Null "COUNTRY SCENE", GERMAN FIGURAL GROUP, 20TH CENTURY.
Porcelain.
Restored br…

Descripción

"COUNTRY SCENE", GERMAN FIGURAL GROUP, 20TH CENTURY. Porcelain. Restored breaks. Without stamp. Height 32 cm.

347

"COUNTRY SCENE", GERMAN FIGURAL GROUP, 20TH CENTURY. Porcelain. Restored breaks. Without stamp. Height 32 cm.

Las pujas estan cerradas para este lote. Ver los resultados

Podría interesarle

Valorac. 2 200 - 2 500 EUR

PETER GHYCZY (Budapest, 1940 - The Netherlands, 2022) for Reuter Products. "Garden Egg Chair, 1960s. Polyurethane and fabric upholstery. In good condition with signs of use and age. Repaired hinge. Measurements: 98 x 84 x 74 cm. The Garden Egg Chair was designed for both indoors and outdoors, although, as a design icon and collector's item, it is rarely used outdoors. It was one of the first chairs made of polyurethane, as well as one of the forerunners in the use of hinges. It appears in several motion pictures. Its appearance reflects the aesthetic patterns of the time: the Space Age look (name given to the period in which the space race was launched, starting in 1957 with the launch of Sputnik. This fever to conquer space also reached design, and during the sixties and seventies a decoration model was developed based on an idyllic vision of the future, and everything to do with spaceships, new technologies and innovative materials), brightly colored plastic lacquer, portability and informality of the low seat. Peter Ghyczy is one of many 20th century designers who were also immigrants - among them Henry van de Velde, Marcel Breuer, Hans Gugelot, Peter Maly... and who had a great impact on German and international design. He completed his secondary education in Germany, studying sculpture in Düsseldorf before training in architecture at the Technical University of Aachen in 1960, specializing in construction engineering. During his studies, Ghyczy worked as an assistant to the renowned German architect Rudolf Steinbach (1903-1966) and on projects in Paris and Egypt. In 1968 he took up a position at Elastogran in Lemförde in southern Lower Saxony, where he was responsible for the development of polyurethane products. He also worked for Vitra.

Valorac. 9 000 - 11 000 EUR

LUDWIG MIES VAN DER ROHE (Germany, 1886 - USA, 1969) for KNOLL. Sofa-bed "Barcelona", design 1929 (Universal Exposition of Barcelona). Chromed stainless steel and Cognac leather upholstery. African ramin wood frame. Leather-covered cushion sewn with buttons and chains. Includes matching neck pillow. Certified by Knoll International. Original packaging. Brand new. Reproduced and reviewed in "Charlotte & Peter Fiell. 1000 Chairs", p. 133. Measurements: 41 x 195 x 95 cm. 226x103 cm. (packing). The Barcelona sofa bed is a classic work of 20th century industrial design. Mies van der Rohe created it, along with the matching chair and side table, for the German pavilion at the 1929 Barcelona International Exposition, a building that was itself a landmark in the architecture of the last century. Like the chairs, the ottoman was made with a polished stainless steel frame and leather upholstery. Rohe based its creation, in his personal line of modern classicism, on furniture used by Roman magistrates in antiquity. Today, both the Barcelona chair and the matching ottoman and side table are still produced by Knoll, the firm that bought the license from the architect in 1953. Modern models are produced in two different steel configurations, and in various types of leather in different colors. Examples of the Barcelona chair are now held in important collections around the world, including the MoMA in New York. An architect and industrial designer, Mies van der Rohe trained with Bruno Paul and Peter Behrens, and opened his own studio in Berlin in 1912. Between 1930 and 1933 he directed the Bauhaus in Dessau, although the political situation in Germany soon after forced him to emigrate to the United States. There he continued his brilliant career, teaching at the Illinois Technology Institute in Chicago. During his career he designed emblematic buildings mainly in Germany and the United States, especially his skyscrapers in New York and Chicago, the German Pavilion for the 1929 Barcelona International Exposition, and the NeueNationalgalerie in Berlin.

