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PIET HEIN (1905-1996) & BRUNO MATHSSON (1907-1988) for FRITZ HANSEN. 'Superelipse' dining table with chromed steel legs, white laminated top with aluminum edge. Designed in 1968. Produced by Fritz Hansen in 1992. With stamp underneath the top. Measurements: 70 x 150 x 100 cm. The iconic Superellipse table which was created in collaboration with Bruno Mathsson and has been produced at Fritz Hansen since 1968. After Piet Hein had used the Superellipse as the solution to a traffic challenge at Sergels Torg in Stockholm, he saw countless possibilities for use. The table represents Piet Hein's ability as a furniture designer, since in addition to the table top he also designed the iconic tension legs.

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PIET HEIN (1905-1996) & BRUNO MATHSSON (1907-1988) for FRITZ HANSEN. 'Superelipse' dining table with chromed steel legs, white laminated top with aluminum edge. Designed in 1968. Produced by Fritz Hansen in 1992. With stamp underneath the top. Measurements: 70 x 150 x 100 cm. The iconic Superellipse table which was created in collaboration with Bruno Mathsson and has been produced at Fritz Hansen since 1968. After Piet Hein had used the Superellipse as the solution to a traffic challenge at Sergels Torg in Stockholm, he saw countless possibilities for use. The table represents Piet Hein's ability as a furniture designer, since in addition to the table top he also designed the iconic tension legs.

Valoración 400 - 500 EUR
Precio de salida 200 EUR

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JOHANNES FOERSOM (Denmark, 1947). Set of four chairs. Aluminium legs and leather upholstery (quince-coloured back, grey seat). They show signs of use. Measurements: 96 x 63 x 57 cm. The design of these chairs responds to the assimilation and renovation of the Scandinavian avant-garde language, bringing it back to contemporary tastes. The rectangular backrest harmonises with the cylindrical seats. The ensemble is defined by its formal purity, elegantly proportioned geometry and comfort. Johannes Foersom is a renowned furniture designer in contemporary Scandinavian design. The aim of his creations is to give them lasting value, stimulating healthy development for people and their surroundings. He has often worked in duo with designer Peter Hiort-Lorenzen. The couple strives for the highest quality in cooperation, process and product, and believes that knowledge and innovation are fundamental to the successful development of the firm. The exceptional use of flexibility makes the furniture appear as small architectural marvels. Throughout their careers, both designers have received numerous awards, among them: The Danish State Art's Fund (190,1972 and 1977), Kröyer's Memorial Award (1974, 1975), the Nationalbanken's Jubilee Fund (1980), the Annual Award of the Danish Furniture manufacturers (1985), Design Zentrum Nordrhein Westfalen's Prize for high design quality (1992, 1994, 1995, 1999), the Forsnäs Prize (1994), Bo Bedre's Design Award (1995, 1996, 1997), the Best of Neocon (1995)); Bruno Mathsson Award (1998), the Excellet Swedish From the Table Atlas (2000) and the Finn Juhl Prize (2005).

ARNE JACOBSEN (Denmark, 1902 - 1971) for FRITZ HANSEN. Coffee table model 3513. Rosewood veneered top, aluminium frame, tripod base with profiled stem. Antique model. Manufactured by Fritz Hansen. Slight signs of wear and tear due to use and age. Refurbished top. Measurements: 47.5 cm (height) x 110 cm (diameter). Round coffee table of strictly contemporary design, with a dark-grained Brazilian rosewood top and aluminium legs that extend to form a star base and join into a central shaft. An architect and designer, Arne Jacobsen studied for four years at the Copenhagen School of Construction and then entered the Faculty of Architecture at the Royal Academy of Fine Arts. His architectural highlights include St. Catherine's College in Oxford, the SAS Hotel in Copenhagen, the headquarters of the National Bank of Denmark in Copenhagen, and the Royal Danish Embassy in London. As a designer, he has created furniture that has become classics, including the "Ant" chair (1951) and the "Swan" and "Egg" chairs designed for the SAS Hotel. He is also known for his 1955 model 3107 chair, also known as "Chair number 7", of which more than five million were sold, starring alongside Christine Keeler in Lewis Morley's iconic portrait. His other contribution to popular culture in the media is his designer cutlery, with spoons for both hands, which were chosen for the film "2001: A Space Odyssey" for their futuristic look. The key to the success of Jacobsen's work lies in its elegant and essential design, and it can now be found in collections such as the Victoria & Albert Museum in London and the MoMA in New York, among many others. The Danish company Fritz Hansen, founded in 1872, manufactures original, unique, functional and innovative contemporary design furniture. It manufactures its products in its facilities in the north of Copenhagen, making each piece in close cooperation with internationally renowned designers and architects. Its collection includes the Egg Chair and Swan chair, the Series 7 chair, the Ant chair and the Oxford chair by designer Arne Jacobsen, as well as tables and armchairs designed by Danish designers Piet Hein and Poul Kjaerholm.