A Luba Seat, "kipona" Luba, DR Kongo Ohne Sockel / without base Holz, Glasperlen. H 54 cm. Provenienz: - Imelda und Paul (1924-2014) Berger-Frei, Riehen. - Erbengemeinschaft Berger-Frei, Basel. Karyatidensitze versinnbildlichten die ewige Macht der Könige. Die dargestellten Figuren spielten eine vermittelnde Rolle zwischen den Kräften des Diesseits und des Jenseits sowie zwischen der Macht des Königs, der Ahnen und der Geisterwelt. Der Besitz solcher Prestigeobjekte war in erster Linie ranghohen Würdenträgern vorbehalten, und die Funktion der Karyatidensitze war weniger funktional als symbolisch. Besonders wertvolle Exemplare wurden in Schreinen zu Ehren der einstigen Besitzer rituell verehrt. -------------------------------------------- Die Verbindung von Nützlichem und Schönem wird insbesondere bei den künstlerisch gestalteten Sitzgelegenheiten deutlich. Die Formen der Afrikanischen Sitze sind ebenso vielfältig wie deren Verwendung. Einfache, aus einem Holzblock gehauene Sitze stehen komplex zusammengesetzten Stühlen und königlichen Thronen gegenüber. Elementarformen von reinster Funktionalität begegnen reich ornamentierten und mit figürlichen Schnitzereien versehenen Werken. Von der Marktfrau bis zum Herrscher dienen sie zum gemütlichen oder zweckmässigen sitzen wobei sie auch Symbole von Reichtum, Würde und Macht sein können die einen festen Platz in Zeremonien und rituellen Handlungen einnehmen. Die im Allgemeinen im persönlichen Besitz stehenden Sitze werden unter Umständen von Hinterbliebenen so lange als Memorabilia aufbewahrt, bis sich niemand mehr an die einstigen Besitzer erinnern kann. Weiterführende Literatur: Bocola, Sandro (1994). Afrikanische Sitze. München, Prestel Verlag. CHF 1 000 / 2 000 Gewicht in Gramm: 7100 Zustand: Der Zustand (allfällige Abnutzung, Gebrauchsspuren, Risse, eventuelle andere Beeinträchtigungen und die Altersspuren usw.) dieses Lots ist auf den Fotos, die wir für Ihre Dokumentation hochgeladen haben, zu sehen. Für alle Fragen zu diesem Objekt steht Ihnen Hammer Auktionen gerne zur Verfügung ([email protected]). Die Angaben zum Zustand der Objekte, die aus Sachdienlichkeit gegenüber den Interessenten gemacht wurden, sind nur eine Meinung und sollten nicht als Tatsachenbehauptung behandelt werden. Hammer Auktionen übernimmt keine Verantwortung für etwaige Fehler oder Unterlassungen. Im seltenen Fall, dass der Artikel nicht mit der Beschreibung im Katalog übereinstimmt, ist Hammer Auktionen hier, um zu helfen. Käufer können das Lot gegen volle Rückerstattung zurückgeben, sofern sie Hammer Auktionen innerhalb von 5 Tagen nach Erhalt des Lots benachrichtigen.

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African and Oceanic Art from the Collections of

Jean-Louis Rinsoz, Marcel Roux, Pierre Vérité, Henri Kamer, Paul Berger-Frei, Gérald and Muriel Minkoff, Charles-Edouard Duflon,

Thierry Santos, Hans und Carla Baumann, René Rickli, Alfons J. Keller, Edwin Bentley Savage, Edith Mbella, Mama Mecano,

Galerie Alain Bovis, Galerie Alain Naoum, Galerie Tribal Art Classics, Galerie Alain Lecomte, Galerie Walu

All items are guaranteed to be as described or your MONEY BACK.

A "Confirmation of Provenance" and a "Right to Dispose" as well as all mentioned certificates will accompany each artwork.

BEST OF LUCK !

Hammer Auktionen