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9th July - Contemporary Art and latest trends

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111 Resultados

Lote 101 - ANTONI CLAVÉ I SANMARTÍ (Barcelona, 1913 - Saint Tropez, France, 2005). "To Don Pablo". Wax on lithographic paper. Signed and dedicated in the lower right corner. Measurements: 88 x 60 cm; 105 x 77 cm (frame). Antoni Clavé is one of the most relevant figures of Spanish contemporary art. Trained at the School of Fine Arts of San Jordi in Barcelona, Clavé is dedicated in a first period to advertising graphics, illustration and decorative arts. In 1936 he took an active part in the Civil War, in the Republican ranks, which led him to go into exile in France at the end of the war. That same year, 1939, he exhibits the drawings he made on the battlefields. He settled in Paris, where he met Vuillard, Bonnard and Picasso. He already enjoyed great international prestige at the time when he began to be recognized in Spain, after his exhibition at the Gaspar Gallery in Barcelona in 1956. At the same time, he made illustrations for the work "Gargantua and Pantagruel", which led him to become familiar with medieval iconography. He received awards at the Hallimark in New York in 1948, at the Venice Biennial in 1954 and at the International Biennial in Tokyo in 1957. In 1984 the Spanish State recognized his artistic value with the exhibition of more than one hundred of his works in the Spanish pavilion at the Venice Biennale. That same year he was awarded the Gold Medal of the Generalitat de Catalunya. Clavé's work can be found, among many others, in the Fine Arts Museum in Bilbao, the Tate Gallery, the Museum of Modern Art in Paris, the British Museum in London, the Museum of Modern Art in Tokyo and the Reina Sofía Museum in Madrid.

Valorac. 1 000 - 1 200 EUR

Lote 102 - JAVIER MARISCAL (Almazora, Castellón, 1950). "Female portrait", 2006. Mixed media on paper. Signed and dated in the lower right corner. Measurements: 65 x 49 cm; 90 x 74 cm (frame). Renowned industrial designer, cartoonist and comic artist, Javier Mariscal has lived and worked in Barcelona since 1970. He studied design at the Elisava School in Barcelona, but soon abandoned his studies to learn directly from his surroundings and follow his own creative impulses. He began his career in the world of underground comics in publications such as "El Rrollo Enmascarado" or "Star", along with Farry, Nazario and Pepichek. After making his first own comics in the mid-seventies, in 1979 he designed the Bar Cel Ona logo, a work for which he began to be known by the general public. The following year the Dúplex opened in Valencia, the first bar signed by Mariscal, together with Fernando Salas, for which he designed one of his most famous pieces, the Dúplex stool, a true icon of design in the eighties both inside and outside our borders. In 1981 his work as a furniture designer led him to participate in the exhibition of the Memphis Group in Milan. In 1987 he exhibited at the Georges Pompidou Center in Paris and participated in the Documenta in Kassel. Two years later his design Cobi is chosen as the mascot for the 1992 Barcelona Olympic Games, controversial at first but now recognized as the most profitable mascot in the history of the modern Games. In 1989 he created Estudio Mariscal and collaborated on various projects with designers and architects such as Arata Isozaki, Alfredo Arribas, Fernando Salas, Fernando Amat and Pepe Cortés. Among his most outstanding works are the visual identities for the Swedish Socialist Party, the Onda Cero radio station, the Barcelona Zoo, the University of Valencia, the Lighthouse design and architecture center in Glasgow, the GranShip cultural center in Japan, and the London post-production company Framestore. In 1999 he received the National Design Prize, awarded by the Spanish Ministry of Industry and the BCD Foundation in recognition of his entire professional career.

