Una máscara Dan, "zakpai Dan, Costa de Marfil Mit Sockel / con base De madera. H 23,5 cm. Procedencia: - Centre des Sciences Humaines, Abiyán. - 1969: Jean-Louis Rinsoz (1932-1971), Vevey. - Herederos de Jean-Louis Rinsoz, Suiza francófona. Expuesto: África 69, Arts de la Côte-d'Ivoire et de l'Afrique occidentale. Vevey (1969). Dado que el uso y el significado de las máscaras, además de las diferencias geográficas que siempre han existido, han cambiado con el tiempo, a veces es difícil hacer afirmaciones retrospectivas sobre su uso en aquella época. Hay muchos indicios de que se trataba de una máscara de alarma contra incendios "zakpai", que, a diferencia de la mayoría de los otros tipos de máscaras, ni bailaba ni cantaba. Durante la estación seca, una figura enmascarada comprobaba por la noche si las mujeres habían apagado el fuego de sus hogares, ya que existía un mayor riesgo de incendio debido a los vientos. En caso de infracción, tomaba medidas punitivas y, a veces, se llevaba una fianza que el propietario debía devolver más tarde. Para más información: Fischer, Eberhard (1976). El arte de Dan. Zúrich: Museo Rietberg. ----------------------------------------------------- Jean-Louis Rinsoz Jean-Louis Rinsoz nació en Vevey en 1932. Tras finalizar sus estudios escolares, estudió Económicas en la Universidad de Lausana (Facultad de Administración de Empresas, HEC) antes de incorporarse a la empresa familiar "Rinsoz et Ormond SA" en Vevey, dedicada a la fabricación de tabaco, puros y cigarrillos. Profundamente vinculado a su región natal, siempre estuvo muy implicado en las actividades sociales, culturales e industriales de Vevey. Jean-Louis Rinsoz buscaba nuevas zonas de producción para diversificar sus fuentes de abastecimiento de tabaco y satisfacer la creciente demanda de un mercado en expansión. Sus viajes le llevaron primero a Maryland (Estados Unidos) y luego, a mediados de los años sesenta, a Costa de Marfil. Este país fue para él una revelación. Todo lo que le apasionaba estaba allí: la naturaleza, la gente y su cultura. Además de desarrollar una importante colaboración económica con el Estado marfileño mediante la creación de varios centros de producción de tabaco, Jean-Louis Rinsoz financió la apertura de varias escuelitas para que los niños de este país tuvieran acceso a la educación. Fue nombrado oficialmente por el Estado marfileño "Cónsul Honorario de Costa de Marfil en Suiza, con sede en Vevey" e incluso fue investido jefe de aldea en la región de Baoulé. Le fascinaba igualmente el arte tradicional de estas regiones, en sus dimensiones social, estética y religiosa. En este contexto conoció al etnólogo e historiador del arte Bohumil Holas, entonces director del Museo de las Civilizaciones de Costa de Marfil en Abiyán. Ambos se hicieron amigos. La confluencia de todos estos factores dio lugar a la exposición "Arts de la Côte d'Ivoire. Los tesoros del Museo de Abiyán", que tuvo lugar en 1969 en el Museo de Bellas Artes de Vevey. Jean-Louis Rinsoz fue el presidente del comité. El conmovedor prólogo que escribió para el catálogo de este acontecimiento atestigua su profundo apego a este país. Jean-Louis Rinsoz había solicitado la nacionalidad marfileña. Nunca llegó a ver ese día, ya que murió en un trágico accidente en 1971. Los objetos africanos de la colección personal de Jean-Louis Rinsoz han pertenecido a la familia desde entonces y este "tesoro de Vevey" se ofrece a los coleccionistas internacionales de arte tradicional africano por primera vez en nuestra subasta. CHF 2 000 / 4 000 Peso en gramos: 456 Estado de conservación: El estado (posibles desgastes, señales de uso, roturas, posibles otros deterioros y signos de antigüedad, etc.) de este lote puede apreciarse en las fotos que hemos subido para su documentación. Si tiene alguna pregunta sobre este artículo, no dude en ponerse en contacto con Hammer Auctions ([email protected]). La información relativa al estado de los artículos facilitada para comodidad de los interesados es sólo una opinión y no debe tratarse como una declaración de hecho. Hammer Auctions no se hace responsable de posibles errores u omisiones. En el raro caso de que el artículo no coincida con la descripción del catálogo, Hammer Auctions está aquí para ayudar. Los compradores pueden devolver el lote para obtener un reembolso completo siempre que lo notifiquen a Hammer Auctions en un plazo de 5 días a partir de la recepción del lote.

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Arte africano y oceánico de las colecciones de

Jean-Louis RinsozMarcel RouxPierre Vérité, Henri Cámara, Paul Berger-FreiGérald y Muriel Minkoff, Charles-Edouard Duflon

Thierry Santos Hans y Carla Baumann, René Rickli Alfons J. Keller Edwin Bentley Savage, Edith Mbella Mamá Mecano,

galería Alain Bovis galería Alain Naoum galería Clásicos del arte tribal, galería Alain Lecomte galería Walu

Se garantiza que todos los artículos son tal y como se describen o le devolvemos su dinero.

Cada obra irá acompañada de una "Confirmación de Procedencia" y un "Derecho de Enajenación", así como de todos los certificados mencionados.

¡LA MEJOR DE LAS SUERTES !

Subastas Hammer