Friedrich Seering, 1st half of the 20th century, allegorical composition with th…

Beschreibung

Friedrich Seering, 1st half of the 20th century, allegorical composition with three female nudes. In the center of the composition, which is illuminated by an unknown source, a pensive blond man sits next to a globe, paying little attention to the three female nudes around him. Oil on canvas, signed and dated lower left "Fried. Seering 1949", newly mounted on stretcher, partially retouched, unframed, 110 x 80 cm

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Friedrich Seering, 1st half of the 20th century, allegorical

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Schätzw. 200 EUR

Friedrich Seering, unknown artist 1st half of the 20th century, ''Toilet of Venus'', the painting shows a female nude looking at the viewer through a mirror held by a naked boy. The composition is based on a painting by Rubens, which is in the Lichtenstein royal collection. Seering, still very much in the style of National Socialism, has transformed the putto in the original composition into a German youth in the style of the time. The face of Venus is based on a real model. Oil on canvas, signed and dated ''Fried. Seering 1949'', newly mounted on stretcher, partially retouched, unframed, 110 x 80 cm

Schätzw. 200 EUR

Friedrich Seering, unknown artist 1st half of the 20th century, Seering, of whom only a few paintings from the late 1940s are known, was stylistically still rooted in the taste of the 1930s and 40s. Self-portrait of the artist with his nude muse in flashlight-like lighting, oil on canvas, unsigned, canvas trimmed and not mounted, somewhat soiled, restored and conditioned, framed behind glass 84 x 58 cm

Schätzw. 200 EUR

Friedrich Seering, unknown artist 1st half of the 20th century, Seering, of whom only a few paintings from the late 1940s are known, was stylistically still rooted in the taste of the 1930s and 40s. Nude young woman in profile with red headscarf, oil on canvas, unsigned, canvas newly mounted on stretcher, somewhat rubbed, 110 x 70 cm

Schätzw. 200 EUR

Friedrich Seering, unknown artist 1st half of the 20th century, Seering, of whom only a few paintings from the late 1940s are known, was still stylistically rooted in the taste of the 1930s and 40s. Elegant young woman with a cigarette in a café and two masks on the wall, oil on canvas, signed and dated 1948 upper right, canvas newly mounted on stretcher, retouched, traces of storage, small hole at the shoulder, 70 x 60 cm

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