Descripción

ANTWERP SCHOOL (2nd THIRD 16th century) "The Descent" Oil on panel The composition of this work has its origin in “The Descent” by Roger van der Weyden (1399-1464) although through the interpretation that Joos van Cleve (c. 1485–1540-41) made and preserved in the Philadelphia Museum (oil on panel, 116.2 × 126.7 cm, cat.737). This panel differs from van Cleve's composition by the more animated and exaggerated character of the characters, which recall the painters active in Antwerp in the second third of the 16th century, and more specifically, the works of Pieter Coecke van Aelst ( 1502-1550). Trained with Bernard van Orley in Brussels, in 1527 van Aelst was already registered in the Guild of Painters of Saint Luke in Antwerp, where he settled and married Anna van Dornicke, daughter of the painter Jan van Dornicke, who left him a legacy. important workshop with extensive production. A large number of painters were trained here who worked in the style of van Aelst, first, more influenced by van Orley and van Dockenie, to later approach Italian mannerism, as in this case. The present work could therefore be attributed to the circle of Pieter Coecke van Aelts, without ruling out the master's authorship. Measurements: 68 x 85 cm

104 
Ir al lote
<
>

ANTWERP SCHOOL (2nd THIRD 16th century) "The Descent" Oil on panel The composition of this work has its origin in “The Descent” by Roger van der Weyden (1399-1464) although through the interpretation that Joos van Cleve (c. 1485–1540-41) made and preserved in the Philadelphia Museum (oil on panel, 116.2 × 126.7 cm, cat.737). This panel differs from van Cleve's composition by the more animated and exaggerated character of the characters, which recall the painters active in Antwerp in the second third of the 16th century, and more specifically, the works of Pieter Coecke van Aelst ( 1502-1550). Trained with Bernard van Orley in Brussels, in 1527 van Aelst was already registered in the Guild of Painters of Saint Luke in Antwerp, where he settled and married Anna van Dornicke, daughter of the painter Jan van Dornicke, who left him a legacy. important workshop with extensive production. A large number of painters were trained here who worked in the style of van Aelst, first, more influenced by van Orley and van Dockenie, to later approach Italian mannerism, as in this case. The present work could therefore be attributed to the circle of Pieter Coecke van Aelts, without ruling out the master's authorship. Measurements: 68 x 85 cm

Valoración 18 000 - 24 000 EUR
Precio de salida 12 000 EUR

* Gastos de venta no incluidos.
Consulte las condiciones de venta para calcular el precio de los gastos.

Gastos de venta: 27 %
Dejar una orden
Inscribirse en la subasta

Subasta el lunes 22 jul : 17:00 (CEST) , reanudación 17:00
madrid, España
Ansorena
+34915328515
Ver el catálogo Consultar las CGV Información sobre la subasta

Entrega en
Cambiar dirección
Esta solución de entrega es opcional..
Puede recurrir al transportista de su elección.
El precio indicado no incluye el precio del lote ni los gastos de la subasta.