Un tocado yoruba-jebu, "igodo" Yoruba-Ijebu, Nigeria Mit Sockel / con base De madera. H 59 cm. Procedencia: - Collection privée française - Galería Alain Bovis, París. - Colección privada de Suiza occidental. Se entregará al comprador un certificado de la Galerie Alain Bovis. No vendido en Sotheby's París (09.04.2022, "Living Contemporary", lote 84) con una estimación de 2'000-3'000 euros. -------------------------------------------- Los ijebu, cuyos orígenes se remontan al siglo XV, son un subgrupo del pueblo yoruba. Su capital, Ijebu-Ode, está situada en la fértil región costera del estado de Ogun, caracterizada por sus ríos. Las numerosas vías fluviales y su ubicación central en la ruta comercial entre Lagos e Ibadan permitieron al imperio establecer un rentable monopolio comercial en los siglos XVIII y XIX. En época de lluvias, la red de afluentes de aguas poco profundas, ricas en peces, se convierte en un auténtico laberinto de arroyos y vías fluviales conectadas con la costa de la laguna. Durante la pleamar, los ijebu celebran un festival de varios días en honor de los poderes espirituales de los espíritus del agua. Las fuerzas que influyen en el bienestar y la bendición de los niños se veneran en el culto conocido como "agbo-ekine", que presumiblemente procede del pueblo ijo, más al este. Esta influencia cultural también se aprecia en el diseño de las máscaras de los espíritus del agua que se bailan durante las fiestas, por ejemplo la criatura híbrida ("igodo") con una superficie parecida a una barba en la que un pájaro (aquí falta) picotea a una serpiente, o el antílope ("agira") y el cocodrilo ("oni"). Durante las fiestas, las máscaras aparecen justo por encima de la superficie del agua, como si flotaran sobre ella por sí solas. Escondidas lo más profundamente posible en el agua, las bailarinas llevan las máscaras horizontalmente sobre la cabeza y se cuidan mucho de no ser descubiertas. Más información: Wittmer, Marcilene K. / Arnett, William (1978). Tres ríos de Nigeria. Atlanta: The High Museum of Art. CHF 1 500 / 3 000 Peso en gramos: 2484 Estado de conservación: Falta la punta de la oreja izquierda. Daños visibles (ver fotos). -------------------------------- El estado (desgaste, señales de uso, grietas, otros daños y señales de antigüedad, etc.) de este lote puede apreciarse en las fotos que hemos subido para su documentación. Si tiene alguna pregunta sobre este artículo, no dude en ponerse en contacto con Hammer Auctions ([email protected]). La información relativa al estado de los artículos facilitada para comodidad de los interesados es sólo una opinión y no debe tratarse como una declaración de hecho. Hammer Auctions no se hace responsable de posibles errores u omisiones. En el raro caso de que el artículo no coincida con la descripción del catálogo, Hammer Auctions está aquí para ayudar. Los compradores pueden devolver el lote para obtener un reembolso completo siempre que lo notifiquen a Hammer Auctions en un plazo de 5 días a partir de la recepción del lote.

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Arte africano y oceánico de las colecciones de

Jean-Louis RinsozMarcel RouxPierre Vérité, Henri Cámara, Paul Berger-FreiGérald y Muriel Minkoff, Charles-Edouard Duflon

Thierry Santos Hans y Carla Baumann, René Rickli Alfons J. Keller Edwin Bentley Savage, Edith Mbella Mamá Mecano,

galería Alain Bovis galería Alain Naoum galería Clásicos del arte tribal, galería Alain Lecomte galería Walu

Se garantiza que todos los artículos son tal y como se describen o le devolvemos su dinero.

Cada obra irá acompañada de una "Confirmación de Procedencia" y un "Derecho de Enajenación", así como de todos los certificados mencionados.

¡LA MEJOR DE LAS SUERTES !

Subastas Hammer