Valorac. 1 000 - 1 200 EUR

Lote 103 - JAVIER MARISCAL (Almazora, Castellón, 1950). "Garriri", 2006. Mixed media on paper. Signed and dated in the lower right corner. Measurements: 65 x 49 cm; 90 x 74 cm (frame). Los garriris is a series of comics created by Javier Mariscal in 1974 for the fanzine "De Qvuommic". Its design is inspired by Herriman and Disney. A renowned industrial designer, cartoonist and comic artist, Javier Mariscal has lived and worked in Barcelona since 1970. He studied design at the Elisava School in Barcelona, but soon abandoned his studies to learn directly from his surroundings and follow his own creative impulses. He began his career in the world of underground comics in publications such as "El Rrollo Enmascarado" or "Star", along with Farry, Nazario and Pepichek. After making his first own comics in the mid-seventies, in 1979 he designed the Bar Cel Ona logo, a work for which he began to be known by the general public. The following year the Dúplex opened in Valencia, the first bar signed by Mariscal, together with Fernando Salas, for which he designed one of his most famous pieces, the Dúplex stool, a true icon of design in the eighties both inside and outside our borders. In 1981 his work as a furniture designer led him to participate in the exhibition of the Memphis Group in Milan. In 1987 he exhibited at the Georges Pompidou Center in Paris and participated in the Documenta in Kassel. Two years later his design Cobi is chosen as the mascot for the 1992 Barcelona Olympic Games, controversial at first but now recognized as the most profitable mascot in the history of the modern Games. In 1989 he created Estudio Mariscal and collaborated on various projects with designers and architects such as Arata Isozaki, Alfredo Arribas, Fernando Salas, Fernando Amat and Pepe Cortés. Among his most outstanding works are the visual identities for the Swedish Socialist Party, the Onda Cero radio station, the Barcelona Zoo, the University of Valencia, the Lighthouse design and architecture center in Glasgow, the GranShip cultural center in Japan, and the London post-production company Framestore. In 1999 he received the National Design Prize, awarded by the Spanish Ministry of Industry and the BCD Foundation in recognition of his entire professional career.

Valorac. 1 200 - 1 500 EUR

Lote 105 - NATIVIDAD BERMEJO (Logroño, 1961) "Windsor Building", 2005. Graphite on paper. Measurements: 97 x 67 cm; 90 x 60 cm (frame). Born in Logroño in 1961, she graduated in Fine Arts at the Complutense University of Madrid and did her doctorate at the University of Salamanca, where she was a research fellow at CESIC. From 1991 to 1993 she was a professor in the Drawing Department of the Faculty of Fine Arts at the Complutense University of Madrid. Since 1997 she has been a full professor in the area of knowledge of "Sculpture" in the Department of Artistic Expression at the University of Vigo, on the Pontevedra campus, work that she combines with artistic creation. She is considered a pioneer in giving drawing the main role in her production since her first exhibitions. Her large format works, made with graphite, black pastel and/or gouache on paper are of extreme quality. Her work is sensorial and an invitation to experiment with sight, but at the same time a subtle obligation to reflect as a result of contemplating her works. He has had numerous exhibitions and his work has been seen both in Spain and in various parts of Europe: Denmark, Portugal, Germany, France. Her work is in collections such as ARTIUM Vitoria; MUSAC de León; CAB, Centro de Arte Caja de Burgos; MARUGAME-HIRAI Museum, Marugame, Japan; Rioja Cultural Collection, Logroño City Council; Fundación Caja Madrid; Museo Nacional Centro de Arte Reina Sofía de Madrid, Museo de Arte Contemporáneo Helga de Alvear, Cáceres; Circa XX Pilar Citoler Collection, Diputación de Zaragoza; Banesto Collection; Bank of Spain Collection; Arco IFEMA Madrid Collection; Martínez Guerricabeitia Collection, Diputación de Valencia, CAL-CALGÖ Collection, Barcelona. Accenture Collection.