Valorac. 900 - 1 350 EUR

Wilhelm Velten, Cazador junto a un torrente Paisaje virgen de alta montaña con un cazador, junto a un arroyo de montaña que cae en cascada en el valle, con un imponente telón de fondo montañoso, pintura de paisaje empastada con pincelada ancha en colores sobrios y tonales, óleo sobre lienzo, c. 1880, firmado e inscrito "W. Velten München" abajo a la izquierda, reentelado, restaurado, enmarcado en un marco dorado a juego más nuevo y muy fino, dimensiones rebatidas c. 91 x 76 cm. Información sobre el artista: Pintor de género germano-ruso. Pintor de género (1847 San Petersburgo - 1929 Munich), estudió 1867-69 en la Academia de San Petersburgo, desde 1869 estudió en la Academia de Munich, aquí desde 1870 alumno de Wilhelm von Diez, más tarde profesor en la Academia de Munich, desde 1890 miembro de la colonia de artistas de Dachau, representado entre otros en la Fine Arts Acad. Buffalo, la Neue Pinakothek y la Städtische Galerie München, así como en la Staatsgalerie Prag, miembro de la Münchner Künstlergenossenschaft y de la Münchner Sezession, activo en Múnich, desde 1890 estancias regulares en Dachau y Etzenhausen, fuente: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Benezit, Dressler y Matrikel der Akademie München, "Dachauer Maler - Die Kunstlandschaft von 1801-1946", Boetticher, Bruckmann "Münchner Maler des 19. /20th century", Münchner Maler - Die Kunstlandschaft von 1801-1946, Boetticher, Bruckmann "Münchner Maler des 19. /20th century", Münchner Maler - Die Kunstlandschaft von 1801-1946/20th century", Müller-Singer y Wikipedia.

Valorac. 80 - 120 EUR

Hans Heinen, "Tiempo de abril" Árboles en la orilla del lago, bajo imponentes nubes de tormenta a la luz del atardecer, pintura de paisaje atmosférica barnizada, en parte ligeramente empastada, óleo sobre panel de madera contrachapada, firmada e inscrita "Hans Heinen - Mchn. [Munich]" abajo a la derecha, numerada y titulada "F066" y "Aprilwetter" en tinta china en el reverso y fechada "21 de abril de 1919" en plomo, así como antigua etiqueta "Erich Möller ... München" en el reverso del marco, craquelado y fondo de la pintura ligeramente agrietado debido al secado, antiguo soporte del panel de madera contrachapada en el reverso, necesita limpieza y algo de restauración, enmarcado originalmente en un marco de estuco dorado (def.), dimensiones del rebajo aprox. 45 x 50 cm. Artist information: actually Johann Heinen, German painter, copyist and painting restorer (1860 Krefeld to 1943 Munich), artistically self-taught, active in Munich from 1890, participated in the exhibitions at the Glaspalast Munich in 1908 and 1917 as well as the "Juryfreie Kunstausstellung" in 1911 and 1916, member of the Reichsverband Bildender Künstler Deutschlands, active in Munich, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Bruckmann "Münchner Maler des 19./20th century", Bénézit, Busse y Müller-Singer.

Pagos Online seguros garantizados por Ingenico y transacciones encriptadas.

Cada lote ha sido autenticado y valorado por una casa de subasta.

Consulte nuestra sección de ayuda o póngase en contacto con nosotros

Historica casa de subasta , Drouot es la casa de subastas mas grande de Francia. Abierta a todo el mundo, la institución es el lugar ideal para los amantes del arte y la decoración. La plataforma de subastas en línea drouot.com le permite pujar a distancia, desde cualquier lugar, y acceder al mayor catálogo de arte y objetos decorativos de la Europa continental.

El Grupo Drouot

CASAS DE SUBASTAS ASOCIADAS A DROUOT

Contactos

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]

Área de prensa

Visitas y privatizaciones