Null Guro-Elefantenmaske. Elfenbeinküste ca. 1950-60 Maße: 70 cm hoch Diese wund…
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Guro-Elefantenmaske. Elfenbeinküste ca. 1950-60 Maße: 70 cm hoch Diese wunderschön geschnitzte Guro-Elefantenmaske stellt den Geist von Gu, der Frau von Zamble, dar; ein übernatürliches Wesen. Gu wird oft als Tier dargestellt. Die Guro verehren fünf: die Antilope, die Hyäne, den Leoparden, das Krokodil und den Elefanten. Diese Tiere kommen vor allem in der Savanne und im Tropenwald vor, wo der 200 000 Menschen zählende Stamm lebt. Ausstellungen: 2022 - 2024 - Insel Fuerteventura "Afrikanische Kunst: Das Licht der Vorfahren" Leuchtturm La Entallada. Rathaus von Fuerteventura. 2021 - 2022 - Panama-Stadt. Regierung von Panama. "Afrikanische Kunst: der Geist der Vorfahren" Hauptsitz des Kulturministeriums. Altstadt. 2019 - 2020 - Santa Cruz de Tenerife. Stiftung Caja Canarias. "Afrika-Babel: die Kunst eines Kontinents" Hauptquartier Plaza Patriotismo. 2019 - 2020 - Santa Cruz de La Palma. Stiftung Caja Canarias. "Afrika-Babel: die Kunst eines Kontinents". Haus Massieu. Santa Cruz de la Palma. 2013 - 2015 - Museum für Kunst aus Afrika und Ozeanien (MADAO) La Granja de San Ildefonso, Segovia 2005 --------- "Schwarzes Afrika" Ledermuseum. Vic - Barcelona. 2004 .......... "Schwarzes Afrika" Caixa Laietana Stiftung. Barcelona Hauptausstellungssaal.

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Guro-Elefantenmaske. Elfenbeinküste ca. 1950-60 Maße: 70 cm hoch Diese wunderschön geschnitzte Guro-Elefantenmaske stellt den Geist von Gu, der Frau von Zamble, dar; ein übernatürliches Wesen. Gu wird oft als Tier dargestellt. Die Guro verehren fünf: die Antilope, die Hyäne, den Leoparden, das Krokodil und den Elefanten. Diese Tiere kommen vor allem in der Savanne und im Tropenwald vor, wo der 200 000 Menschen zählende Stamm lebt. Ausstellungen: 2022 - 2024 - Insel Fuerteventura "Afrikanische Kunst: Das Licht der Vorfahren" Leuchtturm La Entallada. Rathaus von Fuerteventura. 2021 - 2022 - Panama-Stadt. Regierung von Panama. "Afrikanische Kunst: der Geist der Vorfahren" Hauptsitz des Kulturministeriums. Altstadt. 2019 - 2020 - Santa Cruz de Tenerife. Stiftung Caja Canarias. "Afrika-Babel: die Kunst eines Kontinents" Hauptquartier Plaza Patriotismo. 2019 - 2020 - Santa Cruz de La Palma. Stiftung Caja Canarias. "Afrika-Babel: die Kunst eines Kontinents". Haus Massieu. Santa Cruz de la Palma. 2013 - 2015 - Museum für Kunst aus Afrika und Ozeanien (MADAO) La Granja de San Ildefonso, Segovia 2005 --------- "Schwarzes Afrika" Ledermuseum. Vic - Barcelona. 2004 .......... "Schwarzes Afrika" Caixa Laietana Stiftung. Barcelona Hauptausstellungssaal.

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JAVIER MARISCAL (Almazora, Castellón, 1950) for Akaba. Garriris" chair, 1987. Chrome-plated square steel tube frame with aluminum, plywood seat and red leather upholstery. In very good condition. This model is in important collections and museums such as the Victoria & Albert Museum in London, and the Museu del Disseny in Barcelona. It was exhibited at the George Pompidou in Paris for the Nouvelles Tendances exhibition in 1987. Measurements: 97 x 44 x 60 cm. The Garriris chair assimilates the animated character Mickey Mouse with the iconic ears on the backrest and his characteristic shoes. Renowned industrial designer, cartoonist and comic artist, Javier Mariscal has lived and worked in Barcelona since 1970. He studied design at the Elisava School in Barcelona, but soon abandoned his studies to learn directly from his surroundings and follow his own creative impulses. He began his career in the world of underground comics in publications such as "El Rrollo Enmascarado" or "Star", along with Farry, Nazario and Pepichek. After making his first own comics in the mid-seventies, in 1979 he designed the Bar Cel Ona logo, a work for which he began to be known by the general public. The following year the Dúplex opened in Valencia, the first bar signed by Mariscal, together with Fernando Salas, for which he designed one of his most famous pieces, the Dúplex stool, a true icon of design in the eighties both inside and outside our borders. In 1981 his work as a furniture designer led him to participate in the exhibition of the Memphis Group in Milan. In 1987 he exhibited at the Georges Pompidou Center in Paris and participated in the Documenta in Kassel. Two years later his design Cobi is chosen as the mascot for the 1992 Barcelona Olympic Games, controversial at first but now recognized as the most profitable mascot in the history of the modern Games. In 1989 he created Estudio Mariscal and collaborated on various projects with designers and architects such as Arata Isozaki, Alfredo Arribas, Fernando Salas, Fernando Amat and Pepe Cortés. Among his most outstanding works are the visual identities for the Swedish Socialist Party, the Onda Cero radio station, the Barcelona Zoo, the University of Valencia, the Lighthouse design and architecture center in Glasgow, the GranShip cultural center in Japan, and the London post-production company Framestore. In 1999 he received the National Design Prize, awarded by the Spanish Ministry of Industry and the BCD Foundation in recognition of his entire professional career.