Valorac. 1 000 - 1 200 EUR

Lote 110 - SALVADOR DALÍ I DOMÈNECH (Figueras, Girona, 1904 - 1989). "Nude woman climbing the stairs", 1974. Bronze sculpture on marble base, copy 242/300. Signed and justified. Measurements: 21,5 x 13 x 12 cm. Salvador Dalí gives us in this sculpture the image of a young woman climbing a staircase that is a conch shell. Probably, this is a surrealist homage to Marcel Duchamp's "Nude Descending the Stairs", who in 1912 made a series of paintings with this theme, causing a great stir at the Salon des Indépendants in Paris (being rejected even by the Cubists) and at the Armory Show in New York. During his early years, Dalí discovered contemporary painting during a family visit to Cadaqués, where he met the family of Ramon Pichot, an artist who traveled regularly to Paris. Following Pichot's advice, Dalí began to study painting with Juan Núñez. In 1922, Dalí stayed at the famous Residencia de Estudiantes in Madrid to begin studying Fine Arts at the San Fernando Academy. However, before his final exams in 1926, he was expelled for claiming that there was no one there fit to examine him. That same year Dalí traveled to Paris for the first time. There he met Picasso, and established some formal characteristics that would become distinctive of all his work from then on. During this period, Dalí held regular exhibitions in both Barcelona and Paris, and joined the surrealist group based in the Parisian neighborhood of Montparnasse. The painter landed in America in 1934, thanks to art dealer Julian Levy. As a result of his first individual exhibition in New York, his international projection was definitively consolidated, and since then he has been showing his work and giving lectures all over the world. Most of his production is gathered in the Dalí Theatre-Museum in Figueras, followed by the collection of the Salvador Dalí Museum in St. Petersburg (Florida), the Reina Sofía in Madrid, the Salvador Dalí Gallery in Pacific Palisades (California), the Espace Dalí in Montmartre (Paris) or the Dalí Universe in London.

Valorac. 1 400 - 1 800 EUR

Lote 111 - SALVADOR DALÍ I DOMÈNECH (Figueres, Girona, 1904 - 1989). "Madonna of Portlligat", ca. 1969. Sculpture in bronze, copy 242/300. Marble base. Signed and justified. Measurements: 21 x 7,5 x 7,5 cm. With this "Madonna", Dalí paid homage to Portlligat. As indicated in the catalog "Dalí's Sculptures" (published by Diejasa): "For Salvador Dalí, who had been a tireless traveler, his Catalan land was always a refuge and an oracle, essential keys in the realization of his work. Facing the Mediterranean, his gods and Lares revealed to him a mysterious world, which in his mystical-metaphysical period, which began in the 1950s, became transcendent. Port Lligat is his fiefdom, the place of his phantasmagorias and where the Madonnas give him strength and stimulus to continue realizing what he discovers in the deformed, concave and convex mirrors of his cosmic-paranoid hallucinations. The Punctured rocks of the Costa Brava are a constant image in Dalí's mineral figures. And the windows, the holes open to infinity, are orifices full of symbolism: the anguish of emptiness, which in this Madonna is ready to throw with her delicate hand, like Ceres, the beneficial seeds on the earth that Dalí has chosen. She is a virgin-goddess, pagan and pre-Christian". During his early years, Dalí discovered contemporary painting during a family visit to Cadaqués, where he met the family of Ramon Pichot, an artist who regularly traveled to Paris. Following Pichot's advice, Dalí began to study painting with Juan Núñez. In 1922, Dalí stayed at the famous Residencia de Estudiantes in Madrid to begin studying Fine Arts at the San Fernando Academy. However, before his final exams in 1926, he was expelled for claiming that there was no one there fit to examine him. That same year Dalí traveled to Paris for the first time. There he met Picasso, and established some formal characteristics that would become distinctive of all his work from then on. His language absorbed the influences of many artistic styles, from classical academicism to the most groundbreaking avant-garde. At that time, the painter grew an eye-catching moustache imitating Velázquez's, which would become his personal trademark for the rest of his life. In 1929, Dalí collaborated with Luis Buñuel in the making of "An Andalusian Dog", which showed scenes typical of the surrealist imaginary. In August of that same year he met his muse and future wife Gala. During this period, Dalí held regular exhibitions in both Barcelona and Paris, and joined the surrealist group based in the Parisian neighborhood of Montparnasse. His work greatly influenced the direction of surrealism for the next two years, and he was hailed as the creator of the paranoiac-critical method, which was said to help access the subconscious by releasing creative artistic energies. The painter landed in America in 1934, thanks to art dealer Julian Levy. As a result of his first individual exhibition in New York, his international projection was definitively consolidated, and since then he has been showing his work and giving lectures all over the world. Most of his production is gathered in the Dalí Theatre-Museum in Figueras, followed by the collection of the Salvador Dalí Museum in St. Petersburg (Florida), the Reina Sofía in Madrid, the Salvador Dalí Gallery in Pacific Palisades (California), the Espace Dalí in Montmartre (Paris) or the Dalí Universe in London.

Valorac. 1 600 - 2 000 EUR