polychromem und vergoldetem Holz mit groteskem Dekor. Falten. Abmessungen: 43 x 51 x 43 cm

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Schätzw. 200 - 250 EUR

Table lamp from the 50s. White lacquered aluminum and brass. In good condition. Measurements: 33 x 17 x 27 cm. Table lamp raised on a suspended base from which emerges the golden brass shaft. The white lacquered aluminum lampshade projects light evenly.

Schätzw. 1 200 - 1 400 EUR

Puff. Diamante II model; Missoni, Italy, 20th century. Printed fabric. Presents label "Missoni Home". Measurements: 60 x 40 cm. Puff with geometric structure featuring a decoration based on the iconic multicolor print. Ottavio and Rosita Missoni established in 1953, a small knitwear workshop in Gallarate, Italy. They presented their first collection under the Missoni label in Milan in 1958. The business flourished, with the support of fashion editor Anna Piaggi, and then in Arianna magazine. Rosita met French stylist Emmanuelle Khanh in New York in 1965, which led to a collaboration and a new collection the following year. In April 1967, they were invited to show at the Pitti Palace in Florence. Rosita told the models to take off their bras, supposedly because they were the wrong color, and showed through the thin lamé blouses. The material became transparent under the lights and caused a sensation. The Missonis were not invited the following year, but business grew; a new factory in Sumirago was built in 1969. Missoni designs were promoted in the U.S. by Diana Vreeland, editor of American Vogue, and a Missoni boutique was opened in Bloomingdales. Missoni reached the height of its influence in the fashion world in the early 1970s, so much so that today the firm continues as an established brand.

Schätzw. 4 500 - 6 500 EUR

Dutch School of Rembrandt from the 17th century, attributed to Jourdeville, Isaac de (1612 in Leiden – 1645 in Amsterdam) 81 x 66 cm, no frame attached. Important and decorative portrait of a Turbaned Knight, possibly a wealthy Dutch merchant. Work markedly connected with the Dutch school of Rembrandt of the 17th century, specifically in the style of his best disciple, Isaac de Jourdeville, who, born an orphan, soon became Rembrandt's student in November 1629 and traveled with him to Amsterdam in 1631 There are still documents related to their learning written by their tutors. He returned to Leiden to marry Maria le Febure (1619-1653) in 1636 and moved to Deventer in 1641. He lived in Deventer for only a few years; In 1643 he was back in Amsterdam, where he died young in 1645. His widow Maria married the glassmaker Pieter de Melder in 1648 and his daughter Mariecke later married the painter Frederik de Moucheron. Following the death of Maria le Febure, her second husband declared himself unable to support her first husband's three children, along with her own two children, although she offered to raise Jacob Jouderville until the age of 18. By then De Melder He acted as an art dealer, and the liquidation of his wife's estate shows an interesting list of artists to whom his estate owed money or who owed money to his estate. Provenance: private collection, Barcelona.

Schätzw. 20 - 30 EUR

Vier Fachbücher Design bestehend aus: Design, Die Sammlung des Museum of Modern Art, von Paola Antonelli; Provokationen, Design aus Italien; Italian Furniture Design von Albrecht Bangert; Design im 19. Jahrhundert, Museum für angewandte Kunst Köln, Format max. 4°, geringe Gebrauchsspuren.

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