BØRGE MOGENSEN (Denmark, 1914 – 1972). Birch. Upholstery in ecru colour fabric. Birch. Measurements: 84 x 60 x 47 cm. Pair of Danish armchairs with a birch structure. Light in structure, its legs have a cylindrical section, wider in the center, and the armrests have a markedly curved, flattened format. Børge Mogensen was one of the most prominent representatives of the generation of designers who gave rise to the concept of Danish design, today known throughout the world. He began his career as a cabinetmaker in 1934, and two years later he began his studies at the Copenhagen School of Arts and Crafts, where he had Kaare Klint as a teacher. He then entered the Royal Academy of Fine Arts, graduating as an architect in 1942. That same year he began working as design director for FDB, finally setting up on his own in 1950. Functional is the word that best describes Mogensen's design. ; Most of his creations were conceived for industrial production, and are characterized by solid and simple lines, studied in an almost scientific way to be as functional as possible. His clean, highly functional aesthetic resulted in affordable and practical designs, his favorite material being wood. The client portfolio for which he worked includes Fredericia Stolefabrik, Fritz Hansen and Søborg Møbelfabrik, among others. Notable projects include Spokeback Sofa (1945) and Spanish Chair (1959), as well as a variety of shelving and storage designs. He was honored with the Eckersberg Medal in 1950, the Copenhagen Woodworking Guild's annual award in 1953, and the C.F. Hansen Medal in 1972.

VERNER PANTON (Denmark, 1926 - 1998) for FRITZ HANSEN. Chaiselong "Relaxer Chair K". Designed in 1973. Black leather capitonné. Produced by Fritz Hansen. It shows signs of use. Measurements: 102 x 137 x 60 cm. The Relaxer Chair K is a lounger designed for the total comfort of the user. Its high backrest and ergonomic shape adapt perfectly to the body of each user. Verner Panton was famous for his exuberant forms and this chair is a wonderful example. Considered one of the most influential personalities of late 20th century furniture design, Verner Panton created a variety of innovative and futuristic designs during his career, especially constructed in plastic and brightly colored. Most of his best-known designs are still in production. Verner attended the Odense Technical School and then studied architecture at the Royal Academy of Fine Arts in Copenhagen, graduating in 1951. In the early years of his career, between 1950 and 1942, he worked in the architectural office of Arne Jacobsen. In 1955 he opened his own architecture and design studio, becoming famous with his furniture based on geometric shapes, manufactured by the company Plus-linje. In the late 1950s his chair designs, with no legs and no discernible back, became increasingly unconventional. In the 1960s Panton began his collaboration with the firm Vitra, which has been very close ever since, culminating in 2000 with the Panton retrospective exhibition held at the Vitra Design Museum. He is currently represented at the DesignMuseum in London and the MoMA in New York, among many others.

Fritz Leopold Hennig, Bachlauf im Sommer Bäume am Bachufer in sanft bewegter Gebirgslandschaft, pastose Landschaftsmalerei, Öl auf Karton, um 1950, links unten ligiert monogrammiert "FLH", rückseitig Atelierspuren, undeutliche Annotationen in Blei und zwei Künstleretiketten, je mit Künstlermonogramm und Handsignatur sowie unterschiedlichen Text "Sonderklasse - Alle Gemälde der Sonderklasse tragen dieses Qualitätszeichen mit meiner in Tinte vollzogenen eigenhändigen Unterschrift: Prof. F. L. Hennig." bzw. "Kunstwerkstatt Hennig - Motiv Prof. F. L. Hennig (Kopieren ohne Genehmigung verboten) ... wegen der zahlreichen Nachahmungen tragen alle Gemälde, die meine Kunstwerkstatt verlassen, auf der Rückseite meine eigenhändige, mit Tinte vollzogene Unterschrift: »Prof. F. L. Hennig«", reinigungsbedürftig, gerahmt, Falzmaße ca. 60 x 80,5 cm. Künstlerinfo: dt. Maler, Graphiker, Gebrauchsgraphiker, Zeichner, Roman-, Bühnen- und Operettenautor (1895 Danzig bis 1951 Dresden), Teilnahme als Marineflugzeugführer am 1. Weltkrieg, überlebte mehrere Flugzeugabstürze, am 17. Mai 1918 Verleihung der „Bene Merenti Medaille" durch Wilhelm Fürst von Hohenzollern, ca. 1918-21 Studium an der Dresdner Akademie, in den 1920er und 1930er Jahren in Sopot bei Gdańsk [dt.: Zoppot bei Danzig] als Kunstmaler, Graphiker und Gebrauchsgraphiker tätig, hier parallel Hinwendung zur Schriftstellerei, 1945 Übersiedlung nach Dresden und Gründer sowie Leiter der Lehrwerkstätten für Kunst und Kunstgewerbe in Dresden, Ernennung zum Professor durch die sowjetischen Besatzungsbehörden, 1949 Auflösung der Lehrwerkstätten, anschließend freischaffend als Maler, Graphiker und Schriftsteller in Dresden-Oberloschwitz, angeblich Autor der 1948 in Wurzen uraufgeführten Operette "Nun schlägt’s 13", ab 1940 Mitglied der Reichskammer der Bildenden Künste, nach 1945 Mitglied der Goethe-Gesellschaft Weimar, Quelle: Wikipedia.